Cher Public

Period piece

italianaWhile Jean-Pierre Ponnelle’s production of L’Italiana in Algeri for the Met remains steadfastly ignorant of postcolonial theory, it at least provides one with a distinct pleasure: the opportunity to hear some delightful music.  Read more »

My name is Barbiere

James Conlon, Music Director for the LA Opera, often does the pre-game lecture in the huge open space on the second floor lobby of the Dorothy Chandler Pavillion and it’s almost always a standing room only crowd.  Before opening night on Saturday he related how a  performance of Gioachino Rossini’s Il Barbiere di Siviglia by a fledgling local company lit the fire in him to be a conductor at the tender age of 11. Read more »