“…Onegin, which opens the Met’s season on Monday, has taken an unusually precipitous tumble from sure thing—a pinnacle of Russian music, featuring the most eminent Russian soprano and Russian conductor of our time, in a production by a widely admired theater director making her Met debut—to headache-plagued.” [New York Times]
If Frank Castorf‘s work on Der Ring des Nibelungen at Bayreuth accomplishes nothing else, it should serve as a sort of loud disorganized reminder of the dangers of indulging in the intentional fallacy. Read more »
Teresa Berganza is the latest superannuated superstar to jump on the “I hate regie” bandwagon, calling for stage directors who do not share her “religion” to be put in jail. How Spanish is that? [Le Figaro]
All right, I admit it; I finally broke down and read the program notes for the Ring in the Bayreuth program book.
Well, my dears, if you thought Frank Castorf‘s Ring or Stefan Herheim‘s Meistersinger were outré, then wait until you get a load of the radical take on Don Carlos by Peter Stein for the Salzburg Festival!
Revealed: first images of Frank Castorf‘s production of the Ring, launching Friday at Bayreuth.
We waited eagerly to hear the Munich-born Jonas Kaufmann make his role debut as Manrico at the Bavarian State Opera as well the German-Greek soprano Anja Harteros take on Leonora’s bravura difficult arias.
Soprano Elizabeth Blancke-Biggs sings the final scene from Salome in the Stefan Herheim production for Den Norske Opera.