Cher Public

  • luvtennis1: Too bad you didn’t care for the piece! It is kitschy. GGM can be pretty kitschy too when you think about it. I... 5:57 PM
  • Krunoslav: “As far as the comment that Cerha’s editiion wasn’t ready for the Met’s 1979 production, that’s incorrect. Here’s the... 5:12 PM
  • PCally: Camille, I’ve heard this recording before and Silja, with maybe a couple of exceptions takes all the lower option, though... 4:52 PM
  • Krunoslav: Silja was terrific as the Kostelnicka, but I envy your having heard Jurinac. “Not since Sylvia Fisher…̶ 1; 4:47 PM
  • armerjacquino: Don’t. It just got even better! 4:45 PM
  • chicagoing: “I do, however, look forward to future performances at Florida Grand Opera and the Glimmerglass Festival… 221; 4:27 PM
  • Operngasse: Sigh – Really can’t rely on the memory anymore. The Jenufa was fall 1980 at San Francisco, but the Kostelnicka... 4:14 PM
  • armerjacquino: She had them in 66- my parents saw her as Konstanze. 4:09 PM

Gee, our old Chagalls hang great

It’s time to call out the canard again, a whole row of them in fact: a series of “What’s wrong with the Metropolitan Opera?” editorials by “writer, speaker, consultant… compelling teacher…. [and] expert on everything Italian, the person other so-called Italy experts turn to for definitive information,” Fred Plotkin. Read more »

Dead European white males once again in jeopardy

Our old friend Heather Mac Donald (not pictured) is back, ostensibly to mourn the loss of “Petrarchan intimacy with the past” in the study of the humanities, but, reliably enough, she can’t help taking a swipe at Regietheater while she’s at it. So naturally Our Own JJ is ready with the counterpoint over at Rough and Regie.

Come to the unstable

“How, then, to explain the perplexing performance last Friday night of Falstaff, Mr. Levine’s first new production since his return? Nothing went wrong exactly, but nothing went quite right either. Conducting this final masterpiece of Verdi—a Levine specialty at the Met since 1972, his second season with the company—the maestro was off his game.” [New York Observer] (Photo: Ken Howard)

traviata

Blonde, bombshell

So we may all be on the same page as we discuss, following the jump is the video of the December 7 Traviata from La Scala.

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vepres

The mystery of Stefan’s “Vêpres”

The much-anticipated Stefan Herheim production of Les Vêpres Siciliennes opened last night at the Royal Opera, and the New York TimesZachary Woolfe was something less than completely bowled over.

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dg_amazon

Bo, concept

The surprises, and puzzles, of Dmitri Tcherniakov‘s production of Don Giovanni in this DVD of a performance at the Aix-en-Provence festival begin before a note has been played or the curtain has risen.

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Fidelio

Von Kopf bis Fuss

La Cieca is happy to present the following readymade blind item.

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Noises Off

Pushkin comes to shove

Onegin, which opens the Met’s season on Monday, has taken an unusually precipitous tumble…

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the_walkure_the

No one who speaks German could be an evil man

If Frank Castorf‘s work on Der Ring des Nibelungen at Bayreuth accomplishes nothing else, it should serve as a sort of loud disorganized reminder of the dangers of indulging in the intentional fallacy.

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elderly_diva

What a day for an auto-da-fé

Teresa Berganza is the latest superannuated superstar to jump on the “I hate regie” bandwagon.

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