Cher Public

  • Cicciabella: I couldn’t watch the Don G ROH webstream last night, but this “novice̶ 1; live blog makes up for it:... 1:29 AM
  • Cicciabella: Thank you so much, manou, for taking the time to sum It all up. “bows to pressure”: not really. Productions are... 12:59 AM
  • WindyCityOperaman: Conga! number my favorite song in the show! 11:03 PM
  • Poison Ivy: Thank you manou. Great review. And good to hear that Osborn’s upper register didn’t betray him in the big... 10:35 PM
  • laddie: Thank you manou. 10:11 PM
  • Batty Masetto: Read it all, manou, and not too long at all, either. 9:58 PM
  • gustave of montreal: Merci, cara. Et, bon 4 juillet aux américains. 8:57 PM
  • manou: …and also: http://tinyurl.com /pjgznbh 8:49 PM

Come to the unstable

“How, then, to explain the perplexing performance last Friday night of Falstaff, Mr. Levine’s first new production since his return? Nothing went wrong exactly, but nothing went quite right either. Conducting this final masterpiece of Verdi—a Levine specialty at the Met since 1972, his second season with the company—the maestro was off his game.” [New York Observer] (Photo: Ken Howard)

Blonde, bombshell

So we may all be on the same page as we discuss, following the jump is the video of the December 7 Traviata from La Scala. Read more »

The mystery of Stefan’s “Vêpres”

The much-anticipated Stefan Herheim production of Les Vêpres Siciliennes opened last night at the Royal Opera, and the New York TimesZachary Woolfe was something less than completely bowled over.

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Bo, concept

The surprises, and puzzles, of Dmitri Tcherniakov‘s production of Don Giovanni in this DVD of a performance at the Aix-en-Provence festival begin before a note has been played or the curtain has risen.

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Fidelio

Von Kopf bis Fuss

La Cieca is happy to present the following readymade blind item.

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Noises Off

Pushkin comes to shove

Onegin, which opens the Met’s season on Monday, has taken an unusually precipitous tumble…

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No one who speaks German could be an evil man

If Frank Castorf‘s work on Der Ring des Nibelungen at Bayreuth accomplishes nothing else, it should serve as a sort of loud disorganized reminder of the dangers of indulging in the intentional fallacy.

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What a day for an auto-da-fé

Teresa Berganza is the latest superannuated superstar to jump on the “I hate regie” bandwagon.

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Ring? What ring?

All right, I admit it; I finally broke down and read the program notes for the Ring in the Bayreuth program book.

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High concept

Well, my dears, if you thought Frank Castorf‘s Ring or Stefan Herheim‘s Meistersinger were outré, then wait until you get a load of the radical take on Don Carlos by Peter Stein for the Salzburg Festival!

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