“Anna Netrebko (Leonora) is seen during the Il Trovatore photo rehearsal on August 4, 2014 in Salzburg, Austria.”
It’s time to call out the canard again, a whole row of them in fact: a series of “What’s wrong with the Metropolitan Opera?” editorials by “writer, speaker, consultant… compelling teacher…. [and] expert on everything Italian, the person other so-called Italy experts turn to for definitive information,” Fred Plotkin. Read more »
Mezzo-soprano Joyce DiDonato is first among equals in a spectacular cast when she sings the title role of Ariodante in this season’s installment of Carnegie Hall’s critically acclaimed cycle of Handel’s operas in concert. A brilliantly melodic work, the opera features outstanding arias for each of the principal singers, including Ariodante’s melancholy “Scherza infida” and show-stopping “Doppo note.” Harry Bicket and The English Concert bring authentic Handelian brilliance to this marvelous opera. (Photo: Simon Pauly) Get tickets. Read more »
Our old friend Heather Mac Donald (not pictured) is back, ostensibly to mourn the loss of “Petrarchan intimacy with the past” in the study of the humanities, but, reliably enough, she can’t help taking a swipe at Regietheater while she’s at it. So naturally Our Own JJ is ready with the counterpoint over at Rough and Regie.
How, then, to explain the perplexing performance last Friday night of Falstaff, Mr. Levine’s first new production since his return?
So we may all be on the same page as we discuss, following the jump is the video of the December 7 Traviata from La Scala.
The surprises, and puzzles, of Dmitri Tcherniakov‘s production of Don Giovanni in this DVD of a performance at the Aix-en-Provence festival begin before a note has been played or the curtain has risen.
Onegin, which opens the Met’s season on Monday, has taken an unusually precipitous tumble…