Headshot of La Cieca

Cher Public

  • Benedetta Funghi-Trifolati: Yes, I was there. Two little toy dogs in the Act 1 ROSENKAVALIER Marschallin&#... 11:23 AM
  • 98rsd: I’ve seen a few interrupted performances: the opening of the Met Makropoulos, the Peter Sellars... 10:55 AM
  • Chanterelle: Vocabulary gleaned from Schubert lieder amused my German professor enormously. 10:48 AM
  • Krunoslav: ‘I’m sure there must be precedents for interrupting in the middle of the scene in the... 10:48 AM
  • Krunoslav: Historic maybe in the Danilo Princip sense–an augur of worse to come–but she was 19... 10:31 AM
  • kashania: Yes, it’s hard to imagine what could be gained from keeping the performance going at that... 10:28 AM
  • DellaCasaFan: I wonder if Chung should have stopped and save everyone an embarrassment. You could hear... 10:24 AM
  • DeepSouthSenior: Language lesson to accompany Ralph Kramden’s line in The Honeymooners, “One of... 10:23 AM
  • Grane: When being recruited for volunteer work or fundraising activities: “Ich hilfe nie.” 10:19 AM
  • kashania: Thanks for the in-house report, Marianne. Wow. I can’t believe the audience would boo a... 10:15 AM

Who’s that woman?

silja_behrensFaithful and sharp-eared member of the cher public reedroom notes, “…an observation about the Levine 40th Wozzeck CD (Anja Silja/Jose van Dam)—the second CD (acts 2 and 3) has to be a different performance, different cast and different year. It is undoubtedly Hildegard Behrens on the 2nd CD. I don’t know who the baritone is but it is NOT van Dam. The orchestra/stage balance is different on the 2nd CD and it sounds like a “better” orchestra too.  Am I nuts? ” Read more »