Cher Public

  • gustave of montreal: Thibaudet also performed at the Met in Fedora as the exiled Polish pianist Lazinski. 9:01 PM
  • PCally: Adrianne Pieczonka 8:53 PM
  • NPW-Paris: Exactly where I’ll hear Sweeney Todd this Sunday. 7:24 PM
  • NPW-Paris: I heard it in a hot tent in Brussels with noisy ventilators and jet planes overhead, on their way to land. 7:01 PM
  • Operngasse: I first saw Much Ado in the Joseph Papp 1972 production with Sam Waterston and Kathleen Widows. Updated to early 20th century... 6:55 PM
  • NPW-Paris: Ayayay… grateful. 6:34 PM
  • NPW-Paris: I heard him in Rigoletto in Paris and agree with you: I was greatful for his generosity and risk-taking. 6:32 PM
  • quibbleglib: I’ve only seen him live once — in the Met Boheme — but in my experience, Fabiano is praised here because... 6:30 PM

Pretty perfect

“In a winter rich with splashy debuts, Friday’s performance of Le Comte Ory introduced a 27-year-old South African charmer who may well be the Met’s next big star. She’s Pretty Yende, and that first name fits her to a tee, what with her willowy figure, megawatt smile and—most of all—ravishing light soprano.” [New York Post]

One furtive tenor

SHOWBIZ Operastar 144450“Mexikanische Startenor” Rolando Villazón has canceled tomorrow night’s performance of L’elisir d’amore at the Munich Opera Festival due to an “acute infection.”  Speaking of “a cute,” substituting in the role of Nemorino will be puppylicious Pavol Breslik. [via]

puppy on a hot tin roof

La Cieca cannot help losing her heart to a stage director who compares Berg’s Lulu to “early Elizabeth Taylor,” particularly when the regisseur in question is puppylicious Paul Curran. (In this video he’s introducing the opera for his new production at Lyric Opera of Chicago opening in November.)

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