Headshot of La Cieca

Cher Public

  • papopera: Let us say, it is quite spectacular 7:38 AM
  • Krunoslav: Porgy– interesting; to me the Malick film foundered on Linda Manz–roughly my... 7:20 AM
  • Quanto Painy Fakor: Ponnelle was a genius. Now, in some ways, the torch has passed to Herheim httpv://www.y... 6:42 AM
  • turings: This is a problem with revivals more generally though, no? I’ve only ever seen two productions... 6:29 AM
  • armerjacquino: Beautifully put. 6:15 AM
  • armerjacquino: Couldn’t agree more about that NOZZE. And once again the devil is in the detail. Some... 6:14 AM
  • Buster: “One idea for one work, for one scene, or for one aria is not enough.” I also love what... 5:55 AM
  • Quanto Painy Fakor: The Grandeur that was Madga (pity that the piansit was such a schlep and insensitive to... 5:51 AM
  • Quanto Painy Fakor: sorry Ruth! httpv://www.youtub e.com/watch?v=gxLw BdwoXt0 5:22 AM
  • Quanto Painy Fakor: Die Berghaus was a real piece of work! https://www.youtub e.com/watch?v=gxLw BdwoXt0 I... 5:21 AM

Pretty perfect

“In a winter rich with splashy debuts, Friday’s performance of Le Comte Ory introduced a 27-year-old South African charmer who may well be the Met’s next big star. She’s Pretty Yende, and that first name fits her to a tee, what with her willowy figure, megawatt smile and—most of all—ravishing light soprano.” [New York Post]

One furtive tenor

SHOWBIZ Operastar 144450“Mexikanische Startenor” Rolando Villazón has canceled tomorrow night’s performance of L’elisir d’amore at the Munich Opera Festival due to an “acute infection.”  Speaking of “a cute,” substituting in the role of Nemorino will be puppylicious Pavol Breslik. [via]

puppy on a hot tin roof

La Cieca cannot help losing her heart to a stage director who compares Berg’s Lulu to “early Elizabeth Taylor,” particularly when the regisseur in question is puppylicious Paul Curran. (In this video he’s introducing the opera for his new production at Lyric Opera of Chicago opening in November.)

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