La Cieca’s favorite Puccini opera premiered exactly 100 years ago tonight! Read more »
Just because the Met’s production of La rondine is on hiatus at the moment doesn’t mean we have to go without our regular ration of Angela Gheorghiu. Here is The Elusive One herself with jummy Jonas Kaufmann among others in a documentary of last summer’s recording sessions for a new EMI recording of Madama Butterfly.
J’ai un ami, JJ, qui m’a raconté cette mise en scène de La rondine dans Gay City News.
Those of you cher public who ordered and enjoyed Decca’s bargain Wagner box may now be interested in a bargain Puccini edition offered by EMI. The set, Puccini: The Operas, retails for $59.98 (less than four bucks a disc) and includes complete performances of:Â
Not Tosca, of course, cher public — La Cieca could never say that about her dear, dear Tosca. But it does seem both shabby and shocking that the combined forces of The New York Philharmonic and Charles Zachary Bornstein, the Philharmonic’s Leonard Bernstein Scholar-in-Residence would not at the very least ask for a retake of the following video clip embedded in the NYP’s site. Wait patiently through the early platitudinizing for the final thirty seconds or so of the clip, when soprano (?) Courtenay Schowalter bravely attempts to sight-read the spiky intervals of that rarely-heard vocal work “Vissi d’arte” whilst Maestro Bornstein [...]
Member of the cher public Max writes: Don’t know if you’ve gotten reports on this yet, but Jonas Kaufmann‘s Cavaradossi at the Royal Opera (May 23) was singing like I haven’t heard since young Domingo (only Domingo never had that kind of ease on top). You could feel the waves of sound from his “Vittoria” but it was also so musical, so beautifully phrased with such beautiful clarity of diction and awesome command of dynamics. He’s German but looks like a Roman god. Gavanelli was a disgusting Scarpia (but effective in that way), Martina Serafin a surpisingly fiery and full-voiced [...]
Flash phenomenon Izzy Anderson returns with an all-new choice of repertoire, and La Cieca has the exclusive. In fact, your doyenne’s old, old, old friend Wenarto created two variant versions of Izzy’s aria, and La Cieca was hard-pressed (ahem!) to choose between them. True, the take seen below features far better singing, but in the earlier one Izzy sports a fauxhawk. (Isn’t YouTube wonderful, that we get to see and hear both?)
N.B. the “hommage” to legendary Luciano Pavarotti at 1:58!
Cher Public