Headshot of La Cieca

Cher Public

  • Feldmarschallin: BTW I loved Alexandra Reinprecht in Zirkusprinzessin last night. It was fun to see it in the... 8:59 AM
  • Feldmarschallin: Well that is a smart move. She can sing the Liebestod in concert and should leave it at... 8:58 AM
  • Cicciabella: I hope I understand correctly that WindyCityOperaMan& #8217;s unmissable birthday tributes are... 8:39 AM
  • arepo: What a pastiche of deliciousness. Okay, here’s my contribution: https://www.you... 8:20 AM
  • arepo: This was sumptuous. Callas at her best. And those bells! I never heard bells with that haunting a... 8:18 AM
  • Krunoslav: That’s what we love about you, Feldie– infinite pity for the thin, fashionable and... 7:55 AM
  • Buster: Thanks, FM. Interesting interview, especially what she has to say on Hans Sotin, and Wagner & bel... 7:51 AM
  • Feldmarschallin: Yes and let’t also hope she never sings again and her two orphaned children will have... 7:22 AM
  • Feldmarschallin: http://www.br.de/r adio/br-klassik/pr ogrammkalender/sen dung885060.html Zum Nachhören. 6:16 AM
  • Feldmarschallin: Buster I just heard Schwanewilms on the radio and her two wish roles are Capriccio Gräfin... 5:51 AM

The burning Ghars, or Ghats, or whatever they are

Lots of chatter in the British press about the Rowley rowdydow at the Garden, but what interests La Cieca the most is the pictorial evidence that Laurent Pelly‘s production of Robert le Diable looks exactly like a biscuit box.