Cher Public

  • mirywi: Stephanie Blythe also inexplicably ignored. 10:49 PM
  • DerLeiermann: Is english with the ocassional reference to italian/german/fre nch the only acceptable language on parterre? Is there some... 10:09 PM
  • LT: He didn’t complain. He asked what it meant. So, at least for once, quit bitchin’. 10:06 PM
  • DerLeiermann: (Both are correct!) 10:05 PM
  • Camille: Qu’est-ce que ça veut dire, — “beurrrkkk&# 8221;??? Parlez en français, s’il vous plaît!!!!!!! Les... 9:53 PM
  • Rudolf: @ schweigundtanze Well … that’s a surprising statement. :-) 9:49 PM
  • Camille: oh yes, I inherited that recording and it was my introduction to the work and remember a quote from the back of the album;,... 9:49 PM
  • Rudolf: @ Camille Not at all time challenged … after Lily Pons clad in historic sound I just had to unearth the wonderful... 9:20 PM

Fireworks

At the conclusion of LA Opera’s revival of Mozart’s Le Nozze di Figaro I was taking the early opportunity to stand before the curtain calls since I knew we’d all be on our feet presently. As I leaned forward the woman in front of me turned to her seatmate and very quietly, in a voice thick with emotion and not a few tears, said, “it’s so beautiful.” I couldn’t have agreed more.   Read more »

Top of the heap

You will be happy to hear that Michael Fabiano was the unrivaled star of the Richard Tucker Foundation Gala last night. You will perhaps be a little less happy to hear that this is not only figuratively but literally true: with so many cancellations and substitutions, Fabiano was about the only interesting thing happening. Read more »

Ina moment now

La Cieca hears that soprano Pretty Yende, a standout Met debutante last season in Le Comte Ory, has signed with the company for for four roles over the next three years: Pamina and Lucia in 2014-2015, Adina in 2015-2016 and Rosina in 2016-2017. Read more »

pretty_yende

Einspring can really hang you up the most

Winter Met sensation Pretty Yende does another jump-in this weekend, again in Le Comte Ory, but this time at the Theater an der Wien.

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