Headshot of La Cieca

Cher Public

  • kashania: Thanks, AJ. 3:13 PM
  • kashania: If Lopardo’s statement were more evenhanded, I could take it more seriously. 3:12 PM
  • Archaeopteryx: Absolutely. I think there should be more of his later operas as well, Maria di Rohan, Poliuto... 3:12 PM
  • armerjacquino: Very even-handedly put. Note, however, that Voigt’s criticism of Gordon tends to be... 3:00 PM
  • warmke: I think it is fair. To examine whether certain artists speaking out against Gelb might have a bias... 2:58 PM
  • armerjacquino: Fair enough. You’re right that you personally haven’t used much disparaging... 2:50 PM
  • kashania: AJ: I’m sorry if your “Got it” was intended as anything other than sarcasm. I... 2:43 PM
  • armerjacquino: Sorry. When I said ‘page’ , and you responded, I assumed you’d bothered to... 2:29 PM
  • armerjacquino: Your response was to repeat the same argument I was criticising. You don’t seem to... 2:28 PM
  • kashania: Don’t put words into my mouth. I have not read any of the comments and said no such thing... 2:27 PM

Ina moment now

La Cieca hears that soprano Pretty Yende, a standout Met debutante last season in Le Comte Ory, has signed with the company for for four roles over the next three years: Pamina and Lucia in 2014-2015, Adina in 2015-2016 and Rosina in 2016-2017. Read more »

Einspring can really hang you up the most

Winter Met sensation Pretty Yende does another jump-in this weekend, again in Le Comte Ory, but this time at the Theater an der Wien. She’s subbing for Cecilia Bartoli, who has canceled her first two performances of Comtesse Adèle there. [Der Standard]