Cher Public

  • Rosemont: Thank you for the reports and reviews from Santa Fe! I will be there for the first time first week of August…und freue... 12:25 AM
  • Lohenfal: Sure, but as I said, they (or others) may not be available. These singers are signed up way in advance. One never knows what... 12:11 AM
  • Sanford: She is terrific but the men are pretty awful, especially the tenor. The other voice I liked was Margareta Elkins. 11:34 PM
  • Krunoslav: ‘Rousseau’s ‘Dalle stanze” (well sung) is baritonal, the bass element in his tone all but lost…’ Old... 11:29 PM
  • mjmacmtenor: Wouldn’t Fidelio be good for Stemme (now finally singing at the Met) or Goerke? 10:55 PM
  • Camille: What you have to say has been exactly my experience as well, that is, you can find really admirable and superior performances of... 10:50 PM
  • lyrebird: Howdy Sutherlanders- Brian Adams’ La Stupenda’ also devotes pages to the Lucia first night and notes ”... 10:05 PM
  • Lohenfal: Bruschino, I don’t think that Gelb hates Fidelio or any other opera. It’s his way of looking at things. If he could... 9:22 PM

Her maestro’s voice

Our Own Poison Ivy interviews conductor Alain Altinoglu over at her own blog, Poison Ivy’s Wall of Text. (Photo © Fred Toulet.)

Sister act

fattipiuinlaOur Own JJ salutes three sister bloggers (of whom only one is female) in his current Rough and Regie column at Musical America.

The beauty part

TheGoodTheBadTheUglyBurgeoning blogress Poison Ivy asks the musical question “Which operas should have beautiful productions?” La Cieca encourages the cher public to detour to her blog “Poison Ivy’s Wall of Text” and comment on her very interesting and (La Cieca is delighted to note) thought-provoking postRead more »

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Nothing can stop the fan

Commenter emerita Poison Ivy (now a blogress in her own right) takes on the dark side of fandom over at Poison Ivy’s Wall of Text. Find out what the fan did!

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