“Peter Gelb, the Met’s general manager… has engaged Mr. Domingo to sing Don Carlo in Ernani next season, Simon Boccanegra the following season and Nabucco in 2016-17.” [New York Times]
Berliners anxious about casting of the Staatsoper’s new staging of Il trovatore since Aleksandrs Antonenko canceled can breathe a sigh of relief, since tenor Gaston Rivero (pictured) will jump in as Manrico. The production, which opens November 29, also stars Anna Netrebko and Placido Domingo.
Lincoln Center’s Great Performers presents Diana Damrau on Saturday, December 10th, joined by Xavier de Maistre on harp, performing works by Debussy, Strauss, Fauré, and more. A regular at the Met Opera, Damrau has been called “a soprano of matchless intelligence” (Guardian).
“One of the greatest proponents of the German lied tradition” (New York Times), baritone Christian Gerhaher performs an all-Mahler program on Saturday, December 17th, featuring Gerold Huber on piano. The Telegraph calls him “the most moving singer in the world.”
Both performances are at Lincoln Center’s Alice Tully Hall.
La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb, detailed after the jump. Read more »
“Placido Domingo Released From Hospital; Tenor Confirms He Will Sing Giovanna d’Arco”
La Cieca thought it would be amusing to do a bit of speculation about what’s to come as we approach the middle of the decade.
Well, you can slash La Cieca’s veins, drink her blood and trample her corpse, because she did not see this one coming!
Being an opera lover in Los Angeles is a lot like being a Red Sox fan. As hard as they try we never make it to the World Series, let alone the playoffs.
So Placido Domingo was all like, “Oh, that Anne Midgette is just a mean girl and she is SO JELLUS,” and then Anne was like, “Actually, nuh-uh, maestro, I’m so not.”
“Sony Classical is proud to announce the signing of an exclusive recording contract with Plácido Domingo. This new agreement brings the legendary singer back to the company where his unparalleled recording career started in the late 1960s. Sony Classical’s catalog boasts many of his milestone recordings, and the renewed collaboration between Mr. Domingo and the label promises to explore new repertoire areas and showcase fascinating new aspects of this great artist.” [via Slipped Disc]