Headshot of La Cieca

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  • kashania: Now following, thanks! 10:41 PM
  • InsideOut: Were management to play the table and get all its wishes, will tickets sales/earned revenue... 10:39 PM
  • La Cieca: I’ll just say this once: you’re an idiot. You’re free to continue commenting... 10:38 PM
  • meowiaclawas: No question. No one else qualified but: RENATA SCOTTO!! 10:36 PM
  • Leontynes Weave: It’s been very interesting to listen to the myth making going on to justify... 10:18 PM
  • ducadiposa: I have very mixed feelings about these HDs. The way the comments are flowing at this point,... 10:15 PM
  • Krunoslav: ” Soprano Galina Vishnevskaya, wife of cellist Mstislav Rostropovich, recalled... 9:34 PM
  • Daniel: My god, operaassport, do you realize what you wrote in your petulant right-wing tirade? “Defend... 9:30 PM
  • messa di voce: As Thelma Ritter said: “Everything but the bloodhounds snapping at her rear!” 9:11 PM
  • Bill: Oh I forgot Karita Mattila at the Met as a fine Eva (and I guess Studer was also a quality Evchen early... 9:04 PM

She said, he said

So Placido Domingo was all like, “Oh, that Anne Midgette is just a mean girl and she is SO JELLUS,” and then Anne was like, “Actually, nuh-uh, maestro, I’m so not.”

The world of tomorrow

“Sony Classical is proud to announce the signing of an exclusive recording contract with Plácido Domingo. This new agreement brings the legendary singer back to the company where his unparalleled recording career started in the late 1960s. Sony Classical’s catalog boasts many of his milestone recordings, and the renewed collaboration between Mr. Domingo and the label promises to explore new repertoire areas and showcase fascinating new aspects of this great artist.” [via Slipped Disc]

A fjord in his future

La Cieca is not sure if this is a casting announcement or the result of a particularly silly round of Mad Libs: Plácido Domingo will add yet another notch to his repertoire, the title role of Der Fliegende Holländer, in a production at the Arena di Verona in the summer of 2013, with Daniel Barenboim conducting. [L'arena]

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Give until it hurts

Sadly reduced to penury by music fans illegally downloading his music, the once-mighty Placido Domingo has resorted to whoring himself out to a recording industry organization whose noble purpose is to assure that sleazy A&R people continue to afford top-quality cocaine and hookers hard-working artists will receive just compensation for their work. Well, the legendary tenor has to keep busy after all, and apparently in the middle of worldwide recesssion nobody seems to think it’s a good idea to give him another opera company to run into the ground. [Bloomberg]

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Our weapons are useless

“With a career spanning half a century, Placido Domingo continues to be firmly against leaving the stage, where presently he is triumphing in his role as Oreste in the production of Iphigenie en Tauride that is being performed at New York’s Metropolitan Opera.” [Fox News]

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Altar ego

“At a time of life when most opera singers can barely remember their glory days, 70-year-old Placido Domingo is still giving performances singers half his age could be proud of.” Our Own JJ‘s latest review is a love letter to the Met’s revival of Iphigénie en Tauride. [New York Post]

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Cross purposes

It was while attending a performance of Fédora in Naples in 1885 that eighteen year-old Umberto Giordano fell in love with Sardou’s then immensely popular play; the protagonist was none other than Sarah Bernhardt, the creator of the title role. He immediately asked the French dramatist to sell him the rights, a request Sardou did not even take into consideration.  After the composer scored modest successes with Marina, Mala vita and Regina Diaz, Sardou seemed almost persuaded to relent, although the publisher Sonzogno considered the author’s financial demands too excessive.  Only after the triumph of Andrea Chénier did Sardou and [...]

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She aches just like a woman, but she breaks just like a little girl

“’Voice’ is a feminine noun is Spanish, and therefore, must be treated with love and attention, like a woman. This is where the secret lies.” [PanArmenian.net]

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Iphigénie en arrière-fond

“This company premiere features an outstanding cast led by soprano Patricia Racette, ‘the consummate singing actress’ (Chicago Tribune).” [Washington National Opera]

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Voilà donc la terrible idée!

La Cieca hears that Placido (“Simon Boccanegra is the only baritone role I’m interested in singing”) Domingo is going to expand his repertoire yet again, to Athanaël in Thaïs, sometime in 2012. The role after that, La Cieca hears, will be eponymous, but as of now the title is known to only a few chosen people.

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