Here’s a glimpse of the Regie route Anna Netrebko and Placido Domingo will go in November when they make their role debuts in Il trovatore at the Berlin Staatsoper. The production is by Philipp Stölzl (“mit Videos für Rammstein und Madonna berühmt”) and will also star Aleksandrs Antonenko and Marina Prudenskaja.
Now that the Met’s 2013-2014 season has been published and almost immediately discussed to death, La Cieca thought it would be amusing to do a bit of speculation about what lies ahead as we approach the middle of the decade. An assemblage of gossip and guesswork about the 2014-2015 season follows the jump, and won’t it be fun to look back on this post next February when the official announcement is made? Read more »
Well, you can slash La Cieca’s veins, drink her blood and trample her corpse, because she did not see this one coming! According to the very reliable échotiers over at Forum Opera, Placido Domingo will sing his first Conte di Luna in
Vienna Berlin in November of this year opposite the Leonora of Anna Netrebko!
Being an opera lover in Los Angeles is a lot like being a Red Sox fan. As hard as they try we never make it to the World Series, let alone the playoffs.
So Placido Domingo was all like, “Oh, that Anne Midgette is just a mean girl and she is SO JELLUS,” and then Anne was like, “Actually, nuh-uh, maestro, I’m so not.”
“Sony Classical is proud to announce the signing of an exclusive recording contract with Plácido Domingo. This new agreement brings the legendary singer back to the company where his unparalleled recording career started in the late 1960s. Sony Classical’s catalog boasts many of his milestone recordings, and the renewed collaboration between Mr. Domingo and the label promises to explore new repertoire areas and showcase fascinating new aspects of this great artist.” [via Slipped Disc]
La Cieca is not sure if this is a casting announcement or the result of a particularly silly round of Mad Libs: Plácido Domingo will add yet another notch to his repertoire, the title role of Der Fliegende Holländer, in a production at the Arena di Verona in the summer of 2013, with Daniel Barenboim conducting. [L'arena]
Sadly reduced to penury by music fans illegally downloading his music, the once-mighty Placido Domingo has resorted to whoring himself out to a recording industry organization whose noble purpose is to assure that sleazy A&R people continue to afford top-quality cocaine and hookers hard-working artists will receive just compensation for their work. Well, the legendary tenor has to keep busy after all, and apparently in the middle of worldwide recesssion nobody seems to think it’s a good idea to give him another opera company to run into the ground. [Bloomberg]
“With a career spanning half a century, Placido Domingo continues to be firmly against leaving the stage, where presently he is triumphing in his role as Oreste in the production of Iphigenie en Tauride that is being performed at New York’s Metropolitan Opera.” [Fox News]
“At a time of life when most opera singers can barely remember their glory days, 70-year-old Placido Domingo is still giving performances singers half his age could be proud of.” Our Own JJ‘s latest review is a love letter to the Met’s revival of Iphigénie en Tauride. [New York Post]