Cher Public

  • kashania: My confusion, Marianne. I was thinking of Christopher Corwin’s podcast from Covent Garden. But I did listen to your Met... 12:15 PM
  • DeepSouthSenior: Now Mrs. DSS and I are faced with a dilemma: During our trip to the Grand Canyon and Las Vegas next month, which do we... 12:00 PM
  • sycorax: “Two games of musical chairs are currently distracting New York’s classical-music critics. The first concerns the... 11:57 AM
  • Gualtier M: For those ladies (biological or otherwise) among us who appreciate that sort of thing here is more about these two gentlemen... 11:56 AM
  • DeepSouthSenior: I’ve mentioned several times that I play Met Opera on Demand through the app on my iPad, then via AirPlay to the... 11:51 AM
  • la vociaccia: Even the staunchest of his supporters (of which I decidedly am not) would have to admit that this role (and others like it)... 11:31 AM
  • DerLeiermann: why is this a double post? If the powers that be could delete one of the duplicated posts, that would be great. 11:20 AM
  • Cicciabella: Oh dear. BMW couldn’t foot the dress bill in exchange for Ange draping herself on one of their bonnets? 11:19 AM

Fifty shades of Domingo

LA Opera opened their 30th season with a pairing of two of their most popular productions, both of which were initially staged by filmmakers not unfamiliar with the vagaries of our industry outpost here in Hollywoodland. Puccini’s Gianni Schicchi, directed by Woody Allen was paired with Leoncavallo’s Pagliacci directed by Franco Zeffirelli.   Read more »

Oh, de’ verdi anni miei

“The Met’s revival of Verdi’s Ernani Friday night was every inch a tragic opera, though without being grand in any way. Its grisliest calamity was not the one the composer devised but rather one the production’s star, Plácido Domingo, brought on himself.” [New York Observer]

Pazzo son, guardate!

Manon Lescaut was Giacomo Puccini’s first big international success. His publisher, Giulio Ricordi, tried to put him off the project by citing Jules Massenet’s very successful adaptation just nine years previously. Puccini was intent on making the story his own, insisting, “A woman like Manon can have more than one lover… I shall feel it like an Italian, with desperate passion.” Desperation is certainly the feeling this reviewer got from a new recording of Manon Lescaut from our friends at Decca Classics, but I’m also quite certain it’s not the same type that the Maestro had for his subject. Read more »


Flame war

The role debut of a world-class singer is always a time of great anticipation, hopefully to be followed by celebration, if not unbridled jubilation.

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Brooklyn Queen Express

Our own Jungfer Marianne Leitmetzerin delves back into those days when there was another opera company in New York, and (what’s more) the opera done there was worth hearing.

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Calpesta il mio cadavere!

This week, Our Own Jungfer Marianne Leizmetzerin turns her vigilant ears to the recent past to take in a performance of Il trovatore featuring Anna Netrebko and Plácido Domingo.

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Photo: Ken Howard/Metropolitan Opera

West side, east side

Recently, opera showed up at both Mets, the Metropolitan Opera and the Metropolitan Museum of Art.

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The lovely bones

Peter Gelb, the Met’s general manager… has engaged Mr. Domingo to sing Don Carlo in Ernani next season, Simon Boccanegra the following season and Nabucco in 2016-17.”

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Rogo boy

Berliners anxious about casting of the Staatsoper’s new staging of Il trovatore since Aleksandrs Antonenko canceled can breathe a sigh of relief, since tenor Gaston Rivero (pictured) will jump in as Manrico.

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We’ll settle that tonight!

La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.

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