Headshot of La Cieca

Cher Public

  • mercadante: The Adriiana clip above was just gorgeous. And considering the altitude in Mexivo City, her... 9:53 AM
  • Chester: What a waste of AN’s talents. Adriana is such a poor opera, a waste of any opera... 9:06 AM
  • Milady DeWinter: Well I think Adriana is a great choice for Anna N. The pitch problems have been her... 8:14 AM
  • armerjacquino: Mozart’s Die Zauberflöte (Performance from October 2014) February 28, 2015 1:00 pm ET... 8:12 AM
  • armerjacquino: According to the Met site, there was no Stober and no Owens: Metropolitan Opera House October... 8:11 AM
  • Loge: I am in Washington DC and I am planning to attend the Washington Concert Opera’s Guntram this... 8:11 AM
  • Will: I left the Magic Flute broadcast early yesterday, not believing the poor quality of the singing. A... 7:45 AM
  • turings: Good luck with it, Sanford! 6:08 AM
  • armerjacquino: there are certain reliable singers who show up on time …and some of those singers get... 5:56 AM
  • redbear: Peter Sellars: “This is a period of mass intimidation, one where it’s no accident that... 5:48 AM

Pazzo son, guardate!

Manon Lescaut was Giacomo Puccini’s first big international success. His publisher, Giulio Ricordi, tried to put him off the project by citing Jules Massenet’s very successful adaptation just nine years previously. Puccini was intent on making the story his own, insisting, “A woman like Manon can have more than one lover… I shall feel it like an Italian, with desperate passion.” Desperation is certainly the feeling this reviewer got from a new recording of Manon Lescaut from our friends at Decca Classics, but I’m also quite certain it’s not the same type that the Maestro had for his subject. Read more »

Flame war

The role debut of a world-class singer is always a time of great anticipation, hopefully to be followed by celebration, if not unbridled jubilation. When two world-class singers premiere roles on the same night an operatic apoplexy is not unknown amongst the devoted. The theater’s infirmary stockpiles tranquilizers and the bar enjoys a brisk trade in all manner of festive libations. Now, gently fold into this mix one of the world’s greatest conductors who hitherto hasn’t shown much love to the Italian wing and then a stage director with a touch for the deranged and all bets are off.   Read more »

Brooklyn Queen Express

Our own Jungfer Marianne Leitmetzerin delves back into those days when there was another opera company in New York, and (what’s more) the opera done there was worth hearing. Read more »

netrebko_face

Calpesta il mio cadavere!

This week, Our Own Jungfer Marianne Leizmetzerin turns her vigilant ears to the recent past to take in a performance of Il trovatore featuring Anna Netrebko and Plácido Domingo.

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Photo: Ken Howard/Metropolitan Opera

West side, east side

Recently, opera showed up at both Mets, the Metropolitan Opera and the Metropolitan Museum of Art.

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cryptkeeper

The lovely bones

Peter Gelb, the Met’s general manager… has engaged Mr. Domingo to sing Don Carlo in Ernani next season, Simon Boccanegra the following season and Nabucco in 2016-17.”

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rivero

Rogo boy

Berliners anxious about casting of the Staatsoper’s new staging of Il trovatore since Aleksandrs Antonenko canceled can breathe a sigh of relief, since tenor Gaston Rivero (pictured) will jump in as Manrico.

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captain_future

We’ll settle that tonight!

La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.

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“But, doctor, all I came in for was an embolism…”

Placido Domingo Released From Hospital; Tenor Confirms He Will Sing Giovanna d’Arco”

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trovatore

Spanish panic

Here’s a glimpse of the Regie route Anna Netrebko and Placido Domingo will go in November when they make their role debuts in Il trovatore at the Berlin Staatsoper.

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