Cher Public

  • Cicciabella: That shouldn’t be a problem. Assistant directors are not nincompoops. We’ve just had a run of the Claus Guth Don... 2:36 AM
  • Porgy Amor: Aw, thanks, Niel (and all others). This opera, I think, has done better in the recording studio postwar than it has on stage,... 1:59 AM
  • Niel Rishoi: Excellent review of one of my favorite Verdi operas. I am extremely partial to the 1955 Decca recording – all great... 1:24 AM
  • Krunoslav: IPHIGENIA IN TAURUS Curt Olds Heddle Nash Buick ELECTRA Nadine {Ford] Sierra [Honda] Grace Bumbry Michèle [Honda] Crider... 11:57 PM
  • mirywi: I believe him and he’s got a trill. 11:46 PM
  • mirywi: I have no idea who that is but I love her. 11:38 PM
  • Quanto Painy Fakor: Big deal! They rent an old production and the director is too busy working on a new production in Munich, so they... 11:32 PM
  • mirywi: oh my gosh he’s got a voice AND he can sing. 11:30 PM

Doge days

Boccanegra 1That Placido Domingo and James Levine, the Met’s inexorable septuagenarians, would team up yet again—on April Fools’ Day, no less—for a revival of Verdi’s Simon Boccanegra occasioned an uncomfortable degree of doubt and dread.  Read more »

Il core vi dono

With February 14th falling on a Sunday, there will be no Valentine’s Day Met performance this year. However, Richard Eyre’s production of Manon Lescaut, starring Kristine Opolais and Roberto Alagna, premieres tonight, and the romantic Italian fare continues on Saturday with a matinee of Il trovatore and an evening twin bill of Cavalleria rusticana/Pagliacci. Read more »

Fifty shades of Domingo

LA Opera opened their 30th season with a pairing of two of their most popular productions, both of which were initially staged by filmmakers not unfamiliar with the vagaries of our industry outpost here in Hollywoodland. Puccini’s Gianni Schicchi, directed by Woody Allen was paired with Leoncavallo’s Pagliacci directed by Franco Zeffirelli.   Read more »

Spackled

Oh, de’ verdi anni miei

“The Met’s revival of Verdi’s Ernani Friday night was every inch a tragic opera, though without being grand in any way. Its grisliest calamity was not the one the composer devised but rather one the production’s star, Plácido Domingo, brought on himself.”

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manon_amazon

Pazzo son, guardate!

Manon Lescaut was Giacomo Puccini’s first big international success. His publisher, Giulio Ricordi, tried to put him off the project by citing Jules Massenet’s very successful adaptation just nine years previously. Puccini was intent on making the story his own, insisting, “A woman like Manon can have more than one lover… I shall feel it like an Italian, with desperate passion.” Desperation is certainly the feeling this reviewer got from a new recording of Manon Lescaut from our friends at Decca Classics, but I’m also quite certain it’s not the same type that the Maestro had for his subject.

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trovatore_amazon

Flame war

The role debut of a world-class singer is always a time of great anticipation, hopefully to be followed by celebration, if not unbridled jubilation.

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Devereux

Brooklyn Queen Express

Our own Jungfer Marianne Leitmetzerin delves back into those days when there was another opera company in New York, and (what’s more) the opera done there was worth hearing.

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netrebko_face

Calpesta il mio cadavere!

This week, Our Own Jungfer Marianne Leizmetzerin turns her vigilant ears to the recent past to take in a performance of Il trovatore featuring Anna Netrebko and Plácido Domingo.

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Photo: Ken Howard/Metropolitan Opera

West side, east side

Recently, opera showed up at both Mets, the Metropolitan Opera and the Metropolitan Museum of Art.

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cryptkeeper

The lovely bones

Peter Gelb, the Met’s general manager… has engaged Mr. Domingo to sing Don Carlo in Ernani next season, Simon Boccanegra the following season and Nabucco in 2016-17.”

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