Cher Public

  • NPW-Paris: It’s uncanny isn’t it? You seem somehow to hear more of the score. 4:45 AM
  • Buster: My pleasure, Camille. I am listening to his Traviata now, the one culled from the dress rehearsal – better even than the... 4:13 AM
  • Buster: Future Bayreuth: Christine Goerke as Brünnhilde, Andreas Schager as Siegfried and Parsifal. Dmitri Tcherniakov directs the new... 3:47 AM
  • DerLeiermann: Soprano lirico fotogenico sounds like a fach a young singer in the Santa Fe Opera apprenticeship program would claim. I love... 2:33 AM
  • Camille: We got hooked by this and are currently in the last part of Act III and yes, you sure do learn a lot, Buster, you are so right!... 10:07 PM
  • Camille: Only referring to either/or of these ladies as the prototypical soprano lirico fotogenico of each other’s respective time... 10:04 PM
  • Krunoslav: ‘ Vogt and Kaufmann were on opposite ends of the spectrum vocally.’ Really? Have you tried Lauritz Melchior, Paul... 9:48 PM
  • mercadante: Not really, Farrar could take an interval cleanly. 9:30 PM

Oh, de’ verdi anni miei

“The Met’s revival of Verdi’s Ernani Friday night was every inch a tragic opera, though without being grand in any way. Its grisliest calamity was not the one the composer devised but rather one the production’s star, Plácido Domingo, brought on himself.” [New York Observer]

Pazzo son, guardate!

Manon Lescaut was Giacomo Puccini’s first big international success. His publisher, Giulio Ricordi, tried to put him off the project by citing Jules Massenet’s very successful adaptation just nine years previously. Puccini was intent on making the story his own, insisting, “A woman like Manon can have more than one lover… I shall feel it like an Italian, with desperate passion.” Desperation is certainly the feeling this reviewer got from a new recording of Manon Lescaut from our friends at Decca Classics, but I’m also quite certain it’s not the same type that the Maestro had for his subject. Read more »

Flame war

The role debut of a world-class singer is always a time of great anticipation, hopefully to be followed by celebration, if not unbridled jubilation. When two world-class singers premiere roles on the same night an operatic apoplexy is not unknown amongst the devoted. The theater’s infirmary stockpiles tranquilizers and the bar enjoys a brisk trade in all manner of festive libations. Now, gently fold into this mix one of the world’s greatest conductors who hitherto hasn’t shown much love to the Italian wing and then a stage director with a touch for the deranged and all bets are off.   Read more »

Devereux

Brooklyn Queen Express

Our own Jungfer Marianne Leitmetzerin delves back into those days when there was another opera company in New York, and (what’s more) the opera done there was worth hearing.

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netrebko_face

Calpesta il mio cadavere!

This week, Our Own Jungfer Marianne Leizmetzerin turns her vigilant ears to the recent past to take in a performance of Il trovatore featuring Anna Netrebko and Plácido Domingo.

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Photo: Ken Howard/Metropolitan Opera

West side, east side

Recently, opera showed up at both Mets, the Metropolitan Opera and the Metropolitan Museum of Art.

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cryptkeeper

The lovely bones

Peter Gelb, the Met’s general manager… has engaged Mr. Domingo to sing Don Carlo in Ernani next season, Simon Boccanegra the following season and Nabucco in 2016-17.”

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rivero

Rogo boy

Berliners anxious about casting of the Staatsoper’s new staging of Il trovatore since Aleksandrs Antonenko canceled can breathe a sigh of relief, since tenor Gaston Rivero (pictured) will jump in as Manrico.

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captain_future

We’ll settle that tonight!

La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.

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domingo2

“But, doctor, all I came in for was an embolism…”

Placido Domingo Released From Hospital; Tenor Confirms He Will Sing Giovanna d’Arco”

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