The role debut of a world-class singer is always a time of great anticipation, hopefully to be followed by celebration, if not unbridled jubilation. When two world-class singers premiere roles on the same night an operatic apoplexy is not unknown amongst the devoted. The theater’s infirmary stockpiles tranquilizers and the bar enjoys a brisk trade in all manner of festive libations. Now, gently fold into this mix one of the world’s greatest conductors who hitherto hasn’t shown much love to the Italian wing and then a stage director with a touch for the deranged and all bets are off. Read more »
Our own Jungfer Marianne Leitmetzerin delves back into those days when there was another opera company in New York, and (what’s more) the opera done there was worth hearing. Read more »
This week, Our Own Jungfer Marianne Leizmetzerin turns her vigilant ears to the recent past to take in a performance of Il trovatore featuring Anna Netrebko and Plácido Domingo. Read more »
Recently, opera showed up at both Mets, the Metropolitan Opera and the Metropolitan Museum of Art.
Peter Gelb, the Met’s general manager… has engaged Mr. Domingo to sing Don Carlo in Ernani next season, Simon Boccanegra the following season and Nabucco in 2016-17.”
Berliners anxious about casting of the Staatsoper’s new staging of Il trovatore since Aleksandrs Antonenko canceled can breathe a sigh of relief, since tenor Gaston Rivero (pictured) will jump in as Manrico.
La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.
“Placido Domingo Released From Hospital; Tenor Confirms He Will Sing Giovanna d’Arco”
La Cieca thought it would be amusing to do a bit of speculation about what’s to come as we approach the middle of the decade.