La Cieca’s familiar spirits have been turning their generally steely eyes to the Future Met Wiki, attempting in vain to make sense of impending repertoire and casting at Casa Gelb. Perhaps you, the cher public, can offer your insights and suggestions the better to fill the many gaping lacunae in their prognostications. Read more »
Polish singers are chameleons. They have to be. There aren’t enough Polish operas to make a major career, even in Poland, a sizable nation, and if they go abroad, Krol Rogers and Halkas and Straszny Dvors are few and far between. And when did anyone last revive Penderecki’s Devils? Read more »
I’m giving my age away here by saying that I am unfortunate enough to remember how Rudy Giuliani would sometimes drop by the Met airwaves and claim he was a “huge” opera fan. The most mild inquiries revealed that his knowledge of opera started at La traviata and ended at La bohème. But there is a sizable portion of opera audiences who only like the bread and butter Italian operas, and the annual Richard Tucker Gala is probably the event of the year to indulge your love of verismo staples and can belto screaming. Read more »
Well that’s a terrible place to start a review, and it’s not quite fair to SFO’s Lucia di Lammermoor, but…
Susan Graham (pictured) and Piotr Beczala are the latest additions to the roster of “WQXR Presents Metropolitan Opera Spring Highlights,” at The Greene Space on Monday, April 6 at 7:00 PM.
Imagine two tenors releasing French opera aria collections at the same time without duplicating a single track!
The Met’s planned premiere of Iolanta/Bluebeard’s Castle was cancelled due to the Great Blizzard That Wasn’t.
Maestro Christian Thielemann has made his choice for Lohengrin casting in Dresden and, later, Bayreuth: “Anna Netrebko als Elsa und Piotr Beczala in der Titelpartie.”