La Cieca’s spies in Dresden (oh, they are legion!) report that there were HD cameras aplenty in the Semperoper at Wednesday night’s performance of Lohengrin, i.e., the one after the free “plazacast” last Sunday. This fact strongly indicates some kind of commercial release of the video, whether on a streaming service such as ARTE or else on disc for DGG (a label at which Anna Netrebko, Piotr Beczala and Christian Thielemann all have contracts, conveniently enough!)
La Cieca’s familiar spirits have been turning their generally steely eyes to the Future Met Wiki, attempting in vain to make sense of impending repertoire and casting at Casa Gelb. Perhaps you, the cher public, can offer your insights and suggestions the better to fill the many gaping lacunae in their prognostications. Read more »
Polish singers are chameleons. They have to be. There aren’t enough Polish operas to make a major career, even in Poland, a sizable nation, and if they go abroad, Krol Rogers and Halkas and Straszny Dvors are few and far between. And when did anyone last revive Penderecki’s Devils? Read more »
The annual Richard Tucker Gala is probably the event of the year to indulge your love of verismo staples and can belto screaming.
Well that’s a terrible place to start a review, and it’s not quite fair to SFO’s Lucia di Lammermoor, but…
Susan Graham (pictured) and Piotr Beczala are the latest additions to the roster of “WQXR Presents Metropolitan Opera Spring Highlights,” at The Greene Space on Monday, April 6 at 7:00 PM.
Imagine two tenors releasing French opera aria collections at the same time without duplicating a single track!
The Met’s planned premiere of Iolanta/Bluebeard’s Castle was cancelled due to the Great Blizzard That Wasn’t.
Maestro Christian Thielemann has made his choice for Lohengrin casting in Dresden and, later, Bayreuth: “Anna Netrebko als Elsa und Piotr Beczala in der Titelpartie.”