Highlights of the Metropolitan Opera’s 2019-2020 season will include the company premiere of Glass’s Akhnaten featuring Anthony Roth Costanzo and first local Turandot of Anna Netrebko (not pictured), according the always intriguing Met Future Wiki. Read more »
Sometimes, as with last week’s upending election, history seems to jump to an entirely different, unimagined timeline. The individuals who cause these disruptive changes have been a fascination for Philip Glass, whose first three operas form the so-called “Portrait Trilogy” about visionaries who transformed their respective eras. Read more »
Saturday’s Washington National Opera premiere of a new version of Philip Glass and Christopher Hampton’s opera Appomattox had everything going for it: the long-overdue appearance of the work of America’s greatest living opera composer on a Kennedy Center stage, timely and important subject matter tied to recent historical milestones, even a sexy policy hook (that’s a thing). Everything, as they say, but the opera. Read more »
Philip Glass’s 25th opera The Perfect American was originally commissioned for New York City Opera during the aborted regime of Gerard Mortier.
Something contemporary for the cher public: starting at 2:00 PM on Wednesday, the new Philip Glass opera The Perfect American.
“Is a work an opera simply because its creators choose to call it one?”
The repertory for the upcoming season of the English National Opera (also known as “Peter Gelb‘s shopping list”) boasts the world premiere of a new opera by Philip Glass, The Perfect American, which imagines the last days of Walt Disney.
Composer Philip Glass will appear this evening in support of Occupy Museums in Lincoln Center plaza during the Met’s final performance this season of his Satyagraha. The demonstration is described by Occupy Museums as “an open conversation at 10:30 pm about the effects of increased privatization and corporatization of all aspects of society, and the use of nonviolent civil disobedience around the world to reclaim the commons.”