Cher Public

  • antikitschychick: sorry my comment was in response to armerj’s post above concerning AN and Lady Macbeth. 9:23 PM
  • antikitschychick: Lol completely agree with everything you said here. I was actually surprised at how campy I found AN’s Lady... 9:21 PM
  • antikitschychick: well Cocky since she is sharing the role/run of Tosca with Anja Harteros I don’t think it’s out of the... 8:53 PM
  • phoenix: Only saw Anna once onstage: http://tinyurl.com /glqlhtr Natasha Rostova suited her very well but I never heard her sing with such... 8:31 PM
  • armerjacquino: I think, as ever, it depends on the director. In that Salzburg BOHEME she was genuinely remarkable as an actor- maybe the... 6:52 PM
  • Signor Bruschino: I completely agree- dreadful conducting. And when he was conducting South Pacific, during the dialogue scenes, he would... 6:34 PM
  • RosinaLeckermaul: Yes, rewriting classics was typical in the Restoration. Shakespeare was considered a genius, but one who needed editing... 6:07 PM
  • la vociaccia: I thought Sperling’s conducting in THE KING AND I was dreadful; rushed, shallow and completely without sweep or... 5:44 PM

The Metropolitan Opera’s 2016-2017 season!

The Met’s 2016-2017 season opens on September 26 with a new production of Wagner’s Tristan und Isolde, conducted by Sir Simon Rattle, directed by Mariusz Trelinski, and starring Nina Stemme and Stuart Skelton. The season will include the Met premiere of Finnish composer Kaija Saariaho’s 2000 opera L’Amour de Loin, as well as new stagings of Rossini’s Guillaume Tell, Gounod’s Roméo et Juliette, Dvorak’s Rusalka, and Strauss’s Der Rosenkavalier. Read more »

The toothless tiger rules the restless jungle

La Cieca can only go on for so long parsing statements like “So for now Mr. Levine and the Met are watching and waiting to see how he responds to his new regimen. Mr. Levine said that he hopes he is not done yet as music director.” It’s up to you, cher public, to try to decide for yourself what, if anything, this bizarre story in the New York Times means.

Let the shortfall! When it crumbles we will stand tall, face it all together

A press release from the Met grippingly begins, “In a fiscal year that challenged the nation’s largest performing arts organization to find a more sustainable financial model for the future, the Metropolitan Opera incurred an estimated $22 million budget shortfall for the 2013-14 season, it was announced today.” Read more »

Anna Netrebko

The seven percent solution

You figured it out a fortnight ago, cher public.

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compensation over time

Fun with graphs

La Cieca has come into possession of an interesting presentation, with fonts and everything, from Local 802, American Federation of Musicians, and the Metropolitan Opera Orchestra, outlining their solution for the current financial crisis at the Metropolitan Opera.

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seance

Séance on a partly cloudy afternoon

Your conduit to the spirit world, La Cieca, isn’t feeling quite as clairvoyante as usual today, cher public, so she’s going to ask your help in predicting what will happen in the course of the Met’s current labor negotiations.

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embedded_journalism

War zone

Alan Gordon, embedded journalist, reports from inside the first AGMA/Met negotiation session.

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hedda

Rumors addressed

Peter Gelb sent out an email to the “Public Bulletin Board” earlier today, noting that “inaccurate rumors [are] flying around” and attempting to clarify the Met’s position on upcoming union negotiations.

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gelb

The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.

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marching_orders

Spring breakers

Alan Gordon has mass emailed AGAM again, and La Cieca’s got a copy of the missive.

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