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Cher Public

  • Bill: Gabor Bretz is really a fine singer – have heard him often in Budapest. He is doing some... 9:19 AM
  • reedroom: Che oscenità! 9:13 AM
  • Will: Hans, Michael Maniaci may be of the Oberlin type, but may be something else altogether. I have heard... 9:02 AM
  • Sanford: I’ve known Nicholas for several years. In fact, my first stage role in 23 years was in... 9:02 AM
  • semira mide: My first “IolantaR 21; was the 1963 film with Lisitsian. Although it is on Youtube and... 8:25 AM
  • Quanto Painy Fakor: That is such a better example of that Arioso-Duet! Fabulous and exhilarating (It’s... 8:25 AM
  • Jungfer Marianne Leitmetzerin: Correction on link: http://www.mixclou d.com/Jungfer_Mari anne_Leizmetzer... 6:08 AM
  • La Valkyrietta: Krunoslav, thank you, I had not seen that beautiful photo of the “knave” ;. In the... 6:05 AM
  • Jungfer Marianne Leitmetzerin: I really, honestly, truly don’t mean to blow my own horn, but as an alternate,... 6:05 AM
  • La Valkyrietta: Yes, Turturro is in “The Luzhin Defense”, that is the movie. I think Nabokov... 5:59 AM

Let the shortfall! When it crumbles we will stand tall, face it all together

A press release from the Met grippingly begins, “In a fiscal year that challenged the nation’s largest performing arts organization to find a more sustainable financial model for the future, the Metropolitan Opera incurred an estimated $22 million budget shortfall for the 2013-14 season, it was announced today.” Read more »

The seven percent solution

Anna NetrebkoYou figured it out a fortnight ago, cher public: “The Metropolitan Opera… said Wednesday that it was also asking its solo singers voluntarily to lower their fees, including some of opera’s biggest stars.” [New York Times]

Fun with graphs

UPDATE: The Met has responded to the presentation from Local 802 et. al.

PREVIOUSLY: La Cieca has come into possession of an interesting presentation, with fonts and everything, from Local 802, American Federation of Musicians, and the Metropolitan Opera Orchestra, outlining their solution for the current financial crisis at the Metropolitan Opera. You may not be surprised to learn that their cost-saving stratagems include slashing the company’s budget for new productions, media and administrative costs, while increasing pay to the orchestra. Read more »

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Séance on a partly cloudy afternoon

Your conduit to the spirit world, La Cieca, isn’t feeling quite as clairvoyante as usual today, cher public, so she’s going to ask your help in predicting what will happen in the course of the Met’s current labor negotiations.

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War zone

Alan Gordon, embedded journalist, reports from inside the first AGMA/Met negotiation session.

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Rumors addressed

Peter Gelb sent out an email to the “Public Bulletin Board” earlier today, noting that “inaccurate rumors [are] flying around” and attempting to clarify the Met’s position on upcoming union negotiations.

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The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.

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Spring breakers

Alan Gordon has mass emailed AGAM again, and La Cieca’s got a copy of the missive.

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The Met: Can it be saved?

Short answer: yes. But let’s begin by dismissing the a blatant canard. One thing that the Metropolitan Opera does not need to do is to scale back the number of performances in a season.

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The Met: what’s really wrong?

The Met’s financial challenges are not meteorological, demographic, or cyclical; they are structural.

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