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Cher Public

  • Will: I like the idea of a cold Germont; I have felt for a long time that the supposed warm father/daughter... 7:52 PM
  • olliedawg: “richly deserves every…” ; (fingers & brain out of alignment this evening) 7:39 PM
  • olliedawg: GM — wow..what a list of the fabulous and fantastic! 7:38 PM
  • olliedawg: Sanford, I am beyond envious that you got to see Troyanos and Gasdia in Capuletti. TT was the... 7:35 PM
  • Avantialouie: I heard Rebeka in “Traviata 221; in Chicago last season. And it is exactly the... 7:09 PM
  • Evenhanded: Well. Thanks for the excellent review, Ivy. I don’t attend many Met performances, but will... 6:01 PM
  • lorenzo.venezia: Yes, Porgy, the Carsen production is, IMO, far more satisfying than Decker’s. And... 5:34 PM
  • Poison Ivy: Wtf? Did a bug crawl up your butt this morning? 5:10 PM
  • phoenix: It doesn’t matter. Gelb recommends her & Ivy loved her ‘bell-like&# 8217; tones... 4:59 PM
  • Gualtier M: We overlapped at LOC around 1985, Sanford. I saw that Capuleti with Gasdia’s U.S. debut.... 4:55 PM

Let the shortfall! When it crumbles we will stand tall, face it all together

A press release from the Met grippingly begins, “In a fiscal year that challenged the nation’s largest performing arts organization to find a more sustainable financial model for the future, the Metropolitan Opera incurred an estimated $22 million budget shortfall for the 2013-14 season, it was announced today.” Read more »

The seven percent solution

Anna NetrebkoYou figured it out a fortnight ago, cher public: “The Metropolitan Opera… said Wednesday that it was also asking its solo singers voluntarily to lower their fees, including some of opera’s biggest stars.” [New York Times]

Fun with graphs

UPDATE: The Met has responded to the presentation from Local 802 et. al.

PREVIOUSLY: La Cieca has come into possession of an interesting presentation, with fonts and everything, from Local 802, American Federation of Musicians, and the Metropolitan Opera Orchestra, outlining their solution for the current financial crisis at the Metropolitan Opera. You may not be surprised to learn that their cost-saving stratagems include slashing the company’s budget for new productions, media and administrative costs, while increasing pay to the orchestra. Read more »

seance

Séance on a partly cloudy afternoon

Your conduit to the spirit world, La Cieca, isn’t feeling quite as clairvoyante as usual today, cher public, so she’s going to ask your help in predicting what will happen in the course of the Met’s current labor negotiations.

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War zone

Alan Gordon, embedded journalist, reports from inside the first AGMA/Met negotiation session.

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hedda

Rumors addressed

Peter Gelb sent out an email to the “Public Bulletin Board” earlier today, noting that “inaccurate rumors [are] flying around” and attempting to clarify the Met’s position on upcoming union negotiations.

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gelb

The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.

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marching_orders

Spring breakers

Alan Gordon has mass emailed AGAM again, and La Cieca’s got a copy of the missive.

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The Met: Can it be saved?

Short answer: yes. But let’s begin by dismissing the a blatant canard. One thing that the Metropolitan Opera does not need to do is to scale back the number of performances in a season.

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The Met: what’s really wrong?

The Met’s financial challenges are not meteorological, demographic, or cyclical; they are structural.

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