Headshot of La Cieca

Cher Public

  • Cicciabella: Finally! Soneone who likes Haroutounian for herself and not because she comes to the aid of an... 2:41 AM
  • Angelo Saccosta: Me too, Quanto. It all started for me on March 31, 1956, Manon Lescaut with Licia and Jussi. 2:08 AM
  • basso profundo: He has a decent voice but, having met him, I’m not sure if “good-lookin g”... 1:14 AM
  • Guestoria Unpopularenka: LOL @ the bows after Celeste Aida. Who’s this tenor? 12:54 AM
  • katya toyanova: San Francisco Opera review: Soprano’s magnificent ‘Tosca’ debut http://www.sfga... 12:50 AM
  • katya toyanova: Review: Lianna Haroutounian Triumphs as Tosca – San Francisco Opera, October 23, 2014... 12:33 AM
  • katya toyanova: Cast Conductor: Yannick Nézet-Séguin Elisabeth de Valois: Lianna Haroutounian Eboli: Nadia... 12:31 AM
  • Krunoslav: Oops! Thanks, Scared Monster– I now realize I confused him with Adam Diegel. I did hear... 12:19 AM
  • Flora del Rio Grande: . . . Oh, and I over looked Kansas City. It has not only a winning ball club, but a... 11:59 PM
  • Flora del Rio Grande: Well, the old Met house was a Real Opera House in spite of certain shortcomings. The... 11:58 PM

A Life for the Gelb

“The Metropolitan Opera’s Grand Revitalization Act” on the PBS NewsHour. Read more »

Lock Up Raw

house_of_the_dead_met
The Met’s new production of Janacek’s From the House of the Dead sets high standards for the company, but as an indicator of the Gelb Era, it may be too good to be true. Read more »

Dead reckoning


Is it just me, or does this seem like using From the House of the Dead as a club to beat a dead horse? Read more »

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From the House of the Gelb

Our Own JJ interviews the Met’s general manager Peter Gelb in today’s New York Post.

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European males talk among themselves

La Cieca sat in on the “Cognitive Theater” discussion tonight at the New York Public Library, and the main impression she came away with is that Patrice Chéreau is a very quiet, soft-spoken man who happens to be a genius. (She was expecting something more fiery, but like many of the great divas, it seems this stage director saves his “flame” for the work.) Luc Bondy came off as a serious artist who either has run out of particularly interesting things to say in his work or else (maybe more likely) not a good fit for directing Tosca. Neither he [...]

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Silenzio, giustizia, silenzio, mister!

The subject of the controversy: that most insidious and invasive attack on American culture since fluoridation or women’s suffrage, operatic stage direction. The conspirators: the ilk of Peter Gelb, Patrice Chéreau, Luc Bondy and Bartlett Sher, ”instigated” by Paul Holdengräber. The meeting place: that hotbed of radical thought the New York Public Library (Fifth Avenue at 42nd Street). The offer: you can buy tickets here — if you dare!

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All Gelb, all the time

Where else? [NYT]

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Man of mystery

Zachary Woolfe asks the musical question, “Who is this Peter Gelb anyway?” [NY Observer]

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billets: doux?

So, cher public, those of you who are buying tickets for the Met today. What’s the experience like?

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she’s no longer a gypsy

Angela Gheorghiu, not to be outdone by Anna Netrebko‘s cancellation of Violetta in 2010, has just announced that she will not sing Carmen in 2009. According to the Romanian diva’s website, “With deep regret Angela Gheorghiu has to announce that she has to withdraw just from the new production of CARMEN at the MET later this year due to personal reasons. She will appear in the title role as scheduled on April 28 and May 1, 2010.” UPDATE: It’s official. According to a press release from the Met, Gheorghiu is out of the “first six” performances of Carmen, replaced by [...]

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