Headshot of La Cieca

Cher Public

  • moritz: You’re welcome, Porgy. I probably should have included the next sentence of the review as well:... 4:20 PM
  • Gualtier M: BTW: there is another whole generation of young Italian singers working all over Italy. This... 4:14 PM
  • antikitschychick: This took place on Sept. 28th so very recently :-). I second your concern about the burnout... 4:11 PM
  • Guestoria Unpopularenka: I’ve heard that they don’t clap after this aria at ROH. It was even... 4:10 PM
  • damekenneth: I always seem to confuse Riccardo Massi with Massimo Giordani, another goodish looking Italian... 4:10 PM
  • 98rsd: Sheer hypocrisy of attending a baseball game–because of Ebola? (The sound of a head shaking) 4:08 PM
  • operainsider: I use to believe the “Aida is the boring role” or “the opera should be called... 4:07 PM
  • 98rsd: That said, I just listened to the Celeste Aida and he sounds rather unsteady. Listen to the... 3:46 PM
  • 98rsd: The audience there doesn’t burst into applause at every opportunity. I’m not sure Kaufmann... 3:36 PM
  • Milady DeWinter: That was a wonderful (and funny) image – does the muddy ascent make that note... 3:28 PM

A Life for the Gelb

“The Metropolitan Opera’s Grand Revitalization Act” on the PBS NewsHour. Read more »

Lock Up Raw

house_of_the_dead_met
The Met’s new production of Janacek’s From the House of the Dead sets high standards for the company, but as an indicator of the Gelb Era, it may be too good to be true. Read more »

Dead reckoning


Is it just me, or does this seem like using From the House of the Dead as a club to beat a dead horse? Read more »

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From the House of the Gelb

Our Own JJ interviews the Met’s general manager Peter Gelb in today’s New York Post.

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European males talk among themselves

La Cieca sat in on the “Cognitive Theater” discussion tonight at the New York Public Library, and the main impression she came away with is that Patrice Chéreau is a very quiet, soft-spoken man who happens to be a genius. (She was expecting something more fiery, but like many of the great divas, it seems this stage director saves his “flame” for the work.) Luc Bondy came off as a serious artist who either has run out of particularly interesting things to say in his work or else (maybe more likely) not a good fit for directing Tosca. Neither he [...]

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Silenzio, giustizia, silenzio, mister!

The subject of the controversy: that most insidious and invasive attack on American culture since fluoridation or women’s suffrage, operatic stage direction. The conspirators: the ilk of Peter Gelb, Patrice Chéreau, Luc Bondy and Bartlett Sher, ”instigated” by Paul Holdengräber. The meeting place: that hotbed of radical thought the New York Public Library (Fifth Avenue at 42nd Street). The offer: you can buy tickets here — if you dare!

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All Gelb, all the time

Where else? [NYT]

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Man of mystery

Zachary Woolfe asks the musical question, “Who is this Peter Gelb anyway?” [NY Observer]

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billets: doux?

So, cher public, those of you who are buying tickets for the Met today. What’s the experience like?

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she’s no longer a gypsy

Angela Gheorghiu, not to be outdone by Anna Netrebko‘s cancellation of Violetta in 2010, has just announced that she will not sing Carmen in 2009. According to the Romanian diva’s website, “With deep regret Angela Gheorghiu has to announce that she has to withdraw just from the new production of CARMEN at the MET later this year due to personal reasons. She will appear in the title role as scheduled on April 28 and May 1, 2010.” UPDATE: It’s official. According to a press release from the Met, Gheorghiu is out of the “first six” performances of Carmen, replaced by [...]

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