Headshot of La Cieca

Cher Public

  • olliedawg: I agree with the phrase, too. I, too, have been in concert performances where the physical... 9:20 AM
  • David: Must be a slow news day. Or La Cieca’s heard a ‘commonwealt h accent’ again:... 8:45 AM
  • manou: Here is Siepi http://songbook1.f iles.wordpress.com /2010/06/cesare-si epi-in-don-giovann i-1.jpg And... 8:41 AM
  • DellaCasaFan: Cesare Siepi also had an earring in the Salzburg 1954 production. Ever since I saw it on video,... 8:19 AM
  • laddie: A very nicely done staging of the overture here, Robert Carsen, OF COURSE! http://www.yout... 5:19 AM
  • laddie: I was thinking the same…gloriou s voice! 4:54 AM
  • WindyCityOperaman: Born on this day in 1900 composer Ernst Krenek httpv://www.youtub e.com/watch?v=M... 4:29 AM
  • Lohengrin: Same! 2:11 AM
  • Lohengrin: “Acting withe the voice”: a very good description, of what singers should be able to... 2:09 AM
  • Feldmarschallin: Just a few words since I am leaving here shortly but the last two performances in Salzburg... 1:33 AM

Ass backwards

“If you think that elegant transitions like these are the crucial elements in the Ring — if you view Wagner’s cycle primarily as a series of logistical puzzles waiting to be solved with advanced technology — Ka might convince you, as it apparently did Mr. Gelb, that Mr. Lepage is the man for the job.  But if you care more about the cycle’s nuances — its characters and their relationships, its emotions, its philosophical complexities — then the idea of giving the reins to the creator of Ka, which is wholly devoid of all those complexities, is preposterous.” Zachary Woolfe went to Las Vegas and all we got was a thoughtful analysis of why Robert Lepage never was a good fit for the Ring.