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Cher Public

  • Lohengrin: Non curo! from Incoronatione diPoppea ismy favorite! Another from Manon Lecaut: Donna non vidi... 3:40 AM
  • antikitschychick: LMAO this is hilarious zinka. Thanks for sharing :-). 3:31 AM
  • NPW-Paris: I tried some of my Italian learnt from Monteverdi’s Orfeo on Roman friends. It made them... 3:14 AM
  • NPW-Paris: Aaaaargh bis : champ. 3:12 AM
  • NPW-Paris: Aaaaargh “champs de blé” – whenever will we be allowed to edit here? 3:09 AM
  • NPW-Paris: Well I’ve always thought knowing Bluebeard’s Castle would be handy for complaining to... 3:08 AM
  • MontyNostry: I didn’t listen to the entire Figaro, but the conducting was fatally turgid. Bill, I saw... 2:43 AM
  • UpB7: I heard yester-day’s radio broadcast of the Met’s “Nozze di Figaro”. It sounded... 2:37 AM
  • zinka: I had posted on “learning a language through opera.” If all you know is what you know from... 1:51 AM
  • antikitschychick: OMG so I finally watched “A Night at The Opera” by the Marx brothers and... 1:48 AM

Ass backwards

“If you think that elegant transitions like these are the crucial elements in the Ring — if you view Wagner’s cycle primarily as a series of logistical puzzles waiting to be solved with advanced technology — Ka might convince you, as it apparently did Mr. Gelb, that Mr. Lepage is the man for the job.  But if you care more about the cycle’s nuances — its characters and their relationships, its emotions, its philosophical complexities — then the idea of giving the reins to the creator of Ka, which is wholly devoid of all those complexities, is preposterous.” Zachary Woolfe went to Las Vegas and all we got was a thoughtful analysis of why Robert Lepage never was a good fit for the Ring.