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Cher Public

  • Arianna a Nasso: It goes to show what an important role the music director plays. Levine inspired the orchestra... 10:05 PM
  • Camille: I had much the same impression as you, but have attended eight performances of his conducting of... 9:22 PM
  • Camille: Grimoaldo, you raise an interesting point there, to me at least, and one I have been mulling all season... 9:14 PM
  • grimoaldo: I remember listening to two of Levine’s last live broadcasts from the Met, here in La C’s... 8:53 PM
  • Camille: Crikey & Cor! “Und ob die wölke” it is!! I had the very great, great privilege of hearing... 8:45 PM
  • Lohenfal: Thanks for the honest review. Most of the critics didn’t want to tell the truth about what they... 8:41 PM
  • grimoaldo: Wagner anniversary revives German debate over controversial composer http://www.guardia n.co.uk/music... 8:35 PM
  • RobNYNY1957: I think I did not hear her until her voice was more suited to character roles. The Countess in Pique... 8:33 PM

The Way We Were

UPDATE: The New York Times has published a followup story, with some select sheepish comments from Peter Gelb.   Read more »

Off message

Yes, we know, earthquakes, radiation, diva cancellations and all that. But it does still seem a bit strange to La Cieca that the “new” Met, where Peter Gelb so vocally trumpets the vital importance of new productions, should send the shabby 30-year-old John Dexter production of Don Carlo (above) on tour to Japan the very season a shiny new Nicholas Hytner version (after the jump) premiered in New York. Read more »