Cher Public

  • Camille: Oops. Too absorbed to notice my own BOLDNESS.! Sigh. I always make boo-boos. Sorry. 8:58 PM
  • Camille: Another thing, about the categorisations of the singers, from the Personaggi page in the front of the Ricordi vocal score, the... 8:56 PM
  • Camille: Well if Mo. Slatkin restored it for the ’92 performances, I wonder if it is included in that broadcast from–when was... 7:56 PM
  • Camille: Honey, she’s trying to get that guy to marry her maid Wowkle, who is already with a little baby — that’s why... 7:48 PM
  • Camille: You don’t even have to go to the library, honey, as I just now stumbled onto this valuable resource on The Girl –... 7:43 PM
  • fletcher: I took a peek at the Google Books preview of that Puccini and the Girl online and found an interesting note about a brief scene... 7:33 PM
  • manou: Of course I mean The tensions of the past and the future are probably taut — unless Minnie’s lessons go further that one... 7:31 PM
  • manou: The tensions of the past and the future are probably taut – unless Minnie’s lessons go further that one thought. 7:29 PM

Now I suddenly feel as if I’ve taken all my clothes off

Margo_500Can it really be 40 (Four, oh!) years since La Cieca was born on that sultry evening at the State Fair Music Hall in Dallas, Texas?  Read more »

Apocalyptic post

“We are all interested in the future, for that is where you and I are going to spend the rest of our lives.” So intoned The Amazing Criswell at the beginning of Plan 9 from Outer Space, and in this, as in so many other things, the celebrated psychic was right. Where will you, the cher public, spend the future? Let us ponder that question after the jump.   Read more »

Return of the king

Fifteen years after his first parterre box interview, that criterion of countertenors David Daniels speaks of Oscar Wilde, Marilyn Horne, marriage and political art. Read more »

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“Ecco la luce…”

That day we all knew eventually would come did come, in the winter of 2001, when the final issue of parterre box, the queer opera zine was mailed out to the cher public, such as they were at the time.

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“Senza rancor”

The winds of change sweep across the first post-9/11 issue of parterre box, the queer opera zine.

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Spunk

In issue #46 of parterre box the queer opera zine (“Spunk”), you will find an endorsement by the legendary Astrid Varnay.

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A Life in the Theater

Devotees of Dawn Fatale (and you are legion!) will be delighted to hear that the parterre scribe made an early (2001!) appearance in issue #45 of parterre box, the queer opera zine, ranting about the “squish-squish school of opera direction.”

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Less than Zarah

In a slight detour from the usual all-opera-all-the-time format of parterre box, the queer opera zine, issue #44 centers on Ben Letzler‘s superb appreciation of film and cabaret diva Zarah Leander.

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Marc Two

Issue #43 of parterre box, the queer opera zine is called “Marc Two” in honor of dramatic soprano Alessandra Marc, subject of an interview with Our Own JJ.

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City of dreams

With issue #42a, “City of Dreams,” parterre box the queer opera zine returns at least temporarily to a rational numbering system.

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