Headshot of La Cieca

Cher Public

  • Cicciabella: “…the braying of asses and the grunting of hogs.” Did Martin Luther attend... 12:20 PM
  • manou: I didn’t think much of Massi(ve disappointment) when I saw him recently here in Tosca. 12:16 PM
  • manou: Maybe his sight was obscured by your post. 12:14 PM
  • messa di voce: And as “Kunc.” ; 12:14 PM
  • Guestoria Unpopularenka: Really? You think she chooses her roles based on such careful and complex... 12:06 PM
  • Gualtier M: Just a note to the Met management that there is a better Italian tenor Radames choice out than... 12:06 PM
  • Krunoslav: I posted a reply on Lebrecht’s sight calling this trashy post what it was– and as... 11:54 AM
  • Guestoria Unpopularenka: Here you can find some excerpts: http://ximo.wordpr ess.com/2012/12... 11:48 AM
  • Porgy Amor: She’s a tragic character, but not really a victim- even her death is her own choice. That’s a... 11:47 AM
  • La Cieca: Netrebko has already announced she is singing Aida. This “weepy waily” stuff is a... 11:32 AM

“Ecco la luce…”

That day we all knew eventually would come did come, in the winter of 2001, when the final issue of parterre box, the queer opera zine was mailed out to the cher public, such as they were at the time. La Cieca is happy to recall that we went out in gala fashion, though, with an in-depth interview with James McCourt, parting rants from stalwarts Enzo Bordello and Dawn Fatale, an imaginary farewell concert and a mediocre Sondheim parody. As dear William Shakespeare once remarked, “Nothing in his life became him like the leaving it,” and so, your doyenne hopes, the late zine will leave you with a fond memory or two. [Download Issue #48]

“Senza rancor”

The winds of change sweep across the first post-9/11 issue of parterre box, the queer opera zine. Glimmerglass Opera is in a slump, Mark Adamo talks to Our Own JJ about his new opera Little Women, a passel of pundits predict the highlights of the 2001-2002 season, Hans Lick goes to Zagreb, La Cieca dresses up Renée Fleming… and Ira Siff closes shop on the legendary La Gran Scena Opera Co. di New York. Things indeed would never be the same. [Download Issue #47]

Spunk

In issue #46 of parterre box the queer opera zine (“Spunk”), you will find an endorsement by the legendary Astrid Varnay, the fever-dream libretto Der Fledermausmann, Dr. Repertoire and Dawn Fatale cavorting through the Broadway smash The Impresarios, the usual reviews and gossip, plus an installment of “A Boy and His Diva” by Jon Taylor. [Download Issue #46]

45_cover

A Life in the Theater

Devotees of Dawn Fatale (and you are legion!) will be delighted to hear that the parterre scribe made an early (2001!) appearance in issue #45 of parterre box, the queer opera zine, ranting about the “squish-squish school of opera direction.”

Read more »

44_cover

Less than Zarah

In a slight detour from the usual all-opera-all-the-time format of parterre box, the queer opera zine, issue #44 centers on Ben Letzler‘s superb appreciation of film and cabaret diva Zarah Leander.

Read more »

43cover

Marc Two

Issue #43 of parterre box, the queer opera zine is called “Marc Two” in honor of dramatic soprano Alessandra Marc, subject of an interview with Our Own JJ.

Read more »

42a_cover

City of dreams

With issue #42a, “City of Dreams,” parterre box the queer opera zine returns at least temporarily to a rational numbering system.

Read more »

42_cover

Recklessly passionate

Before you ask, cher public, there is no Issue #41 of parterre box, the queer opera zine, or, rather, this issue, #42 is the 41st.

Read more »

40_cover

On with the motley

In Issue #40 of parterre box, the queer opera zine, Our Own JJ nabs lengthy interviews with critic John Ardoin and tenor Richard Leech.

Read more »

cover_39

Drama queen

The very first words in this issue are “Renata Scotto will return to the American operatic stage in the 2001 season!”

Read more »