Cher Public

  • Porgy Amor: +1. Fanciulla and the short operas of Il trittico, especially Schicchi, are the best of Puccini to me. 7:44 PM
  • Will: No, not to all of us. There are marvelous things in Fanciulla; many critics and musicologists have commented on its merits and a... 7:39 PM
  • gustave of montreal: « greatest of all Puccini scores » is a surprise to all of us. 7:21 PM
  • Camille: All the Bernard Herrmann one could ever ask for or want: httpv://youtube.co m/watch?v=9uIEIelz _SM About halfway through you may... 6:52 PM
  • Camille: Oh, I just notice Le Mage! That one is a fave of Mr Belfagor and we have had a little discussion at some point in time. I... 5:52 PM
  • Camille: You are not butting at all and your information is more than welcome as I see very clearly I have gotten lazy and relied to... 5:48 PM
  • Camille: Don’t worry about fiddle-arcing. It is okay, whenever and wherever. I am highly unreliable myself, so no es problema!! 5:35 PM
  • Camille: Thank you so much Monsieur Hippolyte! I used to always go there–they have saved me so many dollars, but I’ve gotten... 5:34 PM

Now I suddenly feel as if I’ve taken all my clothes off

Margo_500Can it really be 40 (Four, oh!) years since La Cieca was born on that sultry evening at the State Fair Music Hall in Dallas, Texas?  Read more »

Apocalyptic post

“We are all interested in the future, for that is where you and I are going to spend the rest of our lives.” So intoned The Amazing Criswell at the beginning of Plan 9 from Outer Space, and in this, as in so many other things, the celebrated psychic was right. Where will you, the cher public, spend the future? Let us ponder that question after the jump.   Read more »

Return of the king

Fifteen years after his first parterre box interview, that criterion of countertenors David Daniels speaks of Oscar Wilde, Marilyn Horne, marriage and political art. Read more »

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“Ecco la luce…”

That day we all knew eventually would come did come, in the winter of 2001, when the final issue of parterre box, the queer opera zine was mailed out to the cher public, such as they were at the time.

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“Senza rancor”

The winds of change sweep across the first post-9/11 issue of parterre box, the queer opera zine.

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Spunk

In issue #46 of parterre box the queer opera zine (“Spunk”), you will find an endorsement by the legendary Astrid Varnay.

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A Life in the Theater

Devotees of Dawn Fatale (and you are legion!) will be delighted to hear that the parterre scribe made an early (2001!) appearance in issue #45 of parterre box, the queer opera zine, ranting about the “squish-squish school of opera direction.”

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Less than Zarah

In a slight detour from the usual all-opera-all-the-time format of parterre box, the queer opera zine, issue #44 centers on Ben Letzler‘s superb appreciation of film and cabaret diva Zarah Leander.

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Marc Two

Issue #43 of parterre box, the queer opera zine is called “Marc Two” in honor of dramatic soprano Alessandra Marc, subject of an interview with Our Own JJ.

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City of dreams

With issue #42a, “City of Dreams,” parterre box the queer opera zine returns at least temporarily to a rational numbering system.

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