“Those kids in Bushwick have this opera thing figured out.” [New York Observer]
“Part of what makes opera seem, at least, a camp art form is that fans of the genre have such inconsistent taste…. What a lot of opera queens flock to is a corner of the repertoire that can be best labeled ‘guilty pleasures,’ pieces we all know are of dubious artistic quality—but what fun to listen!” [New York Observer]
Pyrotechnics abound when Angela Meade stars in Opera Orchestra of New York’s production of Donizetti’s tragic love story, Parisina d’Este, conducted by OONY founder Eve Queler on May 4, 2016 at the Frederick P. Rose Hall at Jazz at Lincoln Center. OONY last performed this opera in 1974 starring Montserrat Caballé. The remaining cast features a group of young international artists including American tenor Aaron Blake in the role of Ugo, Chinese baritone Yunpeng Wang in the role of Duke Azzo, Serbian bass Sava Vemic in the role of Ernesto, and American Soprano Mia Pafumi in the role of Imelda. Don’t miss this thrilling, rare Donizetti gem.! Remaining tickets are on sale at the Jazz at Lincoln Center box office. Read more »
“This season I’ve sat through some perfectly mediocre performances in the plush seats of Lincoln Center, and last weekend I was transported by one of the year’s most intriguing presentations while writhing in discomfort in a plastic folding chair.” Our Own JJ reviews Orlando and Early Shaker Spirituals in the Observer.
Our own publisher and New York Observer scribe
Julie Jordan James Jorden plays pundit again for WQXR’s “Conducting Business.”
“’They’re young… they’re in love… and they kill people’ goes the tagline for the 1968 film Bonnie and Clyde, but the slogan could apply almost as well to the outlaw pair at the center of the Metropolitan Opera’s white-hot revival of Massenet’s Manon.”
Donkey dick and other Asian Fusion vaudeville acts arouse “The BAM Effect” at Handel’s Semele.
“It was the chilliest opening night at the Met in years on Monday—barely 15 degrees when the curtain went up on the company premiere of La Donna del Lago.“
“If Mozart had only had the sense to write Don Giovanni in a… single-performer format, last Wednesday’s revival at the Met would have been one for the ages.