Among a trio of contemporary operas, Our Own JJ confesses he just doted on Heartbreak Express, but “You Us We All was not my cup of twee.” [New York Observer]
“Everyone complains about how there is no great singing in opera anymore, but last week’s performances suggest that’s not so. The singing today is mostly fine; it’s everything else that’s the problem.” Our Own JJ was a little underwhelmed by both Tannhäuser and The Bonfire of the Vanities. [New York Observer]
“This throwback to the golden age of opera—superhuman singing greeted with frenzied ovations—was a function of a perfect storm of excitement: a performance of Verdi’s 1853 spellbinder to rank with one’s rosiest recollections of past glories, in combination with a poignant human story that left both cast and audience dissolved in tears.” [New York Observer]
Part of what makes opera seem, at least, a camp art form is that fans of the genre have such inconsistent taste.
Our own publisher and New York Observer scribe
Julie Jordan James Jorden plays pundit again for WQXR’s “Conducting Business.”