Cher Public

  • Constantine A. Papas: Sirius charges around $17 a month for one device such a radio connected to your audio system. You may need an... 1:21 PM
  • overstimmelated: Fleming does have a CH concert (4 Last Songs) and her 25th anniversary celebration in May. I suppose it’s possible... 11:58 AM
  • Lady Abbado: I’ve just noticed several other “for-the-fir st-time-in-a-live- performance” in Gheorghiu’s (very... 9:23 AM
  • Lohengrin: London-Ticket-Pric es (sold out!) £125 £95 £85 £50 £40 £30 6:49 AM
  • NPW-Paris: Five to 175 euros here. 6:36 AM
  • manou: Yes – he is coming to London in October. I have just given my tickets away because we shall be abroad on the day. Not that... 3:42 AM
  • schweigundtanze: The “O soave fanciulla” with Opolais is fantastic! It reminds me of Simoneau and Alarie’s recording. 3:34 AM
  • Lohengrin: https://www.youtub e.com/watch?v=DBeI QsCy9vw https://www.youtub e.com/watch?v=7E2B 9g07Rxk 3:02 AM

For your eyes only

Photo: Marty Sohl/Metropolitan Opera“Don’t bother with The Loft or The Boy Next Door: the most spine-chilling thriller currently playing isn’t on the screen of your local multiplex but on the stage of the Metropolitan Opera.” [New York Observer] Photo: Marty Sohl/Metropolitan Opera

Shortlisted

“Surprises—or let’s say pleasant surprises—are among the chief joys of frequent opera-going. Best, and most  precious, of all these impromptu delights is the eagerly anticipated performance  that soars beyond even one’s most extravagant fantasies. That’s what happened  when Sonya Yoncheva sang her first Met La Traviata last Wednesday: I  expected something lovely, but what I beheld was nothing short of magnificent.” [New York Observer]

Boys and girls, not together

Photo: Cory Weaver“…it’s particularly bewildering that before 2013 there was no such thing as the Prototype Festival, a program so essential that it feels like it must have been around forever. With a splendid sense of appropriateness, this festival of new opera is the first important event in the New Year, and the pieces it showcases offer at their best the thrill and hope of a New Year’s resolution.”  [New York Observer]

Renee Glawari

Floperetta

>”Ghastly!” — New York Observer

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Die Meistersinger

It’s complicated

Die Meistersinger von Nürnberg is a problematic opera—or, rather, it is an opera that has, in the last century or so, become problematic.

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Maurizio Muraro

Rossini crescendo

Sooner or later, Our Own JJ gets around to discussing the Met’s Barbiere di Siviglia and Juilliard’s Turco in Italia in this week’s New York Observer.

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Photo by Chris Lee

Rolling along

Show Boat continues to communicate, even in the less than perfect circumstances of this latest revival.

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Photo: Richard Termine

Mourning in America

“Taken by itself, the St. Matthew Passion felt a little mundane. But compared to Zauberflöte, it could have been the Second Coming.”

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Figaro

Wedding bell blues

“So it’s twice as disappointing that Monday night’s performance of the Mozart masterpiece turned into a four-hour fizzle.”

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protester

Chorus of the exiled protesters

“I applaud the Klinghoffer protesters for voicing their opinions, but that doesn’t stop me from saying that I find those opinions ill-informed, inept and downright dangerous.”

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