Headshot of La Cieca

Cher Public

  • "Comparing opera to Mad Max makes me uncomfortable. Mad Max is entertainment, pure and..." - redbear
  • "[TRUTH IN ADVERTISING DIVISION] Zinka: “ONE NOTE”" - Krunoslav
  • "httpv://www.youtub e.com/watch?v=m4DP F6kA0aI OK…Think back!!! Can ONE NOTE tell..." - zinka
  • "“And their monthly or bi-monthly magazine is free (though printed programs..." - Krunoslav
  • "If the GM of an opera company isin the mind set that the young generation should trade..." - CwbyLA
  • "Some European houses have considered these issues. A few examples off the top of..." - Chanterelle
  • "Maybe I can convince Jonas to come to Ptown…..." - Olivero is my Drug of Choice
  • "Deborah Voigt is coming to Provincetown, Ma this summer...." - Olivero is my Drug of Choice

Boys and girls, not together

Photo: Cory Weaver“…it’s particularly bewildering that before 2013 there was no such thing as the Prototype Festival, a program so essential that it feels like it must have been around forever. With a splendid sense of appropriateness, this festival of new opera is the first important event in the New Year, and the pieces it showcases offer at their best the thrill and hope of a New Year’s resolution.”  [New York Observer]

Floperetta

“Ghastly!” — New York Observer (Photo: Ken Howard/Metropolitan Opera)

It’s complicated

Die Meistersinger von Nürnberg is a problematic opera—or, rather, it is an  opera that has, in the last century or so, become problematic. Its composer,  Richard Wagner, was a profound artist who insisted in treating on profound  themes: Life, Death, Love, Redemption and so forth. In this opera, though, his  focus shifted to different universalities: Art and (here comes the troubling  part) what you might call ‘German-ness’.” [New York Observer] (Photo: Ken Howard/Metropolitan Opera)

Maurizio Muraro

Rossini crescendo

Sooner or later, Our Own JJ gets around to discussing the Met’s Barbiere di Siviglia and Juilliard’s Turco in Italia in this week’s New York Observer.

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Photo by Chris Lee

Rolling along

Show Boat continues to communicate, even in the less than perfect circumstances of this latest revival.

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Photo: Richard Termine

Mourning in America

“Taken by itself, the St. Matthew Passion felt a little mundane. But compared to Zauberflöte, it could have been the Second Coming.”

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Figaro

Wedding bell blues

“So it’s twice as disappointing that Monday night’s performance of the Mozart masterpiece turned into a four-hour fizzle.”

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protester

Chorus of the exiled protesters

“I applaud the Klinghoffer protesters for voicing their opinions, but that doesn’t stop me from saying that I find those opinions ill-informed, inept and downright dangerous.”

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opening night

Tiara in the aisles

Our Own JJ (pictured) is off to cover the Met’s opening night.

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Labor

And all the rest is talk

“Labor! Oh, the problem of labor at the Met is gargantuan,” Our Own JJ (not pictured) would have said, had he thought of it.

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