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	<title>parterre box &#187; our own jj</title>
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	<link>http://parterre.com</link>
	<description>where opera is king and you, the readers, are queens</description>
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		<title>Boxed seats</title>
		<link>http://parterre.com/2011/12/22/boxed-seats/</link>
		<comments>http://parterre.com/2011/12/22/boxed-seats/#comments</comments>
		<pubDate>Thu, 22 Dec 2011 16:25:18 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[listicles]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[our own jj]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=24040</guid>
		<description><![CDATA[Our Own JJ gets into the traditional holiday mood, journalist style, by cobbling together a listicle of last-minute shopping options. [New York Post]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-18415" title="jj_post_thumb" src="http://parterre.com/wp-content/uploads/2010/12/jj_post_thumb.jpg" alt="" width="120" height="120" />Our Own <strong>JJ</strong> gets into the traditional holiday mood, journalist style, by cobbling together a listicle of last-minute shopping options. [<a href="http://www.nypost.com/p/entertainment/theater/the_best_stage_presents_LZQnGRWyYWpdZjJUQNr2eI">New York Post</a>]</p>
]]></content:encoded>
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		<slash:comments>19</slash:comments>
		</item>
		<item>
		<title>Un cor che accende Amore</title>
		<link>http://parterre.com/2011/12/19/un-cor-che-accende-amore/</link>
		<comments>http://parterre.com/2011/12/19/un-cor-che-accende-amore/#comments</comments>
		<pubDate>Mon, 19 Dec 2011 15:18:14 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=24025</guid>
		<description><![CDATA[&#8220;In an unlikely venue—a converted gymnasium off Avenue B—one of New York’s newest opera companies is keeping musical tradition alive.&#8221; [New York Post]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-24026" title="barbar_amore" src="http://parterre.com/wp-content/uploads/2011/12/barbar_amore.jpg" alt="" width="518" height="350" />&#8220;In an unlikely venue—a converted gymnasium off Avenue B—one of New York’s newest opera companies is keeping musical tradition alive.&#8221; [<a href="http://www.nypost.com/p/entertainment/theater/amateur_barber_truly_gels_AqFcNAzhzKcnk70oUFnGSL">New York Post</a>]</p>
]]></content:encoded>
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		<slash:comments>9</slash:comments>
		</item>
		<item>
		<title>McAnuff is enough</title>
		<link>http://parterre.com/2011/11/30/mcanuff-is-enough/</link>
		<comments>http://parterre.com/2011/11/30/mcanuff-is-enough/#comments</comments>
		<pubDate>Wed, 30 Nov 2011 18:54:26 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=23702</guid>
		<description><![CDATA[&#8220;An atomic explosion kicked off the last act of Gounod’s Faust Tuesday at the Met, but the production as a whole was more dud than bomb.&#8221; [New York Post]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-18415" title="jj_post_thumb" src="http://parterre.com/wp-content/uploads/2010/12/jj_post_thumb.jpg" alt="" width="120" height="120" />&#8220;An atomic explosion kicked off the last act of Gounod’s <em>Faust </em>Tuesday at the Met, but the production as a whole was more dud than bomb.&#8221; [<a href="http://www.nypost.com/p/entertainment/theater/not_so_feisty_faust_9CZCu2FfNbY4J3lcarg7QO">New York Post</a>]</p>
]]></content:encoded>
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		<slash:comments>37</slash:comments>
		</item>
		<item>
		<title>Twilight of the Machine</title>
		<link>http://parterre.com/2011/11/18/twilight-of-the-machine/</link>
		<comments>http://parterre.com/2011/11/18/twilight-of-the-machine/#comments</comments>
		<pubDate>Sat, 19 Nov 2011 00:33:22 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[robert lepage]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[wagner]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=23510</guid>
		<description><![CDATA[&#8220;Now that it has become apparent that Robert Lepage&#8216;s production of the Ring at the Met is a fiasco (too soon? Nah.)&#8230; well, anyway, since arguably the production is a dreary, unworkable, overpriced mess whose primary (perhaps only) virtue is that it actually hasn&#8217;t killed anyone yet, and since, let&#8217;s face it, the Machinecentric show turned out to be so mind-bogglingly expensive (all those Sunday tech rehearsals with stagehands being paid, no doubt, in solid platinum ingots!), something has to be done. In this article, I intend to propose that &#8216;something&#8217;.&#8221; Our Own JJ gets prescriptive at Musical America. (Image based on photos by Ken Howard)]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-23511" title="mcdermott_crouch_ring" src="http://parterre.com/wp-content/uploads/2011/11/mcdermott_crouch_ring.jpg" alt="" width="518" height="345" />&#8220;Now that it has become apparent that <strong>Robert Lepage</strong>&#8216;s production of the <em>Ring</em> at the Met is a fiasco (too soon? Nah.)&#8230; well, anyway, since arguably the production is a dreary, unworkable, overpriced mess whose primary (perhaps only) virtue is that it actually hasn&#8217;t killed anyone <em>yet</em>, and since, let&#8217;s face it, the Machinecentric show turned out to be so mind-bogglingly expensive (all those Sunday tech rehearsals with stagehands being paid, no doubt, in solid platinum ingots!), <em>something has to be done</em>. In this article, I intend to propose that &#8216;something&#8217;.&#8221; Our Own <strong>JJ</strong> gets prescriptive at <a href="http://www.musicalamerica.com/mablogs/?p=3243">Musical America</a>. (Image based on photos by Ken Howard)</p>
]]></content:encoded>
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		<slash:comments>79</slash:comments>
		</item>
		<item>
		<title>Good evening starshine</title>
		<link>http://parterre.com/2011/11/09/good-evening-starshine/</link>
		<comments>http://parterre.com/2011/11/09/good-evening-starshine/#comments</comments>
		<pubDate>Wed, 09 Nov 2011 21:23:16 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[capital new york]]></category>
		<category><![CDATA[jummy jonas kaufmann]]></category>
		<category><![CDATA[l'evasiva]]></category>
		<category><![CDATA[oony]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=23358</guid>
		<description><![CDATA[&#8220;Now, it seems, OONY is returning to its star-driven roots, opening its season last night at Carnegie Hall with superstars Angela Gheorghiu and Jonas Kaufmann in Cilea’s sentimental diva vehicle Adriana Lecouvreur. The have to be there quotient was boosted to the roof by the fact that this performance would be Gheorghiu’s only New York appearance of the season since she chose not to participate in the Met’s new production of Gounod’s Faust.&#8221;  Our Own JJ reflects on last evening&#8217;s Sternstunde in Capital New York.  (Photo: Stephanie Berger)]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-23359" title="OONY" src="http://parterre.com/wp-content/uploads/2011/11/OONY.jpg" alt="" width="518" height="350" />&#8220;Now, it seems, OONY is returning to its star-driven roots, opening its season last night at Carnegie Hall with superstars <strong>Angela Gheorghiu</strong> and <strong>Jonas Kaufmann</strong> in Cilea’s sentimental diva vehicle <em>Adriana Lecouvreur</em>. The <em>have to be there</em> quotient was boosted to the roof by the fact that this performance would be Gheorghiu’s only New York appearance of the season since she chose not to participate in the Met’s new production of Gounod’s <em>Faust</em>.&#8221;  Our Own <strong>JJ</strong> reflects on last evening&#8217;s Sternstunde in <a href="http://www.capitalnewyork.com/article/culture/2011/11/4080349/opera-orchestra-new-york-pulls-itself-out-funk-diva-driven-red-sauce">Capital New York</a>.  (Photo: Stephanie Berger)</p>
]]></content:encoded>
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		<slash:comments>88</slash:comments>
		</item>
		<item>
		<title>When we deaf awaken</title>
		<link>http://parterre.com/2011/11/07/when-we-deaf-awaken/</link>
		<comments>http://parterre.com/2011/11/07/when-we-deaf-awaken/#comments</comments>
		<pubDate>Mon, 07 Nov 2011 15:23:09 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[la cieca ci guarda]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[nico muhly]]></category>
		<category><![CDATA[nyco]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[the met]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=23300</guid>
		<description><![CDATA[Open your eyes, sleepyheads! In the news this morning, our own JJ raves about Satyagraha at the Met (&#8220;a masterpiece of musical and visual art&#8221;); the ever-articulate Nico Muhly takes aim at the Met&#8217;s production values (&#8220;Mercedes Bass or Anne Ziff paid for the opera. What do you think is going to happen?&#8221;); and NYCO&#8217;s orchestra and chorus offer to work for free.]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-23301" title="monday_thumb" src="http://parterre.com/wp-content/uploads/2011/11/monday_thumb.jpg" alt="" width="120" height="120" />Open your eyes, sleepyheads! In the news this morning, our own <strong>JJ</strong> <a href="http://www.nypost.com/p/entertainment/theater/gandhi_through_the_looking_glass_iYf3oE3CFchAxbIRx8XsRM">raves</a> about <em>Satyagraha</em> at the Met (&#8220;a masterpiece of musical and visual art&#8221;); the ever-articulate <strong>Nico Muhly</strong> <a href="http://www.bloomberg.com/news/2011-11-07/polygamous-mormons-teen-cybersex-obsess-nico-muhly-interview.html">takes aim</a> at the Met&#8217;s production values (&#8220;<strong>Mercedes Bass</strong> or <strong>Anne Ziff</strong> paid for the opera. What do you think is going to happen?&#8221;); and NYCO&#8217;s orchestra and chorus <a href="http://blogs.wsj.com/metropolis/2011/11/06/city-opera-unions-offers-to-work-for-free">offer</a> to work for free.</p>
]]></content:encoded>
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		<slash:comments>51</slash:comments>
		</item>
		<item>
		<title>A distinct odor</title>
		<link>http://parterre.com/2011/11/04/a-distinct-odor/</link>
		<comments>http://parterre.com/2011/11/04/a-distinct-odor/#comments</comments>
		<pubDate>Fri, 04 Nov 2011 20:25:58 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[peter gelb is...]]></category>
		<category><![CDATA[rough and regie]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=23280</guid>
		<description><![CDATA[“&#8217;I’ve almost come to the conclusion that this Mr. Hitler isn’t a Christian,&#8217; muses merry murderess Abby Brewster early in the first act of Arsenic and Old Lace, and to tell the truth I’m beginning to think I’m almost as far behind the curve as she was. Recent new productions at the Met suggest strongly that Peter Gelb either doesn’t quite know what he’s doing or else, if he does know, has some wildly inappropriate ideas about what music drama is supposed to be.&#8221; Our own JJ (not pictured) muses on &#8220;Peter&#8217;s Principles&#8221; at Musical America.]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-23281" title="arsenic" src="http://parterre.com/wp-content/uploads/2011/11/arsenic.jpg" alt="" width="518" height="340" />“&#8217;I’ve almost come to the conclusion that this Mr. Hitler isn’t a Christian,&#8217; muses merry murderess Abby Brewster early in the first act of <em>Arsenic and Old Lace</em>, and to tell the truth I’m beginning to think I’m almost as far behind the curve as she was. Recent new productions at the Met suggest strongly that Peter Gelb either doesn’t quite know what he’s doing or else, if he does know, has some wildly inappropriate ideas about what music drama is supposed to be.&#8221; Our own <strong>JJ</strong> (not pictured) muses on &#8220;Peter&#8217;s Principles&#8221; at <a href="http://www.musicalamerica.com/mablogs/?p=3167">Musical America</a>.</p>
]]></content:encoded>
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		<slash:comments>72</slash:comments>
		</item>
		<item>
		<title>Wunderkinder in mirror are larger than they appear</title>
		<link>http://parterre.com/2011/11/02/wunderkinder-in-mirror-are-larger-than-they-appear/</link>
		<comments>http://parterre.com/2011/11/02/wunderkinder-in-mirror-are-larger-than-they-appear/#comments</comments>
		<pubDate>Wed, 02 Nov 2011 14:40:17 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[capital new york]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[nico muhly]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[queer]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=23245</guid>
		<description><![CDATA[Composer Nico Muhly took a break between operatic world premieres to order a daiquiri and talk to our own JJ about height, haters and flight path. [Capital New York] (Photo: Peter Ross)]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-23246" title="nico" src="http://parterre.com/wp-content/uploads/2011/11/nico.jpg" alt="" width="518" height="319" />Composer<strong> Nico Muhly</strong> took a break between operatic world premieres to order a daiquiri and talk to our own <strong>JJ</strong> about height, haters and flight path. [<a href="http://www.capitalnewyork.com/article/culture/2011/11/3984928/nico-muhly-classical-music-wunderkind-early-success-and-ignoring-his">Capital New York</a>] (Photo: Peter Ross)</p>
]]></content:encoded>
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		<slash:comments>30</slash:comments>
		</item>
		<item>
		<title>None so blond</title>
		<link>http://parterre.com/2011/10/28/none-so-blond/</link>
		<comments>http://parterre.com/2011/10/28/none-so-blond/#comments</comments>
		<pubDate>Fri, 28 Oct 2011 17:32:42 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[our own jj]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=23154</guid>
		<description><![CDATA[&#8220;It&#8217;s the understudy’s job to save the show, and that’s just what Jay Hunter Morris did Thursday at the Met in the daunting title role of Wagner’s Siegfried.&#8221; [New York Post]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-18415" title="jj_post_thumb" src="http://parterre.com/wp-content/uploads/2010/12/jj_post_thumb.jpg" alt="" width="120" height="120" />&#8220;It&#8217;s the understudy’s job to save the show, and that’s just what <strong>Jay Hunter Morris</strong> did Thursday at the Met in the daunting title role of Wagner’s <em>Siegfried</em>.&#8221; [<a href="http://www.nypost.com/p/entertainment/theater/understudy_jay_hunter_morris_soars_Rt0pLXapG5iYslvdFF8xlL">New York Post</a>]</p>
]]></content:encoded>
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		<slash:comments>17</slash:comments>
		</item>
		<item>
		<title>Strange bedfellows</title>
		<link>http://parterre.com/2011/10/28/23145/</link>
		<comments>http://parterre.com/2011/10/28/23145/#comments</comments>
		<pubDate>Fri, 28 Oct 2011 15:44:46 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[anthony tommasini]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[right wing nutbags]]></category>
		<category><![CDATA[zachary woolfe]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=23145</guid>
		<description><![CDATA[So, tell me this, what do Anthony Tommasini, Zachary Woolfe and James Jorden (not pictured) have in common? Well, according to John M. Olin Fellow at the Manhattan Institute Heather MacDonald, these three &#8220;trendy&#8221; critics constitute &#8220;a press corps determined to push Met general manager Peter Gelb into conformity with European opera houses, where narcissistic updatings of opera plots are now de rigueur.&#8221; [City Journal]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-23146" title="bedfellows" src="http://parterre.com/wp-content/uploads/2011/10/bedfellows1.jpg" alt="" width="518" height="277" />So, tell me this, what do <strong>Anthony Tommasini</strong>, <strong>Zachary Woolfe</strong> and <strong>James Jorden</strong> (not pictured) have in common? Well, according to John M. Olin Fellow at the Manhattan Institute <strong>Heather MacDonald</strong>, these three &#8220;trendy&#8221; critics constitute &#8220;a press corps determined to push Met general manager <strong>Peter Gelb</strong> into conformity with European opera houses, where narcissistic updatings of opera plots are now <em>de rigueur</em>.&#8221; [<a href="http://www.city-journal.org/2011/bc1027hm.html">City Journal</a>]</p>
]]></content:encoded>
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		<slash:comments>149</slash:comments>
		</item>
		<item>
		<title>Done Giovanni</title>
		<link>http://parterre.com/2011/10/18/done-giovanni/</link>
		<comments>http://parterre.com/2011/10/18/done-giovanni/#comments</comments>
		<pubDate>Tue, 18 Oct 2011 12:23:14 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[ugh]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=23039</guid>
		<description><![CDATA[&#8220;An eagerly awaited production of Mozart’s masterpiece Don Giovanni —staged by Tony winner Michael Grandage (Red)—limped into the Met Thursday dead on arrival.&#8221;  [New York Post]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-18415" title="jj_post_thumb" src="http://parterre.com/wp-content/uploads/2010/12/jj_post_thumb.jpg" alt="" width="120" height="120" />&#8220;An eagerly awaited production of Mozart’s masterpiece <em>Don Giovanni</em> —staged by Tony winner Michael Grandage (<em>Red</em>)—limped into the Met Thursday dead on arrival.&#8221;  [<a href="http://www.nypost.com/p/entertainment/music/met_is_don_for_the_count_ExiLCtSnUIydJpv20hSY3L">New York Post</a>]</p>
]]></content:encoded>
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		<slash:comments>236</slash:comments>
		</item>
		<item>
		<title>I glam what I am</title>
		<link>http://parterre.com/2011/10/08/i-glam-what-i-am/</link>
		<comments>http://parterre.com/2011/10/08/i-glam-what-i-am/#comments</comments>
		<pubDate>Sat, 08 Oct 2011 19:02:47 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[anna bolena]]></category>
		<category><![CDATA[anna netrebko]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
		<category><![CDATA[glamour]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[rough and regie]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=22910</guid>
		<description><![CDATA[&#8220;Since Zeffirelli took his official leave from the Met in 2008, the company has experienced—some would say suffered—a backlash against glamour, or at least against those qualities that, thanks in part to Zeffirelli, are wrongly perceived as the synonyms of glamour: triviality and meretriciousness.&#8221; [Rough and Regie] (Photo: Ken Howard)]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-22911" title="glamour" src="http://parterre.com/wp-content/uploads/2011/10/glamour.jpg" alt="" width="512" height="349" />&#8220;Since Zeffirelli took his official leave from the Met in 2008, the company has experienced—some would say suffered—a backlash against glamour, or at least against those qualities that, thanks in part to Zeffirelli, are wrongly perceived as the synonyms of glamour: triviality and meretriciousness.&#8221; [<a href="http://www.musicalamerica.com/mablogs/?p=2612">Rough and Regie</a>] (Photo: Ken Howard)</p>
]]></content:encoded>
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		<slash:comments>44</slash:comments>
		</item>
		<item>
		<title>Blonde ambition</title>
		<link>http://parterre.com/2011/10/04/blonde-ambition-2/</link>
		<comments>http://parterre.com/2011/10/04/blonde-ambition-2/#comments</comments>
		<pubDate>Tue, 04 Oct 2011 13:59:33 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[big hair]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[the met]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=22840</guid>
		<description><![CDATA[&#8220;Her catfight with another princess over the emperor’s crown might have been an outtake from The Real Housewives of Babylon.&#8221; [New York Post] (Photo: Marty Sohl/Metropolitan Opera)]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-22845" title="guleghina_big_hair_sohl" src="http://parterre.com/wp-content/uploads/2011/10/guleghina_big_hair_sohl.jpg" alt="" width="518" height="346" />&#8220;Her catfight with another princess over the emperor’s crown might have been an outtake from <em>The Real Housewives of Babylon</em>.&#8221; [<a href="http://www.nypost.com/p/entertainment/theater/trim_barber_vs_excess_of_biblical_zxi0zBGRcvorMPTqtfvhyI">New York Post</a>] (Photo: Marty Sohl/Metropolitan Opera)</p>
]]></content:encoded>
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		<slash:comments>93</slash:comments>
		</item>
		<item>
		<title>Running out of adjectives</title>
		<link>http://parterre.com/2011/09/27/running-out-of-adjectives/</link>
		<comments>http://parterre.com/2011/09/27/running-out-of-adjectives/#comments</comments>
		<pubDate>Tue, 27 Sep 2011 20:11:02 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[anna anna anna]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[our own jj]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=22751</guid>
		<description><![CDATA[&#8220;Queen Anna is dead — long live Queen Anna! The late royal lady is Anna Bolena in Donizetti’s 1830 opera, based on the final days of Anne Boleyn, second wife of Henry VIII. The new monarch — ruling not over England but the Met — is Anna Netrebko, whose radiant performance at the company’s opening night Monday catapulted her to &#8216;prima donna assoluta&#8217;: undisputed superstar.&#8221; [New York Post]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-18415" title="jj_post_thumb" src="http://parterre.com/wp-content/uploads/2010/12/jj_post_thumb.jpg" alt="" width="120" height="120" />&#8220;Queen Anna is dead — long live Queen Anna! The late royal lady is Anna Bolena in Donizetti’s 1830 opera, based on the final days of Anne Boleyn, second wife of Henry VIII. The new monarch — ruling not over England but the Met — is <strong>Anna Netrebko</strong>, whose radiant performance at the company’s opening night Monday catapulted her to &#8216;prima donna assoluta&#8217;: undisputed superstar.&#8221; [<a href="http://www.nypost.com/p/entertainment/theater/netrebko_makes_anna_xtroardinary_8NwuRWsmFVT8Dyx2rDSP5I">New York Post</a>]</p>
]]></content:encoded>
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		<slash:comments>103</slash:comments>
		</item>
		<item>
		<title>He&#8217;s still here!</title>
		<link>http://parterre.com/2011/09/23/hes-still-here/</link>
		<comments>http://parterre.com/2011/09/23/hes-still-here/#comments</comments>
		<pubDate>Fri, 23 Sep 2011 20:48:03 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[blog bloggity blog]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[rough and regie]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=22673</guid>
		<description><![CDATA[La Cieca is delighted to announce that after a long absence Our Own JJ (not pictured) has returned to the pages of Musical America with another entry in his &#8220;Rough and Regie&#8221; blog— this time comparing Atys with Follies.]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-22674" title="elaine_paige" src="http://parterre.com/wp-content/uploads/2011/09/elaine_paige.jpg" alt="" width="518" height="350" />La Cieca is delighted to announce that after a long absence <strong>Our Own JJ</strong> (not pictured) has returned to the pages of <em>Musical America</em> with another <a href="http://www.musicalamerica.com/mablogs/?p=2503">entry</a> in his &#8220;Rough and Regie&#8221; blog— this time comparing <em>Atys</em> with <em>Follies</em>.</p>
]]></content:encoded>
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		<slash:comments>9</slash:comments>
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		<item>
		<title>The folly of fidelity</title>
		<link>http://parterre.com/2011/09/15/the-folly-of-fidelity/</link>
		<comments>http://parterre.com/2011/09/15/the-folly-of-fidelity/#comments</comments>
		<pubDate>Thu, 15 Sep 2011 15:12:11 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[broadway]]></category>
		<category><![CDATA[capital new york]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[stephen sondheim]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=22451</guid>
		<description><![CDATA[Our Own JJ returns to the pages of Capital New York to reflect on the current Broadway revival of the Sondheim-Goldman musical Follies: &#8220;one gorgeous zombie.&#8221; (Photo: Joan Marcus)]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-large wp-image-22452" title="FOLLIES" src="http://parterre.com/wp-content/uploads/2011/09/FOLLIES-518x388.jpg" alt="" width="518" height="388" />Our Own <strong>JJ</strong> returns to the pages of <em>Capital New York</em> to reflect on the current Broadway revival of the Sondheim-Goldman musical <em>Follies</em>: &#8220;<a href="http://www.capitalnewyork.com/article/culture/2011/09/3368102/follies-exhumed-one-gorgeous-zombie-not-much-going-upstairs">one gorgeous zombie</a>.&#8221; (Photo: Joan Marcus)</p>
]]></content:encoded>
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		<slash:comments>20</slash:comments>
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		<item>
		<title>The important thing is to be nominated</title>
		<link>http://parterre.com/2011/07/11/the-important-thing-is-to-be-nominated/</link>
		<comments>http://parterre.com/2011/07/11/the-important-thing-is-to-be-nominated/#comments</comments>
		<pubDate>Mon, 11 Jul 2011 15:03:26 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[alex ross]]></category>
		<category><![CDATA[blog blog bloggity blog]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=21591</guid>
		<description><![CDATA[La Cieca (left) is delighted to congratulate dear Alex Ross (right), whose little column The Rest is Noise has been named #1 among Classical Music blogs, according to blogrank.  In other family news, Our Own JJ (not pictured) reviews Caramoor&#8217;s Guillaume Tell in today&#8217;s New York Post.]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-21592" title="star_is_born" src="http://parterre.com/wp-content/uploads/2011/07/star_is_born.jpg" alt="" width="518" height="333" />La Cieca (left) is delighted to congratulate dear <strong>Alex Ross</strong> (right), whose little column <a href="http://www.therestisnoise.com/">The Rest is Noise</a> has been named #1 among Classical Music blogs, according to <a href="http://www.invesp.com/blog-rank/Classical_Music">blogrank</a>.  In other family news, <strong>Our Own JJ</strong> (not pictured) reviews Caramoor&#8217;s <em>Guillaume Tell</em> in today&#8217;s <em><a href="http://nyp.st/ox9E4c">New York Post</a></em>.</p>
]]></content:encoded>
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		<slash:comments>25</slash:comments>
		</item>
		<item>
		<title>Fluteless</title>
		<link>http://parterre.com/2011/07/07/fluteless/</link>
		<comments>http://parterre.com/2011/07/07/fluteless/#comments</comments>
		<pubDate>Thu, 07 Jul 2011 13:49:17 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=21536</guid>
		<description><![CDATA[&#8220;Subtract the magic and the flute from Mozart&#8217;s The Magic Flute, and you&#8217;d think there&#8217;d be nothing. But an adaptation of this opera at the Lincoln Center Festival on Wednesday conjured a quiet enchantment.&#8221; [New York Post]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-18415" title="jj_post_thumb" src="http://parterre.com/wp-content/uploads/2010/12/jj_post_thumb.jpg" alt="" width="120" height="120" />&#8220;Subtract the magic and the flute from Mozart&#8217;s <em>The Magic Flute</em>, and  you&#8217;d think there&#8217;d be nothing. But an adaptation of this opera at the  Lincoln Center Festival on Wednesday conjured a quiet enchantment.&#8221; [<a href="http://t.co/byiKapH">New York Post</a>]</p>
]]></content:encoded>
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		<slash:comments>8</slash:comments>
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		<item>
		<title>21st century fox</title>
		<link>http://parterre.com/2011/06/23/21st-century-fox/</link>
		<comments>http://parterre.com/2011/06/23/21st-century-fox/#comments</comments>
		<pubDate>Thu, 23 Jun 2011 18:09:40 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[new york philharmonic]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=21348</guid>
		<description><![CDATA[&#8220;A singing crossbreed—a fox with human intelligence—stars in Leos Janacek’s opera, The Cunning Little Vixen. If only the New York Philharmonic’s semistaged performance Wednesday night were as successful a hybrid.&#8221; [New York Post]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-21349" title="vixen_thumb" src="http://parterre.com/wp-content/uploads/2011/06/vixen_thumb.jpg" alt="" width="120" height="120" />&#8220;A singing crossbreed—a fox with human intelligence—stars in Leos Janacek’s opera, <em>The Cunning Little Vixen</em>. If only the New York Philharmonic’s semistaged performance Wednesday night were as successful a hybrid.&#8221;  [<a href="http://nyp.st/m92sa3">New York Post</a>]</p>
]]></content:encoded>
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		<slash:comments>44</slash:comments>
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		<item>
		<title>The gospel truth</title>
		<link>http://parterre.com/2011/05/19/the-gospel-truth/</link>
		<comments>http://parterre.com/2011/05/19/the-gospel-truth/#comments</comments>
		<pubDate>Thu, 19 May 2011 23:48:43 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[jummy jonas kaufmann]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[robert lepage]]></category>
		<category><![CDATA[rough and regie]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[the ring]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=20776</guid>
		<description><![CDATA[&#8220;The critical reaction to the Robert Lepage’s new production of Die Walküre at the Met leaves this contrarian reviewer in something of a quandary. Not only was pretty much everybody underwhelmed, but there was a consensus about what (they thought) was wrong: the clunkiness of The Machine, the lack of poetry in the latter part of the first act, the clumsy path to the final tableau.  No one doesn’t want to just heap on the contempt, but at the same time it’s not easy to build a case for Lepage’s invention thus far in the Ring.&#8221;]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-20777" title="walkuere_gospel" src="http://parterre.com/wp-content/uploads/2011/05/walkuere_gospel.jpg" alt="" width="518" height="319" />&#8220;The critical reaction to the <strong>Robert Lepage</strong>’s new production of <em>Die Walküre</em> at the Met leaves <a href="http://www.musicalamerica.com/mablogs/?p=1172">this contrarian reviewer</a> in something of a quandary. Not only was pretty much everybody underwhelmed, but there was a consensus about what (they thought) was wrong: the clunkiness of The Machine, the lack of poetry in the latter part of the first act, the clumsy path to the final tableau.  No one doesn’t want to just heap on the contempt, but at the same time it’s not easy to build a case for Lepage’s invention thus far in the <em>Ring</em>.&#8221;</p>
]]></content:encoded>
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		<slash:comments>69</slash:comments>
		</item>
		<item>
		<title>Bringing upbeat baby</title>
		<link>http://parterre.com/2011/05/09/bringing-upbeat-baby/</link>
		<comments>http://parterre.com/2011/05/09/bringing-upbeat-baby/#comments</comments>
		<pubDate>Mon, 09 May 2011 12:03:26 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[fabio luisi]]></category>
		<category><![CDATA[maestro levine]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[the met]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=20657</guid>
		<description><![CDATA[&#8220;If, as rumor has it, conductor Fabio Luisi is poised to succeed the ailing James Levine as music director of the Met, Saturday afternoon&#8217;s elegant performance of Ariadne auf Naxos showed he&#8217;s the right man for the job.&#8221; [New York Post]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-18415" title="jj_post_thumb" src="http://parterre.com/wp-content/uploads/2010/12/jj_post_thumb.jpg" alt="" width="120" height="120" />&#8220;If, as rumor has it, conductor <strong>Fabio Luisi</strong> is poised to succeed the ailing <strong>James Levine</strong> as music director of the Met, Saturday afternoon&#8217;s elegant performance of <em>Ariadne auf Naxos</em> showed he&#8217;s the right man for the job.&#8221; [<a href="http://nyp.st/keggVI">New York Post</a>]</p>
]]></content:encoded>
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		<slash:comments>32</slash:comments>
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		<item>
		<title>Orpheus deconstructing</title>
		<link>http://parterre.com/2011/05/02/orpheus-deconstructing/</link>
		<comments>http://parterre.com/2011/05/02/orpheus-deconstructing/#comments</comments>
		<pubDate>Mon, 02 May 2011 15:02:14 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=20511</guid>
		<description><![CDATA[Morris dancing returns to the Met for a revival of Orfeo, and our own JJ is there to review it. [New York Post]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-20512" title="underworld" src="http://parterre.com/wp-content/uploads/2011/05/underworld.jpg" alt="" width="518" height="398" />Morris dancing returns to the Met for a revival of <em>Orfeo</em>, and our own JJ is there to review it. [<a href="http://nyp.st/j8TGZU">New York Post</a>]</p>
]]></content:encoded>
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		<slash:comments>22</slash:comments>
		</item>
		<item>
		<title>Look after Lulu</title>
		<link>http://parterre.com/2011/04/28/look-after-lulu/</link>
		<comments>http://parterre.com/2011/04/28/look-after-lulu/#comments</comments>
		<pubDate>Thu, 28 Apr 2011 16:17:55 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[regietournee]]></category>
		<category><![CDATA[rough and regie]]></category>
		<category><![CDATA[scary clowns]]></category>
		<category><![CDATA[stefan herheim]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=20412</guid>
		<description><![CDATA[&#8220;It’s fortunate that Lulu at Den Norske Opera was the last stop on the &#8216;Regietournee,&#8217; because honestly anything after that would have amounted to an anticlimax. If there is a more brilliant director working in opera today than Stefan Herheim, well, maybe I shouldn’t see any of his work, because it might be too much for the human brain to absorb.&#8221; [Rough and Regie]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-20413" title="look_after_lulu" src="http://parterre.com/wp-content/uploads/2011/04/look_after_lulu.jpg" alt="" width="518" height="303" />&#8220;It’s fortunate that <em>Lulu</em> at Den Norske Opera was the last stop on the &#8216;Regietournee,&#8217; because honestly anything after that would have amounted to an anticlimax. If there is a more brilliant director working in opera today than <strong>Stefan Herheim</strong>, well, maybe I shouldn’t see any of his work, because it might be too much for the human brain to absorb.&#8221; [<a href="http://www.musicalamerica.com/mablogs/?p=954">Rough and Regie</a>]</p>
]]></content:encoded>
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		<slash:comments>52</slash:comments>
		</item>
		<item>
		<title>Put a &#8220;Ring&#8221; on it</title>
		<link>http://parterre.com/2011/04/24/put-a-ring-on-it-3/</link>
		<comments>http://parterre.com/2011/04/24/put-a-ring-on-it-3/#comments</comments>
		<pubDate>Sun, 24 Apr 2011 20:15:40 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[jummy jonas kaufmann]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[robert lepage]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[wagner]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=20353</guid>
		<description><![CDATA[&#8220;Director Robert Lepage’s obsession with eye-popping visuals showed little concern for the work’s complex intellectual and moral dimensions.&#8221; [New York Post]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-20355" title="LoveMachine" src="http://parterre.com/wp-content/uploads/2011/04/LoveMachine.jpg" alt="" width="518" height="360" />&#8220;Director <strong>Robert Lepage</strong>’s obsession with eye-popping visuals showed little concern for the work’s complex intellectual and moral dimensions.&#8221; [<a href="http://nyp.st/eqYkIX">New York Post</a>]</p>
]]></content:encoded>
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		<slash:comments>73</slash:comments>
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		<item>
		<title>Ghost of a chance</title>
		<link>http://parterre.com/2011/04/20/ghost-of-a-chance/</link>
		<comments>http://parterre.com/2011/04/20/ghost-of-a-chance/#comments</comments>
		<pubDate>Wed, 20 Apr 2011 17:36:51 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[new york city opera]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[our own jj]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=20316</guid>
		<description><![CDATA[&#8220;First witches, now ghosts. But while Broadway’s Wicked proved golden for Stephen Schwartz, his Séance on a Wet Afternoon came up lifeless and damp Tuesday night at its City Opera premiere.&#8221; [New York Post] (Photo: Carol Rosegg)]]></description>
			<content:encoded><![CDATA[<p><a href="http://parterre.com/wp-content/uploads/2011/04/seance_nyco.jpg"><img class="aligncenter size-full wp-image-20317" title="seance_nyco" src="http://parterre.com/wp-content/uploads/2011/04/seance_nyco.jpg" alt="" width="518" height="320" /></a>&#8220;First witches, now ghosts. But while Broadway’s <em>Wicked </em>proved golden for <strong>Stephen Schwartz</strong>, his <em>Séance on a Wet Afternoon</em> came up lifeless and damp Tuesday night at its City Opera premiere.&#8221; [<a href="http://nyp.st/hqDeAX">New York Post</a>] (Photo: Carol Rosegg)</p>
]]></content:encoded>
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		<slash:comments>32</slash:comments>
		</item>
		<item>
		<title>Parole parole parole</title>
		<link>http://parterre.com/2011/04/19/parole-parole-parole/</link>
		<comments>http://parterre.com/2011/04/19/parole-parole-parole/#comments</comments>
		<pubDate>Tue, 19 Apr 2011 21:33:59 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[andrew richards]]></category>
		<category><![CDATA[calixto bieito]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[regie tournee]]></category>
		<category><![CDATA[rough and regie]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=20305</guid>
		<description><![CDATA[Our Own JJ (not pictured) gets the Staatsoper Stuttgart experience off his chest, to the tune of about 4,000 words, in his new blog post at Musical America. Included is a massive and (one hopes) final deconstruction of the Calixto Bieito Parsifal.]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-thumbnail wp-image-13700" title="Parsifal_bieito" src="http://parterre.com/wp-content/uploads/2010/04/Parsifal_bieito-200x200.jpg" alt="" width="120" height="120" />Our Own <strong>JJ</strong> (not pictured) gets the Staatsoper Stuttgart experience off his chest, to the tune of about 4,000 words, in his new blog post at <a href="http://www.musicalamerica.com/mablogs/?p=940">Musical America</a>.</p>
<p>Included is a massive and (one hopes) final deconstruction of the <strong>Calixto Bieito</strong> <em>Parsifal</em>.</p>
]]></content:encoded>
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		<slash:comments>22</slash:comments>
		</item>
		<item>
		<title>Hard gore</title>
		<link>http://parterre.com/2011/04/18/hard-gore/</link>
		<comments>http://parterre.com/2011/04/18/hard-gore/#comments</comments>
		<pubDate>Mon, 18 Apr 2011 15:07:16 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[regietournee]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=20278</guid>
		<description><![CDATA[&#8220;In New York&#8230; opera directors don&#8217;t matter so much. In Europe, it&#8217;s another story: There, the director&#8217;s curtain call provokes the wildest excitement of the night.&#8221; The long-awaited &#8220;Regie&#8221; piece by Our Own JJ appears in the New York Post.]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-large wp-image-20279" title="mountain_of_cannibal_god" src="http://parterre.com/wp-content/uploads/2011/04/mountain_of_cannibal_god-518x388.jpg" alt="" width="518" height="388" />&#8220;In New York&#8230; opera directors don&#8217;t matter so much. In Europe, it&#8217;s another story: There, the director&#8217;s curtain call provokes the wildest excitement of the night.&#8221;</p>
<p>The long-awaited &#8220;Regie&#8221; piece by Our Own <strong>JJ</strong> <a href="http://nyp.st/fvpcna">appears</a> in the <em>New York Post</em>.</p>
]]></content:encoded>
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		<slash:comments>95</slash:comments>
		</item>
		<item>
		<title>A Multitude of Roberts</title>
		<link>http://parterre.com/2011/04/12/a-multitude-of-roberts/</link>
		<comments>http://parterre.com/2011/04/12/a-multitude-of-roberts/#comments</comments>
		<pubDate>Tue, 12 Apr 2011 19:09:38 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[capital new york]]></category>
		<category><![CDATA[gay gay gay gay gay]]></category>
		<category><![CDATA[musical theater]]></category>
		<category><![CDATA[our own jj]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=20195</guid>
		<description><![CDATA[&#8220;What prevents Company from being the greatest musical ever written (which, given the talents going into it, it certainly could have been) is that there is something central to the work that is false, a cheat.&#8221; Our Own JJ (not pictured) reveals his theater queen side in Capital New York.]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-20196" title="nph_thumb" src="http://parterre.com/wp-content/uploads/2011/04/nph_thumb.jpg" alt="" width="120" height="120" />&#8220;What prevents <em>Company</em> from being the greatest musical ever  written (which, given the talents going into it, it certainly could have  been) is that there is something central to the work that is false, a  cheat.&#8221;</p>
<p>Our Own <strong>JJ</strong> (not pictured) reveals his theater queen side in <a href="http://bit.ly/eUINp6">Capital New York</a>.</p>
]]></content:encoded>
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		<slash:comments>35</slash:comments>
		</item>
		<item>
		<title>First installment</title>
		<link>http://parterre.com/2011/04/09/first-installment/</link>
		<comments>http://parterre.com/2011/04/09/first-installment/#comments</comments>
		<pubDate>Sun, 10 Apr 2011 02:16:45 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[barrie kosky]]></category>
		<category><![CDATA[calixto bieito]]></category>
		<category><![CDATA[doris doerrie]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[regietournee]]></category>
		<category><![CDATA[rough and regie]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=20167</guid>
		<description><![CDATA[Our own JJ (not pictured) has finally begun to unburden himself on the subject of the recent, much-discussed &#8220;Regietournee.&#8221; For reviews of Die Entführung aus dem Serail, Rusalka and Cosi fan tutte in Berlin, please go to Musical America&#8216;s Rough and Regie. (Photo: Monkia Rittershaus)]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-large wp-image-20168" title="cosi_staatsoper" src="http://parterre.com/wp-content/uploads/2011/04/cosi_staatsoper-518x323.jpg" alt="" width="518" height="323" />Our own <strong>JJ</strong> (not pictured) has finally begun to unburden himself on the subject of the recent, much-discussed &#8220;Regietournee.&#8221; For reviews of <em>Die Entführung aus dem Serail</em>, <em>Rusalka</em> and <em>Cosi fan tutte</em> in Berlin, please go to <em>Musical America</em>&#8216;s <a href="http://www.musicalamerica.com/mablogs/?p=925">Rough and Regie</a>. (Photo: Monkia Rittershaus)</p>
]]></content:encoded>
			<wfw:commentRss>http://parterre.com/2011/04/09/first-installment/feed/</wfw:commentRss>
		<slash:comments>26</slash:comments>
		</item>
		<item>
		<title>The joy of tragedy</title>
		<link>http://parterre.com/2011/04/07/the-joy-of-tragedy/</link>
		<comments>http://parterre.com/2011/04/07/the-joy-of-tragedy/#comments</comments>
		<pubDate>Thu, 07 Apr 2011 16:17:47 +0000</pubDate>
		<dc:creator>La Cieca</dc:creator>
				<category><![CDATA[questo e quello]]></category>
		<category><![CDATA[maestro levine]]></category>
		<category><![CDATA[new york post]]></category>
		<category><![CDATA[our own jj]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[the met]]></category>

		<guid isPermaLink="false">http://parterre.com/?p=20135</guid>
		<description><![CDATA[&#8220;Alban Berg’s Wozzeck, about a bullied soldier’s descent into madness, is one of the grimmer operas around. Yet it was cause for jubilation Wednesday night when Met music director James Levine finally returned to the podium.&#8221; [New York Post]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-18415" title="jj_post_thumb" src="http://parterre.com/wp-content/uploads/2010/12/jj_post_thumb.jpg" alt="" width="120" height="120" />&#8220;Alban Berg’s <em>Wozzeck</em>, about a bullied soldier’s descent into madness, is one of the grimmer operas around. Yet it was cause for jubilation Wednesday night when Met music director <strong>James Levine</strong> finally returned to the podium.&#8221;  [<a href="http://nyp.st/gppST5">New York Post</a>]</p>
]]></content:encoded>
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		<slash:comments>57</slash:comments>
		</item>
	</channel>
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