“Michael Grandage’s staging of Don Giovanni, DOA when it premiered five seasons ago, served as a vehicle for the return to the Met of Simon Keenlyside after two years of various infirmities. . . . He towered over the listless supporting cast like Daniel Day-Lewis guest-starring in a marionette show.” [Observer]
“Just as every downtown shopping street in every major American city now features the same familiar retailers’ names, New York City Opera has no particular artistic identity different from, say, Opera Carolina.” [Observer]
Our Own JJ has just filed a “Fall Preview” listicle for his beloved Observer detailing eight operatic events in the New York area this fall he most looks forward to. He coyly can’t reveal what they are since the piece will not be published until next month, but in the meantime, La Cieca (pictured) asks, what are your eight (or even 10) can’t-miss opera events for the autumn? And, of course, why?
An aging eccentric—who has for decades occupied a dubious place on the fringes of New York’s musical life—today saw a lifelong dream fulfilled.
Anna Netrebko and Latonia Moore (pictured) rekindle “The Grand Opera Buzz.”
“Friday night’s triumph may well leave the Met’s management wondering how it let such a gem slip through its fingers.”
“Mr. Eyre’s production… was just another in a series of ugly, gargantuan stagings signaling the Met’s endemic lack of imagination or artistic ambition.”
New York City Opera Renaissance’s Tosca “was opera at its most retrograde, an effort to recreate a golden age from a handful of tinsel.”
Fellow parterrians, my review in the Observer of this year’s PROTOTYPE festival does not appear until Wednesday.