Headshot of La Cieca

Cher Public

  • williams: But LaCieca my point was to encourage youth attendance for the future good. Not on the prices in... 2:28 AM
  • La Cieca: I realize there are several different people talking on this thread, but I have just seen comments... 2:09 AM
  • Feldmarschallin: Last night was the eagerly awaited debut of Sonya Yoncheva and she did not disappoint. The... 2:05 AM
  • Jungfer Marianne Leitmetzerin: Gualtier, I knew about the Parravicini designs, but wasn’t aware that... 1:30 AM
  • PokeyGascon: I am aware he has other engagements, I was curious as to how he is perceived at The Met and what... 1:29 AM
  • Guestoria Unpopularenka: Stai delirando! Vai a dormire! 1:11 AM
  • williams: That had escaped my notice. Unconscionable. “Oooh… let’s squeeze a couple of... 1:08 AM
  • Camille: Diavolessa, lo so bene che sei tu!!! Comunque sia, ogni fior nasce e poi muore, poi non c’è... 1:02 AM
  • Guestoria Unpopularenka: Thanks for the reply. I just saw it. Do you mean they sometimes sell tickets to the... 12:59 AM
  • bluecabochon: The Met’s “Lulu” remains visually stunning. I started going to the opera... 12:58 AM

The girl on the moon

“In Kristine Opolais, who gave her first Met performance in the title role on Friday night, the company has a Butterfly with the soaring voice and penetrating theatrical presence to meet Minghella’s elegant dramaturgy head on. In fact, she is the most compelling Met Cio-Cio-San since Diana Soviero last sang the role here nearly 20 years ago.” [New York Observer] (Photo: Marty Sohl/Metropolitan Opera)

“The Met’s Andrea Chénier: less exciting than it looks in this photo”

“With the Met admitting to disappointing ticket sales and girding up for what threatens to be a particularly brutal round of union negotiations this summer, it would be a pleasure to report that the company is doing a great job at presenting standard opera repertoire. The sad fact, though, is that the Met is not doing a great job or, in most cases, even a competent job at this core task, as the recent lackluster revivals of Andrea Chénier and La Bohème demonstrated.” [New York Observer]

Photo: Marty Sohl/Metropolitan Opera

Liebestraum

“Opera can, in fact, be something beautiful and moving even when all a performance has going for it is some really excellent singing. And that’s what the Met has served up in its current revival of Bellini’s La Sonnambula, vocalism so splendid it hardly matters it’s happening in a dramatic vacuum.” [New York Observer]

sonnambula_preview

After the thaw

Our Own JJ (not pictured) offers his recommendations for 10 opera and classical music events worth hearing this spring.

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44_cover

Less than Zarah

In a slight detour from the usual all-opera-all-the-time format of parterre box, the queer opera zine, issue #44 centers on Ben Letzler‘s superb appreciation of film and cabaret diva Zarah Leander.

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New York Philharmonic

Blood types

“The finale of Sweeney Todd left the stage of Avery Fisher Hall littered with corpses, but the evening, for all its flaws, felt vibrantly alive.”

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loft_opera_boheme

Writers’ block

The last place you’d expect to find opera at all, let alone good, exciting opera, is in still-scrappy Bushwick, Brooklyn.

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igor

Slavas of New York

Even when the opera performed is a masterpiece, a truly superb opera performance is exceedingly rare.

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tebaldi_disc

Happy February 1!

To celebrate the birthday of Renata Tebaldi, our friends at Opera Depot are offering a free download of live performances by this great diva.

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salmon

Catch of another day

“A charming musical performance welded to a dramatic production so old and stale that, like fish left out too long, it’s starting to smell.”

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