Headshot of La Cieca

Cher Public

  • kashania: I have no problem with Renee doing cross-over and recording a Christmas album. In fact, she is... 4:32 PM
  • Milady DeWinter: As a showpiece aria, and to my ears, Bampton sings ‘Bel raggio’ much in the... 4:05 PM
  • SF Guy: Interestingly, Ronstadt nails the final high note in the film version, but plays it a bit safer in... 3:53 PM
  • Krunoslav: ER harrumphed: “On this Thanksgiving Day, I am grateful for the myriad operatic artists past... 3:26 PM
  • Grane: I agree with Early Romantic that pledge week is my signal not to bother watching PBS. I like Fleming... 2:20 PM
  • SilvestriWoman: @SFGuy, Ronstadt did seriously prepare for that role. Not sure if she had at that point but,... 2:19 PM
  • armerjacquino: And you don’t get to decide what ‘merit and quality’ are, you know. 2:09 PM
  • armerjacquino: Wow, you’re going to have to do a hell of a lot better than that. My post was an... 2:09 PM
  • EarlyRomantic: ‘Things should be allowed to exist regardless of merit or quality if Flemingflappers... 1:27 PM
  • armerjacquino: ‘Things should be allowed to exist if I like them’. 1:08 PM

One touch of venous

“Like the hero of Parsifal, who finds the Holy Grail after a lifetime of frustrated wandering, the Met’s audience was finally rewarded for its patience: On Friday, after seasons of mediocrity, the company delivered a magnificent new production of Wagner’s valedictory work.”  [New York Post]