Yesterday’s first installment of a selected Rosenkavalier video overview covered two classic filmed performances, one from the 1960s and one from the 1970s. Today’s continuation closes out the 20th-century selections, crosses the millennial mark, and includes the first of our performances to depart from the opera’s prescribed 18th-century setting. Read more »
“Time is a strange thing,” the lady observes, to a young man who cannot begin to understand what she is talking about. “While one is living one’s life away, it is absolutely nothing. Then, suddenly, one is aware of nothing else. It is all around us—and in us too.” Read more »
Mezzo-soprano Joyce DiDonato is first among equals in a spectacular cast when she sings the title role of Ariodante in this season’s installment of Carnegie Hall’s critically acclaimed cycle of Handel’s operas in concert. A brilliantly melodic work, the opera features outstanding arias for each of the principal singers, including Ariodante’s melancholy “Scherza infida” and show-stopping “Doppo note.” Harry Bicket and The English Concert bring authentic Handelian brilliance to this marvelous opera. (Photo: Simon Pauly) Get tickets. Read more »
Tristan has been the season-launching opera three times before now, but good luck finding someone to provide a firsthand account of the last time.
“I will never sing the role again. It was frightful. We were a set of madwomen…There is nothing beyond Elektra. We have lived and reached the furthest boundaries in dramatic writing for the voice with Wagner. But Richard Strauss goes beyond him. His singing voices are lost. We have come to a full stop.”