Cher Public

  • jackoh: Peter Gelb has taken a significant step in making the Met opera experience accessible to the decidedly nonwealthy. And it... 12:42 PM
  • armerjacquino: Michael Moore and opera: http://notsowunder bar.blogspot.co.uk /2010/02/first-thi ng-we-do-is-kill-a ll-tenors.html?m=1 12:16 PM
  • Camille: Well, Jungferissima— I have been commanded to remain die Schweigsame Frau until Monsieur Camille has a chance to see The Dritter... 11:58 AM
  • fletcher: I like to Solti w/ Varady, Domingo, Behrens, and van Dam, but I feel like many people prefer the live Karajan set with Nilsson... 11:42 AM
  • redbear: Second point of Moore… the extensive leave and other privileges given to workers in other countries could help that poem... 11:23 AM
  • redbear: Long interview with Michael Moore about his latest film but I post it for two reasons, nothing of which have to do with the... 11:14 AM
  • manou: In fatti – even… 10:03 AM
  • Krunoslav: In fatto: come la Principessa Pignatelli. 9:58 AM

Night and dreams

At the Opernhaus Zürich, the coat check is not optional. A collective hush extends throughout the hall just before the dimming of the lights. And it may be the last opera house in the world where the overwhelming majority of patrons still dress in formal attire; I have never felt like such a slob in my khakis and untucked shirt. Yet the pomp is not without reason; I do not believe there is another opera company in the world that maintains such impressively high musical values while performing in a fairly intimate space with stellar acoustics. Read more »

Table bodied

Newton’s Third Law of Motion states that for every action there is an equal and opposite reaction. This can be illustrated by two opposing kinds of opera fans: the kind who thinks that if it doesn’t happen in his backyard, it didn’t happen at all, and the other kind of fan for whom the grass is always greener on the other side of the fence.

The very small, very rich and very tax-free Opernhaus Zürich is often considered the Greenest Other Side of the Fence by opera aficionados who, well, don’t live in Zürich. They get the big stars before they become Big Stars (for everyone who heard Quinn Kelsey as Germont this fall/winter at the Met and thought he would be a wonderful Rigoletto, that was so two years ago in Zürich). They get the Big Stars who decide to only sing in Zürich (Cecilia Bartoli). And those tax breaks! It’s enough to make anyone mad with envy. Read more »

Out of the cradle endlessly rocking

No, not a Regie quiz—though that feature will return soon enough now that the season is up and running—but rather an image from the new Dmitri Tcherniakov production of Jenufa for the Opernhaus Zürich. Read more »