Headshot of La Cieca

The Met: A Three-Part Series

Cher Public

  • Camille: Thanks. It has been continual for two days now 10:25 PM
  • Carlo: Nabucco in Baltimore is available on Goldstar for about half-price. 10:16 PM
  • JackJack: “But it’s not surprising that with McCormack eventually became an exclusive recitalist,... 10:05 PM
  • zinka: Yes..they were among the worst..along with Mario Ortica and Primo Zambruno..plus Giulio Gari..we had... 8:30 PM
  • Jungfer Marianne Leitmetzerin: No, Regina: Nuotio and Parley sang only Wagner roles at the Met, but... 8:02 PM
  • Milady DeWinter: “A hearty thanks to Coloraturafan̶ 1; for including O’Flynn̵ 7;s Elvira-... 7:55 PM
  • Milady DeWinter: Oh for sure, almavivante – that aria is sort of the “Il balen” of the... 7:52 PM
  • Regina delle fate: Scotto was mercilessly booed as Norma at the Met, I recall….. 6:36 PM
  • Regina delle fate: Didn’t she just have a success at the Met as Musetta, Grim? THat’s what we... 6:35 PM
  • Regina delle fate: Ticho Parly and Pekka Nuotio sang Pinkerton at the Met? 6:33 PM

The Prince of Alice Tully Hall

Either you adore “The World Is but a Broken Toy” from Act II of Princess Ida and have always wanted to hear it sung by voices of operatic quality… or you don’t… and you haven’t. You are immune, as so many are, to operetta, once serene occupant of the theatric perch latterly usurped by the likes of Les Miserables and Evita. Long ago—but operetta seems always to have evoked “long ago,” to have been an art of nostalgia. Long ago, in operetta’s heyday, singers didn’t use microphones and the tunes that showed their voices off were a whole lot better than the current Broadway crop.   Read more »

Don’t ask, do “Tell”

Repertory for “Bel Canto at Caramoor” 2011: H.M.S. Pinafore and Guillaume TellRead more »

talk like a pirate day

Pirates three: Kevin Kline, Rex Smith and Patricia Routledge.

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