Headshot of La Cieca

Cher Public

  • redbear: See above. The religious freedom of forced marriages at 10 or 12 and genital mutiliation? That is... 11:09 AM
  • redbear: Dabrowski. Another question. We know that almost every Muslim woman goes without a veil in France,... 11:06 AM
  • messa di voce: Doesn’t administration, in conjunction with singers and conductors, plan what they want... 10:58 AM
  • Quanto Painy Fakor: Too bad there was no New York City Opera to produce this piece. They needed the... 10:47 AM
  • MontyNostry: I was thinking kebabs. Here in the UK people talk about ‘having a doner’ when the... 10:46 AM
  • LittleMasterMiles: I assume the reference is to the announcement in the program and on the website,... 10:29 AM
  • LittleMasterMiles: You’re right: a backstory makes a character human; it doesn’t justify his... 10:23 AM
  • CwbyLA: pasavant, what you said about veil not being required by Muslim law is incorrect. What is said in... 10:07 AM
  • Poison Ivy: I think mamoud’s monologue is the closest to a “backstory&# 8221; but his actions... 10:00 AM
  • Dabrowski: This sort of rationalization for France’s racist law is no different from the Russian claim... 9:53 AM

Call me Madame

“To play La Pompadour—what a delightful task! To be La Pompadour—what a gruesome fate!” Thus spoke operetta superstar Fritzi Massary after researching her role as Louis XV’s official mistress in the Leo Fall operetta Madame Pompadour, which was written as a star vehicle for “die Massary” and had its first, hugely successful, performance in Berlin in 1922, followed by runs in Vienna and London. Read more »

The Prince of Alice Tully Hall

Either you adore “The World Is but a Broken Toy” from Act II of Princess Ida and have always wanted to hear it sung by voices of operatic quality… or you don’t… and you haven’t. You are immune, as so many are, to operetta, once serene occupant of the theatric perch latterly usurped by the likes of Les Miserables and Evita. Long ago—but operetta seems always to have evoked “long ago,” to have been an art of nostalgia. Long ago, in operetta’s heyday, singers didn’t use microphones and the tunes that showed their voices off were a whole lot better than the current Broadway crop.   Read more »

Don’t ask, do “Tell”

Repertory for “Bel Canto at Caramoor” 2011: H.M.S. Pinafore and Guillaume TellRead more »

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talk like a pirate day

Pirates three: Kevin Kline, Rex Smith and Patricia Routledge. [kml_flashembed movie="http://www.youtube.com/v/qbYScGigjd4" width="425" height="350" wmode="transparent" /]

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