Headshot of La Cieca

Cher Public

  • WindyCityOperaman: Wow, that LOC Semiramide was from the fall of 1971, not 1977, and this high school junior... 7:45 AM
  • La Cieca: Are there parterriena up for a chat during these performances? If so, I’ll put them on the... 7:43 AM
  • Poison Ivy: Hmm, this is what the NY Classical Review said: http://newyorkclas sicalreview.com... 7:41 AM
  • WindyCityOperaman: and LOCs opening night Porgy and Bess on 11/17 at 7:15 pm (Owens/Aaron/Stare ) 7:34 AM
  • WindyCityOperaman: As we wait for the Met Saturday broadcasts to start, Parterrians should check out wfmt.com... 7:32 AM
  • WindyCityOperaman: httpvh://www.youtu be.com/watch?v=hGB 7yTZEZE4 6:27 AM
  • Cicciabella: …(sorry for the iThing crash-and-burp) 230;The first time I encountered Monastyrska was... 5:56 AM
  • Cicciabella: The first 4:06 AM
  • Porgy Amor: Ouf: JV is alive at 88, but, sadly, not in a condition to provide assistance here. :-( I... 4:04 AM
  • MontyNostry: NL would never be so straightforward as to use such plain-coloured language. He is the would-be... 4:03 AM

Call me Madame

“To play La Pompadour—what a delightful task! To be La Pompadour—what a gruesome fate!” Thus spoke operetta superstar Fritzi Massary after researching her role as Louis XV’s official mistress in the Leo Fall operetta Madame Pompadour, which was written as a star vehicle for “die Massary” and had its first, hugely successful, performance in Berlin in 1922, followed by runs in Vienna and London. Read more »

The Prince of Alice Tully Hall

Either you adore “The World Is but a Broken Toy” from Act II of Princess Ida and have always wanted to hear it sung by voices of operatic quality… or you don’t… and you haven’t. You are immune, as so many are, to operetta, once serene occupant of the theatric perch latterly usurped by the likes of Les Miserables and Evita. Long ago—but operetta seems always to have evoked “long ago,” to have been an art of nostalgia. Long ago, in operetta’s heyday, singers didn’t use microphones and the tunes that showed their voices off were a whole lot better than the current Broadway crop.   Read more »

Don’t ask, do “Tell”

Repertory for “Bel Canto at Caramoor” 2011: H.M.S. Pinafore and Guillaume TellRead more »

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talk like a pirate day

Pirates three: Kevin Kline, Rex Smith and Patricia Routledge. [kml_flashembed movie="http://www.youtube.com/v/qbYScGigjd4" width="425" height="350" wmode="transparent" /]

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