Headshot of La Cieca

Cher Public

  • Will: Let me get this straight, The MET produced Handel’s Giulio Cesare as a “polished, yet vapid... 6:28 PM
  • Sanford: Nicholas is so talented and is really building up steam in his career. And he’s a nice as he is... 6:28 PM
  • Baltsamic Vinaigrette: And there we have it: at last the Met employs a Frenchie, and still they get it in the neck! 6:11 PM
  • kashania: Luvt: Interesting post but I have difficulty reconciling the concept of Wagner as a evolutionary... 6:11 PM
  • Noel Dahling: I just wondered what your thoughts were on the somewhat controversial (I guess that’s the... 6:08 PM
  • manou: Bianca – gone are the days when I could call myself skinny, but then I do not worry about it now, so... 6:08 PM
  • kashania: LMM: Well you know, once you get into the nitty gritty of the big adjectives, anything can happen. I... 6:04 PM
  • marshiemarkII: Indeedy Noel, can’t think of a better forum than the great Master’s birthday, but... 6:01 PM

The Prince of Alice Tully Hall

Either you adore “The World Is but a Broken Toy” from Act II of Princess Ida and have always wanted to hear it sung by voices of operatic quality… or you don’t… and you haven’t. You are immune, as so many are, to operetta, once serene occupant of the theatric perch latterly usurped by the likes of Les Miserables and Evita. Long ago—but operetta seems always to have evoked “long ago,” to have been an art of nostalgia. Long ago, in operetta’s heyday, singers didn’t use microphones and the tunes that showed their voices off were a whole lot better than the current Broadway crop.   Read more »

Don’t ask, do “Tell”

Repertory for “Bel Canto at Caramoor” 2011: H.M.S. Pinafore and Guillaume TellRead more »

talk like a pirate day

Pirates three: Kevin Kline, Rex Smith and Patricia Routledge.

[kml_flashembed movie="http://www.youtube.com/v/qbYScGigjd4" width="425" height="350" wmode="transparent" /]