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Cher Public

  • Sanford: On entirely different note, I’ve been hired to sing Colas in Bastien Und Bastienne for several... 9:32 AM
  • Sanford: I’m listening to the Bartoli Norma recording and while I’ve been a vocal critic of her... 9:29 AM
  • phoenix: Dedicated to the much appreciated Œdipe: Last Saturday an audio broadcast (performed 24 August 2014)... 9:09 AM
  • DonCarloFanatic: It’s “Opera Week” at MPT from Baltimore, and five Met HD’s are being... 9:00 AM
  • phoenix: Of course Feld I’m looking forward to it, but according to the reviewer in the article below,... 8:55 AM
  • Cocky Kurwenal: Excellent news, thanks Feldm. 8:45 AM
  • phoenix: dan, I assume they just haven’t been released yet. The Russian sites seem to imply that the... 8:40 AM
  • Feldmarschallin: Next Saturday Bayern 4 Klassik will bring Favorite from Salzburg with Mrs Garanca, Florez... 8:15 AM
  • La marquise de Merteuil: Thanks Monty for that link of Jeritza – a dear old OLD friend had heard her in... 8:07 AM
  • MontyNostry: I didn’t see Evstatieva live, but heard her in a number of live broadcasts (notably in a... 7:56 AM

Call me Madame

“To play La Pompadour—what a delightful task! To be La Pompadour—what a gruesome fate!” Thus spoke operetta superstar Fritzi Massary after researching her role as Louis XV’s official mistress in the Leo Fall operetta Madame Pompadour, which was written as a star vehicle for “die Massary” and had its first, hugely successful, performance in Berlin in 1922, followed by runs in Vienna and London. Read more »

The Prince of Alice Tully Hall

Either you adore “The World Is but a Broken Toy” from Act II of Princess Ida and have always wanted to hear it sung by voices of operatic quality… or you don’t… and you haven’t. You are immune, as so many are, to operetta, once serene occupant of the theatric perch latterly usurped by the likes of Les Miserables and Evita. Long ago—but operetta seems always to have evoked “long ago,” to have been an art of nostalgia. Long ago, in operetta’s heyday, singers didn’t use microphones and the tunes that showed their voices off were a whole lot better than the current Broadway crop.   Read more »

Don’t ask, do “Tell”

Repertory for “Bel Canto at Caramoor” 2011: H.M.S. Pinafore and Guillaume TellRead more »

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talk like a pirate day

Pirates three: Kevin Kline, Rex Smith and Patricia Routledge. [kml_flashembed movie="http://www.youtube.com/v/qbYScGigjd4" width="425" height="350" wmode="transparent" /]

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