Headshot of La Cieca

Cher Public

  • danpatter: Camille, I believe Beverly Sills’ recording of NORMA has “Casta diva” in G,... 10:47 PM
  • danpatter: I watched the ARABELLA clip with some trepidation. Fleming’s voice has loosened a bit, but... 10:31 PM
  • danpatter: Yes it Roberta Alexander, as the Fifth Maid, and she gets a very nice ovation at the end. Also... 10:23 PM
  • laddie: Do like the rest of us do, buy $32 tickets and move up. Better yet, volunteer a teensy amount of your... 9:31 PM
  • Ruxxy: What? She breathes oxygen and can move her legs and arms? lol 8:32 PM
  • pavel: Quite a tempting selection of treats, save for the Rameau. Even people dancing in their knickers... 8:10 PM
  • Archaeopteryx: I must say that I find Eaglen’s reading of Norma’s scene on her recital disc with... 6:29 PM
  • manou: Toscanini e passato naturalmente. 6:17 PM
  • manou: Toscanini ed “passatoR 21; non hanno bisogno di lettere in più. 5:52 PM
  • kashania: Well, that feistiness carries through the third act. My throat hurts! She’s very exciting but... 5:28 PM

Call me Madame

“To play La Pompadour—what a delightful task! To be La Pompadour—what a gruesome fate!” Thus spoke operetta superstar Fritzi Massary after researching her role as Louis XV’s official mistress in the Leo Fall operetta Madame Pompadour, which was written as a star vehicle for “die Massary” and had its first, hugely successful, performance in Berlin in 1922, followed by runs in Vienna and London. Read more »

The Prince of Alice Tully Hall

Either you adore “The World Is but a Broken Toy” from Act II of Princess Ida and have always wanted to hear it sung by voices of operatic quality… or you don’t… and you haven’t. You are immune, as so many are, to operetta, once serene occupant of the theatric perch latterly usurped by the likes of Les Miserables and Evita. Long ago—but operetta seems always to have evoked “long ago,” to have been an art of nostalgia. Long ago, in operetta’s heyday, singers didn’t use microphones and the tunes that showed their voices off were a whole lot better than the current Broadway crop.   Read more »

Don’t ask, do “Tell”

Repertory for “Bel Canto at Caramoor” 2011: H.M.S. Pinafore and Guillaume TellRead more »

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talk like a pirate day

Pirates three: Kevin Kline, Rex Smith and Patricia Routledge. [kml_flashembed movie="http://www.youtube.com/v/qbYScGigjd4" width="425" height="350" wmode="transparent" /]

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