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Cher Public

  • tatiana: I was at the Met for yesterday’s matinee and it WAS dull — not only vocally but there... 7:56 AM
  • ipomoea: Odyssey Opera in Boston has just announced a “British Invasion” for its May-June... 7:34 AM
  • Feldmarschallin: Well if you ask me you can put Merbeth, Dasch, Racette and Magee all in the same bag. They... 6:34 AM
  • Krunoslav: With Merbeth and Dasch plying their mediocre wares in this repertory, one scarcely meeds to look... 5:50 AM
  • Lurker_del_Cairo: Thank you – no wonder I could not find any performance information! 4:59 AM
  • Buster: Schwanewilms was an excellent Ariadne too, for Laufenberg. That was an awful production, by the way.... 4:47 AM
  • Feldmarschallin: http://www.gettyim ages.de/galleries/ events/543094813?p age=2 Photos von Salzburg besonders... 4:20 AM
  • Feldmarschallin: Well but you have to put up with Hillebrecht who was in the 60′s what Racette and... 4:16 AM
  • Buster: Ricarda Merbeth has a new website (about time), and facebook. From that we not only learn she will... 4:14 AM
  • Buster: The first Tatiana Troyanos Ariadne is back into print – always a hard one to find on CD. I... 4:07 AM

Hall of shame

“What I find bizarre is the insistence that no one—not the school, not Opera North, not the local education authority—is being homophobic. Instead, we have the strange position that, because the children are of primary-school age, these lines are too difficult and confusing for them.”

The lines in question are “Of course I’m queer/That’s why I left here/So if you infer/That I prefer/A lad to a lass/ And I’m working class/ I’d have to concur.” [The Guardian]