“Marlis Petersen, in her first shot at the role, is as complete a video Violetta as Rosanna Carteri, Marie McLaughlin or the young Angela Gheorghiu, and as riveting as Teresa Stratas or Anna Netrebko.” [Opera News]
“A few weeks after the opening night of Otello in New York, The Washington Post convened a group of African–American opera singers to discuss the issue. Not surprisingly, there was agreement on one thing: using makeup to color the face of a white singer playing Otello isn’t a problem.” [Opera News]
“It’s in the ‘Behind the Scenes’ section of the Lady Gaga issue, involving Brian Mitchell, archivist and occasional child wrangler with the Houston Grand Opera.”
The winners of the ninth annual F. Paul Driscoll Awards for Outstanding Achievement in the Field of Excellence (or, as they are colloquially known, the “Opera News Awards”) have been revealed.
“F. Paul Driscoll, editor of Opera News [not pictured], is optimistic.”
Brian Kellow‘s “Coda” piece in the current Opera News, summarized: “I’m so cranky that even namedropping has lost its thrill.” (Photo: Ken Howard/Metropolitan Opera)
The bestowal of a bouquet of accolades upon James Levine is unsurprisingly the main thrust of the current Opera News (why, after all, should this month be different from any other in the rag’s 75 year history?) and given the plum of penning this poetical posy is the horticulturally apt writer Scott Rose, “author of the novel Death in Hawaii.” In this encomium—for which the adjective “fulsome” is altogether too mild a description— Mr. Rose winnows down what was what La Cieca supposes was in the most literal sense a list of “countless memorable moments” to a mere 40 of […]