Cher Public

  • Camille: I still can’t remember for sure but I am pretty certain I saw that Tosca whilst still a virgin maiden (as the fact that Mr... 12:27 AM
  • Camille: ON THIS DAY I cleaned out my storage locker and finally found the missing half of my beloved and irreplaceable DON CARLOS score!... 12:08 AM
  • Camille: This sounds very good to me, her voice being very well suited to this role and not sounding as if she is just attempting to... 12:02 AM
  • Quanto Painy Fakor: I took one look at the first scene of Das Rheingold televised on SKY turned it off. 11:26 PM
  • Camille: When I lived in L.A. For a few years in the last decade, occasionally I would pick up the Times to try and pay heed to Mr... 11:15 PM
  • Krunoslav: Armer? Does this casting make you, too, feel old as the hills? Francis Poulenc : Dialogues des Carmélites (“Dialogues of... 11:10 PM
  • Camille: My joints creak too much, Jungfer, but one never knows. That’s okay–just include a couple of the cheap beer and... 10:39 PM
  • Jungfer Marianne Leitmetzerin: As long as I can still get up that Hill, I would rather prefer to keep my secret places just that: I... 10:25 PM

Politically deflect

“A few weeks after the opening night of Otello in New York, The Washington Post convened a group of African–American opera singers to discuss the issue. Not surprisingly, there was agreement on one thing: using makeup to color the face of a white singer playing Otello isn’t a problem.” [Opera News]

A boom with a view

“It’s in the ‘Behind the Scenes’ section of the Lady Gaga issue, involving Brian Mitchell, archivist and occasional child wrangler with the Houston Grand Opera.” The Wall Street Journal interviews “Opera’s Other Booming Voice,” F. Paul Driscoll (not pictured).

Winged victors

Has it really been nine years? Well, apparently it has, because the winners of the ninth annual F. Paul Driscoll Awards for Outstanding Achievement in the Field of Excellence (or, as they are colloquially known, the “Opera News Awards”) have been revealed. Congratulations to director Patrice Chéreau, tenor Juan Diego Flórez, mezzo-soprano Christa Ludwig, bass-baritone James Morris and soprano Nina Stemme (not pictured)!   Read more »

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You’ve got to taste all the fruit

F. Paul Driscoll, editor of Opera News [not pictured], is optimistic.”

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F. and Furious

Has it been a year already? Apparently so.

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Encouraging young things to grow

La Cieca has reviewed the parterre circulation numbers and she is delighted and not a little perplexed to note that the day of the Great Opera News Kerfuffle provided our site with the highest number of pageviews in history.

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Felicity Palmer as The Countess in Tchaikovsky's "The Queen of Spades."

The sorrowful précis

Brian Kellow‘s “Coda” piece in the current Opera News, summarized: “I’m so cranky that even namedropping has lost its thrill.” (Photo: Ken Howard/Metropolitan Opera)

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Apotheosis

The bestowal of a bouquet of accolades upon James Levine is unsurprisingly the main thrust of the current Opera News (why, after all, should this month be different from any other in the rag’s 75 year history?) and given the plum of penning this poetical posy is the horticulturally apt writer Scott Rose, “author of the novel Death in Hawaii.” In this encomium—for which the adjective “fulsome” is altogether too mild a description— Mr. Rose winnows down what was what La Cieca supposes was in the most literal sense a list of  “countless memorable moments” to a mere 40 of […]

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Don’t leave home without it

Congratulations to Opera Chic, named “Essential Opera Blogger” in the current Opera News by a panel consisting of Brian Kellow and Tristan Kraft. 

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Oh, how we danced on the night we were webbed

Lots of media news today, so let’s not waste any time! La Cieca congratulates Opera News on the occasion of the mag’s 75th anniversary this month, though your doyenne is willing to swear that the mag doesn’t look a day over 60! 

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