“A few weeks after the opening night of Otello in New York, The Washington Post convened a group of African–American opera singers to discuss the issue. Not surprisingly, there was agreement on one thing: using makeup to color the face of a white singer playing Otello isn’t a problem.” [Opera News]
Lincoln Center’s Great Performers presents Diana Damrau on Saturday, December 10th, joined by Xavier de Maistre on harp, performing works by Debussy, Strauss, Fauré, and more. A regular at the Met Opera, Damrau has been called “a soprano of matchless intelligence” (Guardian).
“One of the greatest proponents of the German lied tradition” (New York Times), baritone Christian Gerhaher performs an all-Mahler program on Saturday, December 17th, featuring Gerold Huber on piano. The Telegraph calls him “the most moving singer in the world.”
Both performances are at Lincoln Center’s Alice Tully Hall.
“It’s in the ‘Behind the Scenes’ section of the Lady Gaga issue, involving Brian Mitchell, archivist and occasional child wrangler with the Houston Grand Opera.” The Wall Street Journal interviews “Opera’s Other Booming Voice,” F. Paul Driscoll (not pictured).
The winners of the ninth annual F. Paul Driscoll Awards for Outstanding Achievement in the Field of Excellence (or, as they are colloquially known, the “Opera News Awards”) have been revealed.
“F. Paul Driscoll, editor of Opera News [not pictured], is optimistic.”
Brian Kellow‘s “Coda” piece in the current Opera News, summarized: “I’m so cranky that even namedropping has lost its thrill.” (Photo: Ken Howard/Metropolitan Opera)
The bestowal of a bouquet of accolades upon James Levine is unsurprisingly the main thrust of the current Opera News (why, after all, should this month be different from any other in the rag’s 75 year history?) and given the plum of penning this poetical posy is the horticulturally apt writer Scott Rose, “author of the novel Death in Hawaii.” In this encomium—for which the adjective “fulsome” is altogether too mild a description— Mr. Rose winnows down what was what La Cieca supposes was in the most literal sense a list of “countless memorable moments” to a mere 40 of […]
Congratulations to Opera Chic, named “Essential Opera Blogger” in the current Opera News by a panel consisting of Brian Kellow and Tristan Kraft.