While the celebrity-studded, expensively-dressed audience gathered for the gala opening of the Metropolitan Opera’s 2015-2016 season seemed genuinely enthralled by Monday evening’s performance of Otello, it was more likely swept away by the power of Verdi’s genius than by Bartlett Sher’s puzzling, inert new production. Read more »
“…Onegin, which opens the Met’s season on Monday, has taken an unusually precipitous tumble from sure thing—a pinnacle of Russian music, featuring the most eminent Russian soprano and Russian conductor of our time, in a production by a widely admired theater director making her Met debut—to headache-plagued.” [New York Times]
After last night’s opening of L’elisir d’amore, the first chirping of critics is heard. Read more »
“Upon my word,” exclaims La Cieca (pictured at right, in the background), “I could almost swear I see a few empty seats on the other side of theater for the Met’s opening night performance of L’elisir d’amore!”
Tonight’s the night, cher public, traditionally the busiest of the year here at parterre. Complete details on the opening night performance of Anna Bolena after the jump.