La figlia dell’aria

For her third solo recording Olga Peretyatko summons the two men who launched her career less than a decade ago: the first one is conductor Alberto Zedda, who discovered the then-unknown Russian soprano in an audition in Germany; and the second one is Gioacchino Rossini himself.  Indeed, Zedda, artistic director of the Rossini Opera Festival in Pesaro, immediately cast her as Desdemona in a production of Otello featuring big names such as Juan Diego Flórez and Gregory Kunde, and a star was born, who very soon graced the stages of the most prominent opera companies firmly ensconcing herself among the A-listers.  Her beauty, her fashion sense as well her high-profile marriage with another fast rising talent, former enfant prodige conductor Michele Mariotti, certainly did not hinder her career; neither did an exclusive recording contract with Sony.  Read more »


Olga Peretyatko has officially left the chorus. The former member of the children’s choir at the Mariinsky Theatre in St. Petersburg is experiencing a meteoric rise, and for good reason. She has talent in spades and, fortunately, has elected to inject her energies into the bel canto repertoire.   Read more »