Headshot of La Cieca

Cher Public

  • MontyNostry: Talking of Cotrubas, whom I saw on stage as Violetta, Elisabetta and Tatyana, and in... 10:33 PM
  • NPW-Paris: (Just to be clear: the opening night reviews had thus not prepared me for what I heard when I was... 10:33 PM
  • NPW-Paris: I heard her only once, in Boccanegra: “Ana Maria Martinez was, it seems, petrified on the... 10:31 PM
  • Operngasse: Jungfer – Thank you so much for mentioning Martine van Hamel. One of the great American... 10:31 PM
  • MontyNostry: Camille, dear, I find that very reassuring! Thank you. 10:30 PM
  • Camille: Thanks, armerjay, for I had this home from the library but hadn’t the time to listen. I got... 10:21 PM
  • Camille: MontyN. You have volleyed on back my exact sentiments re all three sopranos spoken of above, not... 10:18 PM
  • Camille: How is that ending different, please? Is that in the UE score? Have only heard the the usually done... 10:10 PM
  • Camille: It’s very interesting to hear what you have to say about the Cotrubas Traviata. She was so... 10:02 PM
  • NPW-Paris: Damn. “… from natural causes”. Sorry. 9:56 PM

It is what she would have wanted

Due to wellness, it is with deep contentedness that Marina Poplavskaya will after all dance the ballet of “The Red Shoes” sing the role of Alice in Robert le Diable at the Royal Opera contrary to the earlier announcement of a cast change.