Headshot of La Cieca

Cher Public

  • DeepSouthSenior: Sarah, Simon, and the rest of the Berlin gang are at Carnegie Hall this week, and at the... 5:25 PM
  • Cicciabella: 4th Horn and 3rd Norn are my dream roles. (Segueing from MontyNostry wanting to be The Dentist... 5:22 PM
  • DeepSouthSenior: For a closer operatic connection, the August episode of “Sarah’ ;s Music”... 5:03 PM
  • DeepSouthSenior: I’m a couple of days late on this, but Opolais seems to be a natural “risk-tak... 4:57 PM
  • DeepSouthSenior: This review of the Met Macbeth deserves its own headline and separate thread. We’ve... 4:35 PM
  • DeepSouthSenior: “. . . nice classic lyric tenor voice . . .” 4:31 PM
  • DeepSouthSenior: I believe that Polenzani will fit in just fine with Harteros, Garanca, and D’Arcang... 4:30 PM
  • Gualtier M: Met Performance] CID:239170 Turandot {121} Metropolitan Opera House: 10/4/1974. (Debut: Nancy... 4:25 PM
  • JohninSeattle: I worked on the McCaw Hall project. SO loves to take credit for the new home but it was four... 4:19 PM
  • uwsinnyc: ‘Olga of the volga’: that had me in laughter! Based on some of her clips online, she... 4:12 PM

All right, God, you have my attention

Norman Lebrecht announces that Deborah Voigt , “one of the leading Brünnhildes of our time,” will join Rufus Wainwright to sing arias from Prima Donna and will then join him in a duet of “If I Loved You” from Carousel and… oh, I just can’t.

If it quacks like a Lebrecht

It’s Logic 101, really: “Peter Gelb says opera in the United States is having trouble finding an audience. A single performance at the Mariinsky Opera last week sold out. Therefore, Peter Gelb is a liar.”

KIngdom of the blind

Cher public, you know that Rupert Christiansen is not someone with whom your doyenne often agrees, but this time he’s got it right. Of course, it’s hard to get anything wrong if you disagree with a click-whoring windbag like Norman Lebrecht.

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Where the boys are

When Norman Lebrecht is declaring on an almost daily basis that classical music is dead, it’s perhaps heartening that four of today’s prominent tenors have recently released what might be called fluff/vanity albums.

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Cover to cover

La Cieca (pictured) is thrilled to announce the debut of a new online book club hosted by Norman Lebrecht of “Slipped Disc” fame.

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Follow me and climb the stairs

La Cieca was hoping for an official announcement from the New York Times before she posted this, but it looks like she’s going to have to grit her teeth and link to Norman Lebrecht after all.

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The world of tomorrow

“Sony Classical is proud to announce the signing of an exclusive recording contract with Plácido Domingo. This new agreement brings the legendary singer back to the company where his unparalleled recording career started in the late 1960s. Sony Classical’s catalog boasts many of his milestone recordings, and the renewed collaboration between Mr. Domingo and the label promises to explore new repertoire areas and showcase fascinating new aspects of this great artist.” [via Slipped Disc]

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A woman running City Opera? Unheard of!

“Zambello, a busy stage director, should have become director of New York City Opera a few years back but was rejected by a sexist board.” [Lebrecht] On a completely unrelated note, happy birthday Beverly Sills!

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There will be blood

As perhaps you know, if there’s anyone Norman Lebrecht hates more than opera singers and superstar conductors, it’s artists’ managers. So imagine his glee when he got his mitts on an email “leaked… in the dark of night” detailing “the balance of terror that prevails between a soloist and the person who supposedly has his or her best interests at heart…. the stuff of nightmares.” 

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No cure for the common scold

Every time La Cieca says she’s through once and for all reading Norman Lebrecht, that middlebrow minstrel of the maestro myth soars to new heights of noisomeness. This time (yet again) it’s about how utterly callous those silly opera singers are for canceling (imagine!) when they’re too sick to sing.  

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