Cher Public

  • CwbyLA: Great review Albert! So informative. It was a great pleasure to read it. I saw the work in Santa Fe last year. It was my first... 2:25 AM
  • Vergin Vezzosa: My out on a limb guess for Salome next season at the Met is Lisa Lindstrom. Please not Nada M.. Next week we will know. 2:18 AM
  • NPW-Paris: As it happens, so did I. I only ever saw her once before in in I Capuleti, and it wasn’t a great evening – at... 1:39 AM
  • Niel Rishoi: A sheer pleasure to read your intelligent words, Albert – thank you so much! 1:17 AM
  • dgf: In a word, sublime! 1:04 AM
  • la vociaccia: A lot have announced already. The Met is quite slow for that level of company. Houston, Chicago, Dallas, San Francisco,... 12:58 AM
  • Pia Ngere-Liu: I agree – at least two per month. 12:54 AM
  • la vociaccia: Yeah I’m gonna go out on a limb and say it’s probably, you know, Die Michael… 12:52 AM

“Where was Liam Joshua?”

“Anyone looking for orgiastic obscenity in Calixto Bieito‘s production of Carmen at the London Coliseum, will be bitterly disappointed, writes Rupert Christiansen.” [The Telegraph]

Reader, I shagged him

Deborah Orr (“one of Britain’s leading social and political commentators”) doesn’t know much about opera, but she does know she prefers opera to al fresco gay sex. At least I think that’s what she’s talking about in The Guardian.

Vicar aghast at codswallop

fatherjackto7

“Italian opera has never been more popular. It has also never been in greater need of Italian voices. No matter how good the alternatives, a home-grown voice, properly schooled, transforms the sound of Verdi. It is not just the diction or timbre. It is the tradition . . . . Nicholas Hytner’s staging … remains earthbound. Why is it that successive National Theatre directors, upon entering the Royal Opera House, automatically capitulate to operatic convention?” [Financial Times]