Headshot of La Cieca

Cher Public

  • Buster: Thanks Camille, to you too! The (renovated) opera house in Liege is beautiful. Lots of elderly... 12:33 AM
  • Buster: httpv://www.youtub e.com/watch?v=VJSp 9mYT9GM 12:11 AM
  • zinka: The old standing line was a “life unto itself.” I just cannot figure out why,wearing a... 11:59 PM
  • peter: Kennlyside’s understudy sang the dress rehearsal. They probably just plugged in footage from it. 10:38 PM
  • Camille: Many happy returns to Maestro Tilson Thomas, whom I remember from the late sixties(!) onward, and... 10:32 PM
  • aulus agerius: Correction: Keenlyside in the first act and someone else after that. 10:08 PM
  • aulus agerius: I don’t see any debacle. All I see is a different Rigoletto in the first two acts from... 10:06 PM
  • antikitschychick: “The more you talk the less I have to…” “vat is the genesis? I dont... 9:52 PM
  • antikitschychick: Monty: http://images.soda head.com/polls/004 367075/1350461932_ soap_funny_xlarge. jpeg ;-)... 9:34 PM
  • antikitschychick: haha muchas gracias Camille que disfrutes estos dias de festejo; te deseo mucha salud y... 9:31 PM

“Where was Liam Joshua?”

“Anyone looking for orgiastic obscenity in Calixto Bieito‘s production of Carmen at the London Coliseum, will be bitterly disappointed, writes Rupert Christiansen.” [The Telegraph]

Reader, I shagged him

Deborah Orr (“one of Britain’s leading social and political commentators”) doesn’t know much about opera, but she does know she prefers opera to al fresco gay sex. At least I think that’s what she’s talking about in The Guardian.

Vicar aghast at codswallop

fatherjackto7

“Italian opera has never been more popular. It has also never been in greater need of Italian voices. No matter how good the alternatives, a home-grown voice, properly schooled, transforms the sound of Verdi. It is not just the diction or timbre. It is the tradition . . . . Nicholas Hytner’s staging … remains earthbound. Why is it that successive National Theatre directors, upon entering the Royal Opera House, automatically capitulate to operatic convention?” [Financial Times]