Headshot of La Cieca

Cher Public

  • Krunoslav: Soem favorite Rethberg cuts: httpv://www.youtub e.com/watch?v=qVv7 0q6gGZo This one’s going... 2:31 AM
  • Buster: I never listened much to Rethberg’s live Met recordings. Past her prime, not at her best, is... 2:12 AM
  • ML: Let’s hear it for low E-flat! mmmmmmmmm mmmmmmmmm mmmmmmmmm 12:45 AM
  • dr.malatempra: I believe the initial rumor was regarding Lisette Oropesa. Have no opinion about the validity... 12:41 AM
  • antikitschychick: Yay thank you for confirming that PokeyGascon! :-). Also, just a humble suggestion from... 12:33 AM
  • ML: Chicago Tribune (John von Rhein) has it all wrong: * CSO is one of three (3) jobs Muti holds, so it does... 12:24 AM
  • Clita del Toro: Thanks, chick. Nice to hear from you. 12:22 AM
  • PokeyGascon: Game of Thrones look was intentional or at least acknowledged by the director in the program... 12:09 AM
  • ML: It seems that a Saturday threat by the CGIL union was the last straw: http://roma.repubb lica.it/crona... 12:03 AM
  • antikitschychick: Lolzzz well that’s one way of describing it. Btw: good to see you back here Clita... 11:58 PM

“Where was Liam Joshua?”

“Anyone looking for orgiastic obscenity in Calixto Bieito‘s production of Carmen at the London Coliseum, will be bitterly disappointed, writes Rupert Christiansen.” [The Telegraph]

Reader, I shagged him

Deborah Orr (“one of Britain’s leading social and political commentators”) doesn’t know much about opera, but she does know she prefers opera to al fresco gay sex. At least I think that’s what she’s talking about in The Guardian.

Vicar aghast at codswallop

fatherjackto7

“Italian opera has never been more popular. It has also never been in greater need of Italian voices. No matter how good the alternatives, a home-grown voice, properly schooled, transforms the sound of Verdi. It is not just the diction or timbre. It is the tradition . . . . Nicholas Hytner’s staging … remains earthbound. Why is it that successive National Theatre directors, upon entering the Royal Opera House, automatically capitulate to operatic convention?” [Financial Times]