Headshot of La Cieca

Cher Public

  • Chirper: Another example is “In Cold Blood,” book and movie. The murdered members of the Clutter... 3:54 PM
  • manou: The f*** Brits have a go: http://www.theguar dian.com/music/201 4/oct/21/the-death -of-klinghoffer... 3:54 PM
  • Milady DeWinter: Aha, now I get the “y” and its qualifiying connection to said “kitsch&#... 3:54 PM
  • Henry Holland: I can’t find confirmation via a link, but my understanding is that the Los Angeles... 3:53 PM
  • LittleMasterMiles: Thanks, Batty. Those definitions do suggest that Leon Klinghoffer qualifies as a public... 3:47 PM
  • Robby: Whether they crossed an ethical line is way above my pay grade, but though not common it’s... 3:30 PM
  • antikitschychick: oh you were kidding, lol ok yeah that makes sense. Re: my moniker/username, it’s... 3:29 PM
  • Batty Masetto: LMM, here are definitions of a “public figure” from two generally reliable legal... 3:18 PM
  • Dabrowski: The parallels with the Rushdie affair are inescapable. Do you have it on good authority that it... 3:18 PM
  • Dabrowski: Ivy: Curiously enough, no less a figure than Edward Said himself reacted to the opening chorus in... 3:11 PM

“Where was Liam Joshua?”

“Anyone looking for orgiastic obscenity in Calixto Bieito‘s production of Carmen at the London Coliseum, will be bitterly disappointed, writes Rupert Christiansen.” [The Telegraph]

Reader, I shagged him

Deborah Orr (“one of Britain’s leading social and political commentators”) doesn’t know much about opera, but she does know she prefers opera to al fresco gay sex. At least I think that’s what she’s talking about in The Guardian.

Vicar aghast at codswallop

fatherjackto7

“Italian opera has never been more popular. It has also never been in greater need of Italian voices. No matter how good the alternatives, a home-grown voice, properly schooled, transforms the sound of Verdi. It is not just the diction or timbre. It is the tradition . . . . Nicholas Hytner’s staging … remains earthbound. Why is it that successive National Theatre directors, upon entering the Royal Opera House, automatically capitulate to operatic convention?” [Financial Times]