Cher Public

  • Sanford: As wonderful as that number is with Burns, Allen, and Astaire, the fun house number is even better but I couldn’t find it... 1:06 AM
  • Krunoslav: Note the absence of any discussion in the NYT review of Ryan McKinny’s , um, *singing*. 1:05 AM
  • Sanford: I lovelovelove that video. I watched most of the speeches tonight. I though Tim Kaine was great. And Bloomberg was awesome. But... 1:02 AM
  • Camille: I still can’t remember for sure but I am pretty certain I saw that Tosca whilst still a virgin maiden (as the fact that Mr... 12:27 AM
  • Camille: ON THIS DAY I cleaned out my storage locker and finally found the missing half of my beloved and irreplaceable DON CARLOS score!... 12:08 AM
  • Camille: This sounds very good to me, her voice being very well suited to this role and not sounding as if she is just attempting to... 12:02 AM
  • Quanto Painy Fakor: I took one look at the first scene of Das Rheingold televised on SKY turned it off. 11:26 PM
  • Camille: When I lived in L.A. For a few years in the last decade, occasionally I would pick up the Times to try and pay heed to Mr... 11:15 PM

About a boy

So what’s up with Nina Stemme’s Stimme?  The Kammersänerin is greeted rapturously at every performance she gives in Wien and new productions are lavished upon her (six to date).  At 52, she has pretty much covered the German dramatic soprano repertoire, having recently added Elektra to her roles.  This month, she returned to Leonore in Fidelio, a role she sang only once before, in London in 2011.   Read more »

So I married an axe murderess

Since neither my forays into obscure Dvorák and Leoncavallo were very successful (Vanda actually had more “listens” than La bohème!), I think the sturdier of you will enjoy Nina Stemme’s Elektra from Saturday night at Wiener Staatsoper.  Unfortunately, Anne Schwanewilms cancelled the entire run, so Ricarda Merbeth stepped into her puffy white dress. Read more »

Night and dreams

At the Opernhaus Zürich, the coat check is not optional. A collective hush extends throughout the hall just before the dimming of the lights. And it may be the last opera house in the world where the overwhelming majority of patrons still dress in formal attire; I have never felt like such a slob in my khakis and untucked shirt. Yet the pomp is not without reason; I do not believe there is another opera company in the world that maintains such impressively high musical values while performing in a fairly intimate space with stellar acoustics. Read more »

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Winged victors

The winners of the ninth annual F. Paul Driscoll Awards for Outstanding Achievement in the Field of Excellence (or, as they are colloquially known, the “Opera News Awards”) have been revealed.

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fanciulla_stemme

Ugh! Neve!

La Cieca celebrates (if that is the word) the first snowfall of the season in New York in the traditional manner.

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