Cher Public

  • Bluebeard: I’m sure I read somewhere that Murphy, Lapine, and Sondheim had to downplay Fosca’s craziness, or at least her... 10:18 AM
  • armerjacquino: He did change one thing- between the original off-Broadway production and the London premiere in 1993 he wrote the... 10:14 AM
  • Milady DeWinter: Mme, Manou – Sills was unbeatable as the Hoffmann ladies, Manon, Baby Doe, and of course Handel’s Cleopatra,... 10:09 AM
  • Gualtier M: I think that Sondheim and Lapine were afraid that Fosca would be too grotesque and repellent for the audience to like –... 10:05 AM
  • zinka: https://www.facebo ok.com/piotr.becza la.5/videos/101541 72731986354/ Stop mountainclimbing&# 8230;and do not think about skydiving... 9:54 AM
  • PCally: Well assassins is sondheims favorite of his own shows apparently, or at least the only one of his where he wouldn’t change a... 9:50 AM
  • PCally: Not always a fan but this is one of the best performances of anything I’ve ever seen, not doubt aided immensely but Chereau... 9:40 AM
  • PCally: Whoops httpv://m.youtube. com/watch?v=kRasTY iCipM 9:38 AM

When this cruel war is over

Jarrett Ott is a star. That is the only surprise takeaway from the well-intended snore, Cold Mountain, which opened Friday for a five-performance run at Opera Philadelphia.   Read more »

Cher public, affrettati, precipita per l’etra!

La Cieca’s familiar spirits have been turning their generally steely eyes to the Future Met Wiki, attempting in vain to make sense of impending repertoire and casting at Casa Gelb. Perhaps you, the cher public, can offer your insights and suggestions the better to fill the many gaping lacunae in their prognostications.   Read more »

Desk set

“Two Boys demonstrates that Mr. Muhly is capable of very great things indeed, offering extended glimpses of the kind of masterpiece he just missed writing here, and, more happily, of the kind of masterpiece I feel confident he will write in the future.” [New York Observer] (Photo: Ken Howard/Metropolitan Opera)

jj_post

Golden “Boys”

Who knows what to expect from an opera about the Internet?

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new_puritans

Our retrospection will now be all to the future

La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”

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odorama

Scent of mystery

La Cieca has been sniffing around her generally reliable (and fragrant) sources, and she thinks she has pieced together a list of the dozen operas to be featured in the 2013-2014 season of “The Met: Live in HD.”

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muhly_haircut

Oral, history

“Yeah, I was in London and I got a text message from Renee Fleming.”

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Graeae lady

Bloomberg’s Zinta Lundborg, best known for sharing a single eye and a single tooth with Manuela Hoelterhoff, overlooked the opera on Wednesday night and instead reviewed the PR for Dark Sisters. When a man writes like this, we call it “bitchy,” so when a woman does it, can’t we call her “dickish?”  

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Twisted sisters

“Five women singing together: That’s an opera fan’s idea of heaven. And though Nico Muhly’s Dark Sisters doesn’t quite reach celestial heights, Wednesday’s premiere offered the promise of an exciting new composer’s voice.”  [New York Post] (Photo: Richard Termine)

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When we deaf awaken

Open your eyes, sleepyheads! In the news this morning, our own JJ raves about Satyagraha at the Met (“a masterpiece of musical and visual art”); the ever-articulate Nico Muhly takes aim at the Met’s production values (“Mercedes Bass or Anne Ziff paid for the opera. What do you think is going to happen?”); and NYCO’s orchestra and chorus offer to work for free.

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