Jarrett Ott is a star. That is the only surprise takeaway from the well-intended snore, Cold Mountain, which opened Friday for a five-performance run at Opera Philadelphia. Read more »
La Cieca’s familiar spirits have been turning their generally steely eyes to the Future Met Wiki, attempting in vain to make sense of impending repertoire and casting at Casa Gelb. Perhaps you, the cher public, can offer your insights and suggestions the better to fill the many gaping lacunae in their prognostications. Read more »
Lincoln Center’s Great Performers presents Diana Damrau on Saturday, December 10th, joined by Xavier de Maistre on harp, performing works by Debussy, Strauss, Fauré, and more. A regular at the Met Opera, Damrau has been called “a soprano of matchless intelligence” (Guardian).
“One of the greatest proponents of the German lied tradition” (New York Times), baritone Christian Gerhaher performs an all-Mahler program on Saturday, December 17th, featuring Gerold Huber on piano. The Telegraph calls him “the most moving singer in the world.”
Both performances are at Lincoln Center’s Alice Tully Hall.
“Two Boys demonstrates that Mr. Muhly is capable of very great things indeed, offering extended glimpses of the kind of masterpiece he just missed writing here, and, more happily, of the kind of masterpiece I feel confident he will write in the future.” [New York Observer] (Photo: Ken Howard/Metropolitan Opera)
La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”
La Cieca has been sniffing around her generally reliable (and fragrant) sources, and she thinks she has pieced together a list of the dozen operas to be featured in the 2013-2014 season of “The Met: Live in HD.”
Bloomberg’s Zinta Lundborg, best known for sharing a single eye and a single tooth with Manuela Hoelterhoff, overlooked the opera on Wednesday night and instead reviewed the PR for Dark Sisters. When a man writes like this, we call it “bitchy,” so when a woman does it, can’t we call her “dickish?”
“Five women singing together: That’s an opera fan’s idea of heaven. And though Nico Muhly’s Dark Sisters doesn’t quite reach celestial heights, Wednesday’s premiere offered the promise of an exciting new composer’s voice.” [New York Post] (Photo: Richard Termine)
Open your eyes, sleepyheads! In the news this morning, our own JJ raves about Satyagraha at the Met (“a masterpiece of musical and visual art”); the ever-articulate Nico Muhly takes aim at the Met’s production values (“Mercedes Bass or Anne Ziff paid for the opera. What do you think is going to happen?”); and NYCO’s orchestra and chorus offer to work for free.