“When it was new, Merrill and O’Hearn’s work sparkled, reflecting the piquancy of Strauss’s score and Hugo von Hofmannsthal’s witty, learned libretto. But like any production left out in the sun a few decades, it gradually faded into mere decoration. The sets were dusted and periodically repainted, but they nevertheless grew stale. Der Rosenkavalier, a bittersweet parable of a society on the verge of convulsive transformation, became merely a plush, pretty nostalgia trip.” [New York Times]
The much-anticipated Stefan Herheim production of Les Vêpres Siciliennes opened last night at the Royal Opera, and the New York Times‘ Zachary Woolfe was something less than completely bowled over.
“The title character in Barber’s Gothic melodrama Vanessa, a self-deluded, manipulative older woman, ‘keeps coming up,’ Ms. Voigt said.” [New York Times]
“New York City Opera… says it likely will fail in its goal to raise $7 million by Monday, the deadline it set for suspending the bulk of its 2013-14 season.”
For those of you who might have overlooked the fact that James Levine is conducting tomorrow night at the Met, the New York Times will get you up to speed this morning with no fewer than four (4) features on the return of “somebody who may be the greatest opera conductor in history.”
“An earlier version of this post referred incorrectly to the gender of the mezzo-soprano Jamie Barton. Ms. Barton is a woman.”
La Cieca spies spotted the New York Times‘ Anthony Tommasini at the opening of the Salzburg Meistersinger, which indicates his review should be appearing by tomorrow at the latest.
And then she was all like, “Nuh-uh! Igor was so not gay,” and I was all like…