The much-anticipated Stefan Herheim production of Les Vêpres Siciliennes opened last night at the Royal Opera, and the New York Times‘ Zachary Woolfe was something less than completely bowled over.
“The title character in Barber’s Gothic melodrama Vanessa, a self-deluded, manipulative older woman, ‘keeps coming up,’ Ms. Voigt said.” [New York Times]
UPDATE: “City Opera’s board voted Thursday to start bankruptcy proceedings next week and wind down the company’s affairs if it fails to raise $7 million by Monday…. If no one steps in to save the company, its current production of Mark-Anthony Turnage’s Anna Nicole… could be City Opera’s final performance.” [New York Times] Read more »
For those of you who might have overlooked the fact that James Levine is conducting tomorrow night at the Met, the New York Times will get you up to speed this morning with no fewer than four (4) features on the return of “somebody who may be the greatest opera conductor in history.”
“An earlier version of this post referred incorrectly to the gender of the mezzo-soprano Jamie Barton. Ms. Barton is a woman.”
La Cieca spies spotted the New York Times‘ Anthony Tommasini at the opening of the Salzburg Meistersinger, which indicates his review should be appearing by tomorrow at the latest.
And then she was all like, “Nuh-uh! Igor was so not gay,” and I was all like…
“I’m analytical, not wild,” Ms. Garanca told an interviewer in 2009.