“In opera, voice is everything.” [New York Times]
“Mr. Luisi won praise replacing Mr. Levine time after time, particularly in a costly version of Wagner’s Ring cycle—though, perhaps in a sign of the situation’s delicacy, the two conductors have never met in person.” [New York Times]
Pyrotechnics abound when Angela Meade stars in Opera Orchestra of New York’s production of Donizetti’s tragic love story, Parisina d’Este, conducted by OONY founder Eve Queler on May 4, 2016 at the Frederick P. Rose Hall at Jazz at Lincoln Center. OONY last performed this opera in 1974 starring Montserrat Caballé. The remaining cast features a group of young international artists including American tenor Aaron Blake in the role of Ugo, Chinese baritone Yunpeng Wang in the role of Duke Azzo, Serbian bass Sava Vemic in the role of Ernesto, and American Soprano Mia Pafumi in the role of Imelda. Don’t miss this thrilling, rare Donizetti gem.! Remaining tickets are on sale at the Jazz at Lincoln Center box office. Read more »
La Cieca has been mulling over Michael Cooper‘s recent “bizarre” New York Times story about Peter Gelb‘s rationale for the putative departure (or non-departure, as the case may be) of James Levine from the Met, and after a lot of pondering she thinks she has this thing figured out. Inspector, will you ask the guests to gather in the Eleanor Belmont Room? Read more »
The Met’s pilot program of octogenarian outreach looks to be a smashing success.
Naming rights, Sunday performances, an extension of the Met’s lobby forward into Lincoln Center Plaza . . . Peter Gelb puts all that and more on the table.
“Few operas better represent a moment such as ours, when stability and long-held certainties are hard to come by, particularly in regard to sexuality.”