“Fred Plotkin, who wrote Opera 101: A Complete Guide to Learning and Loving Opera and writes about opera for the classical music radio station WQXR, said. . . . ‘[W]hen you’re really quiet, you can hear the tinkling when they stop. That sound, to me, is the sound of the Met’.” [New York Times]
An aging eccentric—who has for decades occupied a dubious place on the fringes of New York’s musical life—today saw a lifelong dream fulfilled.
Lincoln Center’s Great Performers presents Diana Damrau on Saturday, December 10th, joined by Xavier de Maistre on harp, performing works by Debussy, Strauss, Fauré, and more. A regular at the Met Opera, Damrau has been called “a soprano of matchless intelligence” (Guardian).
“One of the greatest proponents of the German lied tradition” (New York Times), baritone Christian Gerhaher performs an all-Mahler program on Saturday, December 17th, featuring Gerold Huber on piano. The Telegraph calls him “the most moving singer in the world.”
Both performances are at Lincoln Center’s Alice Tully Hall.
“Mr. Luisi won praise replacing Mr. Levine time after time, particularly in a costly version of Wagner’s Ring cycle—though, perhaps in a sign of the situation’s delicacy, the two conductors have never met in person.”
La Cieca thinks she knows who the murderer is.
The Met’s pilot program of octogenarian outreach looks to be a smashing success.