Cher Public

  • Lohengrin: Listen to AG´s Adriana! Although I am not a fan of her: she sings the aria with much more heart, knowing what is about the... 2:08 AM
  • Fritz: Well, combining Signor Matiste from Citizen Kane and “Cortigiani& #8221;, here he is singing that very aria for the... 1:22 AM
  • Camille: Gee, that’s too bad. I do have her Wesendonck Lieder mit Lenny and they are swell. Especially “Im Triebhaus̶... 12:21 AM
  • La Cieca: Bert Lahr did a variation on this line in one of his Broadway shows, not sure which one. The idea was that Bert fell afoul of a... 11:52 PM
  • m. croche: How wrong conventional wisdom is! Sometimes translations need be neither faithful nor beautiful. All they need to be is, erm,... 11:20 PM
  • erricco: the recording does not do justice to the hilarity that Mary Lou creates in her live concerts…..o f course, these numbers... 10:57 PM
  • Camille: What a charming thought. Thank you. 10:46 PM
  • Camille: Are you having a bummer of a summer? Go Brush Up On Your Shakespeare — and see KISS ME KATE IN 3-D at the Museum of Modern... 10:45 PM

Love is only love

“Of the two love stories that unfolded at David et Jonathas Wednesday night, it’s hard to say which was more moving: biblical hero David’s affection for his childhood friend—or the passion Les Arts Florissants lavished on this obscure but delectable work.” [New York Post]

The subject was Moses

“Like the Israelites who cross the Red Sea in Moses in Egypt, New York City Opera has a long, hard road ahead of it. But the company’s performance Sunday of this Rossini rarity offered a glimpse of a promising future.” [New York Post]

Young man with a horn

“Ring a ding ding! There’s a new Duke in town, and he’s jolting the Met’s Rigoletto with enough electricity to light up the Las Vegas Strip. It’s Vittorio Grigolo, who flaunted a big, trumpeting tenor and a megawatt personality when he made his company debut in the role Saturday night.” [New York Post]

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Nel tuo seno, amico sassone

Bollywood dance numbers, kung fu fighting, simulated nudity — and rock-solid musical values — added up to a sterling Giulio Cesare at at the Met.

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Mousecapades

Our Own JJ (not pictured) just came running into the parterre offices wild-eyed with excitement.

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Faustian, but no bargain

“The spring season at the Met is as changeable as March weather in New York: crisp and brilliant for a day or two, and then suddenly as dismal as Thursday night’s Faust.”

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Emperor of the perverse

Short as Roman emperor Eliogabalo’s reign was, the world sighed in relief when it was over.

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Bright young thing

Thursday’s Met performance of the Verdi tearjerker featured a major find: Diana Damrau, who, in her first outing as Violetta, mesmerized with her gleaming soprano and ferocious acting.

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Excess d’estime

It’s not often operagoers leave humming the scenery, but that was the case Monday, when the Met hauled out Riccardo Zandonai’s Francesca da Rimini from the vault.

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The use of wond’rin’

With Wednesday’s stellar staging of Rodgers and Hammerstein’s Carousel, the New York Philharmonic joyously put the ‘music’ back into the Broadway musical.

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