Headshot of La Cieca

Cher Public

  • Ouf: Good point. DG states “May 1962″ and Myto states “25. 5. 1962,” pointing only to... 7:49 AM
  • Poison Ivy: I found this from 2012. In 2012 she was much more lyrical and subtle than she was last night.... 7:38 AM
  • thenoctambulist: Just googled her. Her voice is the definition f the “internation al sound.”... 6:46 AM
  • Poison Ivy: What I meant antikitschy by “barked̶ 1; is that she kind of rushed through the moment... 6:45 AM
  • spiderman: Not at all armer, but I wonder what makes people go into public with information like this on a... 6:24 AM
  • Porgy Amor: Also, I’m on Facebook, and I often think “too much information” when I read... 6:23 AM
  • manou: Royal (and amiss) as he might have been, he was Kingsley Amis. 6:14 AM
  • Porgy Amor: Walloping performance. Wish the Met had featured her in this (though Anna N. was good, and I... 6:13 AM
  • armerjacquino: spiderman- so your point is ‘she should do what I would do?’ How you would deal... 6:10 AM
  • Vox: More than happy to suffer through that. 5:59 AM

The subject was Moses

“Like the Israelites who cross the Red Sea in Moses in Egypt, New York City Opera has a long, hard road ahead of it. But the company’s performance Sunday of this Rossini rarity offered a glimpse of a promising future.” [New York Post]

Young man with a horn

“Ring a ding ding! There’s a new Duke in town, and he’s jolting the Met’s Rigoletto with enough electricity to light up the Las Vegas Strip. It’s Vittorio Grigolo, who flaunted a big, trumpeting tenor and a megawatt personality when he made his company debut in the role Saturday night.” [New York Post]

Nel tuo seno, amico sassone

“Bollywood dance numbers, kung fu fighting, simulated nudity — and rock-solid musical values — added up to a sterling Giulio Cesare at at the Met.” [New York Post]

mouseys

Mousecapades

Our Own JJ (not pictured) just came running into the parterre offices wild-eyed with excitement.

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Faustian, but no bargain

“The spring season at the Met is as changeable as March weather in New York: crisp and brilliant for a day or two, and then suddenly as dismal as Thursday night’s Faust.”

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Emperor of the perverse

Short as Roman emperor Eliogabalo’s reign was, the world sighed in relief when it was over.

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Bright young thing

Thursday’s Met performance of the Verdi tearjerker featured a major find: Diana Damrau, who, in her first outing as Violetta, mesmerized with her gleaming soprano and ferocious acting.

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Excess d’estime

It’s not often operagoers leave humming the scenery, but that was the case Monday, when the Met hauled out Riccardo Zandonai’s Francesca da Rimini from the vault.

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The use of wond’rin’

With Wednesday’s stellar staging of Rodgers and Hammerstein’s Carousel, the New York Philharmonic joyously put the ‘music’ back into the Broadway musical.

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Miles to go

When is good enough not quite good enough?

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