Headshot of La Cieca

Cher Public

  • Ruxxy: Dear Armer if you live in the USA you live in a country which preaches human rights while allowing any... 7:38 PM
  • armerjacquino: I think a country which tells people what they are or aren’t allowed to wear, for any... 7:31 PM
  • Ruxxy: Racist ? Don’t make me laugh. The veil is not only a very primitive expression, it insults every... 7:17 PM
  • manou: Per molti anni dear Batty – you don’t look a day older than yesterday. 6:50 PM
  • Flora del Rio Grande: Well, well; that lovely old song! Whoever played the piano for Katherine Hepburn... 6:06 PM
  • Flora del Rio Grande: Let me recommend a reading of Heidi Waleson’s review of Klinghoffer in... 5:58 PM
  • LittleMasterMiles: Where is the f**king “Like” button on this thing? 5:48 PM
  • MontyNostry: Rather than La clemenza della Cieca, how about La moderazione della Cieca, which makes itself... 5:44 PM
  • Cicciabella: Autocorrect won’t have her any other way. 5:30 PM
  • Guestoria Unpopularenka: Especially Danielle Denise. 5:20 PM

The subject was Moses

“Like the Israelites who cross the Red Sea in Moses in Egypt, New York City Opera has a long, hard road ahead of it. But the company’s performance Sunday of this Rossini rarity offered a glimpse of a promising future.” [New York Post]

Young man with a horn

“Ring a ding ding! There’s a new Duke in town, and he’s jolting the Met’s Rigoletto with enough electricity to light up the Las Vegas Strip. It’s Vittorio Grigolo, who flaunted a big, trumpeting tenor and a megawatt personality when he made his company debut in the role Saturday night.” [New York Post]

Nel tuo seno, amico sassone

“Bollywood dance numbers, kung fu fighting, simulated nudity — and rock-solid musical values — added up to a sterling Giulio Cesare at at the Met.” [New York Post]

mouseys

Mousecapades

Our Own JJ (not pictured) just came running into the parterre offices wild-eyed with excitement.

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Faustian, but no bargain

“The spring season at the Met is as changeable as March weather in New York: crisp and brilliant for a day or two, and then suddenly as dismal as Thursday night’s Faust.”

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Emperor of the perverse

Short as Roman emperor Eliogabalo’s reign was, the world sighed in relief when it was over.

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Bright young thing

Thursday’s Met performance of the Verdi tearjerker featured a major find: Diana Damrau, who, in her first outing as Violetta, mesmerized with her gleaming soprano and ferocious acting.

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Excess d’estime

It’s not often operagoers leave humming the scenery, but that was the case Monday, when the Met hauled out Riccardo Zandonai’s Francesca da Rimini from the vault.

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The use of wond’rin’

With Wednesday’s stellar staging of Rodgers and Hammerstein’s Carousel, the New York Philharmonic joyously put the ‘music’ back into the Broadway musical.

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Miles to go

When is good enough not quite good enough?

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