Headshot of La Cieca

Cher Public

  • CarlottaBorromeo: And sometimes they can be broken as Konwitschny proved with 5a – you can stage... 5:27 AM
  • La Cieca: I honestly think the “howlingR 21; comes from only a few in the chorus; most of them are... 11:47 PM
  • steveac10: Yes, you’d think they would want a challenge. When I was doing chorus work back in the... 9:49 PM
  • Krunoslav: http://tinyurl.com /qyp8osq 9:30 PM
  • Constantine A. Papas: Concerning unyielding, monolithic authoritarianism of some on this blog, on June 18,... 9:25 PM
  • manou: Not even gold hens. 8:23 PM
  • RudigerVT: Because, if you had achieved a position that is 40 times more competitive than getting into... 8:07 PM
  • Krunoslav: Not “Nice” ? 8:02 PM
  • BB: Far less. There was no safety and they could explode in your face. Never thought that moment was... 7:35 PM
  • Clita del Toro: PS I bet in those days guns were even less safe. 7:20 PM

Young man with a horn

“Ring a ding ding! There’s a new Duke in town, and he’s jolting the Met’s Rigoletto with enough electricity to light up the Las Vegas Strip. It’s Vittorio Grigolo, who flaunted a big, trumpeting tenor and a megawatt personality when he made his company debut in the role Saturday night.” [New York Post]

Nel tuo seno, amico sassone

“Bollywood dance numbers, kung fu fighting, simulated nudity — and rock-solid musical values — added up to a sterling Giulio Cesare at at the Met.” [New York Post]

Mousecapades

Our Own JJ (not pictured) just came running into the parterre offices wild-eyed with excitement. And no wonder, because the news, once we got him to spit it out, is that he has been credentialed to cover the Bayreuth Festival this summer, reporting for the New York Post on the new Ring, Lohengrin and Der Fliegende Holländer.

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Faustian, but no bargain

“The spring season at the Met is as changeable as March weather in New York: crisp and brilliant for a day or two, and then suddenly as dismal as Thursday night’s Faust.”

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Emperor of the perverse

Short as Roman emperor Eliogabalo’s reign was, the world sighed in relief when it was over.

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Bright young thing

Thursday’s Met performance of the Verdi tearjerker featured a major find: Diana Damrau, who, in her first outing as Violetta, mesmerized with her gleaming soprano and ferocious acting.

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Excess d’estime

It’s not often operagoers leave humming the scenery, but that was the case Monday, when the Met hauled out Riccardo Zandonai’s Francesca da Rimini from the vault.

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The use of wond’rin’

With Wednesday’s stellar staging of Rodgers and Hammerstein’s Carousel, the New York Philharmonic joyously put the ‘music’ back into the Broadway musical.

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Miles to go

When is good enough not quite good enough?

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O fatal “Don”

The Met’s performance of Don Carlo Friday night was a tragedy, but not for the reason Verdi intended.

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