Cher Public

  • chicagoing: Final Don Carlo performance in San Francisco tonight with Furlanetto in for Pape. Wish I was there to see it again. 1:56 PM
  • PCally: Yeah Premiere Opera is where I was debating purchasing it. That and Reimann’s Lear (1982 revival) are the purchases... 1:26 PM
  • Evenhanded: Well. Camille: Gounod’s Polyeucte was revived as part of the Festival della Valle d’Itria in 2004 and a recording... 12:33 PM
  • Gualtier M: This the rest of the cast: Conductor Ferdinand Leitner – Stuttgart 1968 Orchestra – Württembergische Staatsoper;... 12:03 PM
  • PCally: This was the video I was talking about. Is the whole thing worth purchasing? 11:47 AM
  • ducadiposa: Well, she’s scheduled to give a recital here in Toronto this fall on Friday, November 11 singing Bach, Strauss,... 11:34 AM
  • Gualtier M: Tiny Tim is no Nick Lucas who introduced “Tiptoe through the Tulips” in 1929 in “Gold Diggers of... 11:34 AM
  • Gualtier M: This was filmed in Stuttgart in 1968 with Silja: httpv://www.youtub e.com/watch?v=40V5 P5iTs4Q Silja always needed to be seen... 10:03 AM

Love is only love

“Of the two love stories that unfolded at David et Jonathas Wednesday night, it’s hard to say which was more moving: biblical hero David’s affection for his childhood friend—or the passion Les Arts Florissants lavished on this obscure but delectable work.” [New York Post]

The subject was Moses

“Like the Israelites who cross the Red Sea in Moses in Egypt, New York City Opera has a long, hard road ahead of it. But the company’s performance Sunday of this Rossini rarity offered a glimpse of a promising future.” [New York Post]

Young man with a horn

“Ring a ding ding! There’s a new Duke in town, and he’s jolting the Met’s Rigoletto with enough electricity to light up the Las Vegas Strip. It’s Vittorio Grigolo, who flaunted a big, trumpeting tenor and a megawatt personality when he made his company debut in the role Saturday night.” [New York Post]

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Nel tuo seno, amico sassone

Bollywood dance numbers, kung fu fighting, simulated nudity — and rock-solid musical values — added up to a sterling Giulio Cesare at at the Met.

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Mousecapades

Our Own JJ (not pictured) just came running into the parterre offices wild-eyed with excitement.

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Faustian, but no bargain

“The spring season at the Met is as changeable as March weather in New York: crisp and brilliant for a day or two, and then suddenly as dismal as Thursday night’s Faust.”

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Emperor of the perverse

Short as Roman emperor Eliogabalo’s reign was, the world sighed in relief when it was over.

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Bright young thing

Thursday’s Met performance of the Verdi tearjerker featured a major find: Diana Damrau, who, in her first outing as Violetta, mesmerized with her gleaming soprano and ferocious acting.

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Excess d’estime

It’s not often operagoers leave humming the scenery, but that was the case Monday, when the Met hauled out Riccardo Zandonai’s Francesca da Rimini from the vault.

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The use of wond’rin’

With Wednesday’s stellar staging of Rodgers and Hammerstein’s Carousel, the New York Philharmonic joyously put the ‘music’ back into the Broadway musical.

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