Headshot of La Cieca

Cher Public

  • Krunoslav: Siffleuse , at least on Monday and she was VERY audible, and PD rarely moved more than 20 feet... 2:38 AM
  • danpatter: Oh sure, I had one, and a copy of the record, too. I was seven. I did not drive my parents insane... 2:32 AM
  • m. croche: Almost forgot: “Thank you, Mr. Boulez.” httpv://www.youtub e.com/watch?v=NW30 g2tPmDA 1:09 AM
  • parpignol: I love Ernani, totally crazy masterpiece, and the presence of Carlo Quinto even suggests an... 12:05 AM
  • DeepSouthSenior: The subsequent careers of competition winners and losers is similar to academic... 12:01 AM
  • DeepSouthSenior: I’ve always loved much of the 20th-century musical avant-garde, including Boulez.... 11:41 PM
  • DeepSouthSenior: Black leather (or something leather-like), a short skirt, and boots cover a multitude of... 11:25 PM
  • m. croche: httpv://www.youtub e.com/watch?v=sFFp zip-SZk 11:10 PM
  • DeepSouthSenior: Singers who conduct (some of them, anyway) remind me of the old joke about the question... 11:04 PM
  • zinka: Placido sounds like neither tenor OR baritone…NO QUALITY…..I have heard him do other... 10:36 PM

The subject was Moses

“Like the Israelites who cross the Red Sea in Moses in Egypt, New York City Opera has a long, hard road ahead of it. But the company’s performance Sunday of this Rossini rarity offered a glimpse of a promising future.” [New York Post]

Young man with a horn

“Ring a ding ding! There’s a new Duke in town, and he’s jolting the Met’s Rigoletto with enough electricity to light up the Las Vegas Strip. It’s Vittorio Grigolo, who flaunted a big, trumpeting tenor and a megawatt personality when he made his company debut in the role Saturday night.” [New York Post]

Nel tuo seno, amico sassone

“Bollywood dance numbers, kung fu fighting, simulated nudity — and rock-solid musical values — added up to a sterling Giulio Cesare at at the Met.” [New York Post]

mouseys

Mousecapades

Our Own JJ (not pictured) just came running into the parterre offices wild-eyed with excitement.

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Faustian, but no bargain

“The spring season at the Met is as changeable as March weather in New York: crisp and brilliant for a day or two, and then suddenly as dismal as Thursday night’s Faust.”

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Emperor of the perverse

Short as Roman emperor Eliogabalo’s reign was, the world sighed in relief when it was over.

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Bright young thing

Thursday’s Met performance of the Verdi tearjerker featured a major find: Diana Damrau, who, in her first outing as Violetta, mesmerized with her gleaming soprano and ferocious acting.

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Excess d’estime

It’s not often operagoers leave humming the scenery, but that was the case Monday, when the Met hauled out Riccardo Zandonai’s Francesca da Rimini from the vault.

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The use of wond’rin’

With Wednesday’s stellar staging of Rodgers and Hammerstein’s Carousel, the New York Philharmonic joyously put the ‘music’ back into the Broadway musical.

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Miles to go

When is good enough not quite good enough?

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