“Who knows what to expect from an opera about the Internet? But when Nico Muhly’s Two Boys evokes the complex mysteries of cyberspace in a series of shimmering choruses, it’s easy to think this is the most gorgeous music you’ve ever heard.” [New York Post]
“The queen of tabloid TV arrived at BAM Tuesday night in Anna Nicole, an opera brimming with wit and good taste. In other words, they got Anna Nicole all wrong.” [New York Post]
“If you’re a hard-core opera buff who finds the Met’s flashy sets and costumes distracting, have I got a show for you! It’s called The Blind, and for the duration of this hourlong Lincoln Center Festival presentation, the audience sits blindfolded and sightless as the opera is sung all around them.” [New York Post]
Opening last night, the most buzzed-about show at the Lincoln Center Festival was inspired by a 16th-century Chinese folk tale of a sassy Monkey, who uses his magic powers and awesome kung fu skills to retrieve holy scriptures from India.
The question on everyone’s lips at Carnegie Hall was, “Is Jimmy back in form?”
Just like the pyrotechnics the heroine of The Firework Maker’s Daughter longs to create, this new opera for children is a delightful, low-tech throwback to a time before CGI took over the world.
The most sensuous sounds at the Met this week come from an opera with nary a love duet.
In Leos Janacek’s The Cunning Little Vixen, the heroine is shot and skinned for her fur.
Of the two love stories that unfolded at David et Jonathas Wednesday night, it’s hard to say which was more moving.
Like the Israelites who cross the Red Sea in Moses in Egypt, New York City Opera has a long, hard road ahead of it.