Headshot of La Cieca

Cher Public

  • papopera: The House of Greece is German, Prince Philip’s name is Slesvig-Holstein-S onderburg-Gluck... 11:40 AM
  • zinka: httpv://www.youtub e.com/watch?v=1wiw YVL_GCU It was the evening of March 4, 1960. Leonard... 11:37 AM
  • pasavant: Where is here? 11:34 AM
  • Feldmarschallin: Her Donna Anna here was horrible but don’t know about Arabella. 11:26 AM
  • pasavant: Was at the Met yesterday for Arabella. What sublime music! Am thinking of going back this week for... 10:45 AM
  • Batty Masetto: I thought that was one of the best of the lot, Manou! 10:37 AM
  • Milady DeWinter: Flora – I think you may have mis-read my reaction to Guestroia’s comment on... 10:01 AM
  • Grane: They are my most trusted source for reading about musicians losing their instruments. ;) 9:19 AM
  • Feldmarschallin: You are welcome and you also have mail from me. Not what are you thinking but that will... 9:15 AM
  • Rackon: Thank you for the detailed report! This is one production I would dearly love to see, especially with... 9:10 AM

The girl on the moon

“In Kristine Opolais, who gave her first Met performance in the title role on Friday night, the company has a Butterfly with the soaring voice and penetrating theatrical presence to meet Minghella’s elegant dramaturgy head on. In fact, she is the most compelling Met Cio-Cio-San since Diana Soviero last sang the role here nearly 20 years ago.” [New York Observer] (Photo: Marty Sohl/Metropolitan Opera)

“The Met’s Andrea Chénier: less exciting than it looks in this photo”

“With the Met admitting to disappointing ticket sales and girding up for what threatens to be a particularly brutal round of union negotiations this summer, it would be a pleasure to report that the company is doing a great job at presenting standard opera repertoire. The sad fact, though, is that the Met is not doing a great job or, in most cases, even a competent job at this core task, as the recent lackluster revivals of Andrea Chénier and La Bohème demonstrated.” [New York Observer]

Photo: Marty Sohl/Metropolitan Opera

Liebestraum

“Opera can, in fact, be something beautiful and moving even when all a performance has going for it is some really excellent singing. And that’s what the Met has served up in its current revival of Bellini’s La Sonnambula, vocalism so splendid it hardly matters it’s happening in a dramatic vacuum.” [New York Observer]

sonnambula_preview

After the thaw

Our Own JJ (not pictured) offers his recommendations for 10 opera and classical music events worth hearing this spring.

Read more »

New York Philharmonic

Blood types

“The finale of Sweeney Todd left the stage of Avery Fisher Hall littered with corpses, but the evening, for all its flaws, felt vibrantly alive.”

Read more »

loft_opera_boheme

Writers’ block

The last place you’d expect to find opera at all, let alone good, exciting opera, is in still-scrappy Bushwick, Brooklyn.

Read more »

igor

Slavas of New York

Even when the opera performed is a masterpiece, a truly superb opera performance is exceedingly rare.

Read more »

salmon

Catch of another day

“A charming musical performance welded to a dramatic production so old and stale that, like fish left out too long, it’s starting to smell.”

Read more »

hymel

B. F. deal

Tenors Bryan Hymel (pictured) and Joseph Calleja redeem otherwise routine Puccini revivals at the Met, says Our Own JJ in the New York Observer.

Read more »

paul

Curious “Case”

“…a perfect marriage of text and music, creating a series of tableau-like scenes, as if Paul’s story is being related through a series of exquisitely posed still photographs…”

Read more »