Cher Public

  • Jungfer Marianne Leitmetzerin: Cami, the link to BR-Klassik has said – from Day 1 – “Aus rechtlichen Gründen ist dieses... 5:03 PM
  • Cocky Kurwenal: D’Intino was Amneris at my first ever visit to the ROH, as a young teenager. I’ve looked out for her ever... 5:01 PM
  • Krunoslav: Actually, “bol’s hie” is plural. 4:56 PM
  • Krunoslav: One other world-class Eboli, though she didn’t seem to linger long abroad ever: Lucia d’Intino, whose Met debut... 4:53 PM
  • Cicciabella: Do the Old Norse myths are banal gibberish. Now we know. 4:38 PM
  • Cocky Kurwenal: There’s no doubt that Barton can be phenomenally classy – I loved her in her Cardiff performances. But having... 4:35 PM
  • Nero Wolfe: I heard Marc in a recital and was blown away–not only by the quality of her voice but by the sheer volume she could put... 4:04 PM
  • Will: Watson as Resi in Munich just three years earlier in 1970 wasn’t perilous to these ears, and I was very happy to have... 2:54 PM

Just a song at twilight

Levine“Last Thursday night… there was an overwhelming sense the world was ending in more immediate terms. Mr. Levine was conducting his beloved Wagner for what was almost certainly the last time.” [Observer]

Seamless

Butterfly“The Met turned to Ms. Martínez, whose scant resume with the company until now has included only a handful of performances of Carmen and La Bohème in 2005 and 2015, respectively.  Friday night’s triumph may well leave the Met’s management wondering how it let such a gem slip through its fingers.” [Observer] Photo by Marty Sohl/Metropolitan Opera.

End of the line

“If the Metropolitan Opera were one of the more advanced European theaters, last Friday night’s new production of Manon Lescaut might actually have made some kind of perverse sense. . . . Mr. Eyre’s production… was just another in a series of ugly, gargantuan stagings signaling the Met’s endemic lack of imagination or artistic ambition.” [New York Observer]

tobey

Glister act

New York City Opera Renaissance’s Tosca “was opera at its most retrograde, an effort to recreate a golden age from a handful of tinsel.”

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PHOTO: Janette Pellegrini

Tell me about the rabbits

Our Own JJ confesses he just doted on Heartbreak Express, but “You Us We All was not my cup of twee.”

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Lulu collage

Lulu’s back in town

Continuing coverage of the Met’s new Alban Berg spectacular.

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Tosca

La povera mia cena

“Puccini’s Tosca is what is known in the trade as a ‘bread and butter’ opera.”

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Photo by Marty Sohl/Metropolitan Opera

Where’s the fire?

“Everyone complains about how there is no great singing in opera anymore, but last week’s performances suggest that’s not so. The singing today is mostly fine; it’s everything else that’s the problem.”

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Gato

The cat didn’t come back

“Along with every other music journalist in New York, I was blindsided by this news. If ever there was a company that appeared the picture of fiscal and artistic good health, it was Gotham.”

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Trovatore

Man of steel

“This throwback to the golden age of opera—superhuman singing greeted with frenzied ovations—was a function of a perfect storm of excitement.”

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