Headshot of La Cieca

Cher Public

  • Lurker_del_Cairo: Oh, and PS – thank you Jungfer Marianne for the recording and Manou for the libretto! 8:13 PM
  • Ruxxy: Dear Armer if you live in the USA you live in a country which preaches human rights while allowing any... 7:38 PM
  • armerjacquino: I think a country which tells people what they are or aren’t allowed to wear, for any... 7:31 PM
  • Ruxxy: Racist ? Don’t make me laugh. The veil is not only a very primitive expression, it insults every... 7:17 PM
  • manou: Per molti anni dear Batty – you don’t look a day older than yesterday. 6:50 PM
  • Flora del Rio Grande: Well, well; that lovely old song! Whoever played the piano for Katherine Hepburn... 6:06 PM
  • Flora del Rio Grande: Let me recommend a reading of Heidi Waleson’s review of Klinghoffer in... 5:58 PM
  • LittleMasterMiles: Where is the f**king “Like” button on this thing? 5:48 PM
  • MontyNostry: Rather than La clemenza della Cieca, how about La moderazione della Cieca, which makes itself... 5:44 PM
  • Cicciabella: Autocorrect won’t have her any other way. 5:30 PM

Wedding bell blues

Our Own JJ (not pictured) writes in the New York Observer, “The combination of the Metropolitan Opera’s opening night—one of the most glamorous social events of the year, in theory at least—and a new production of Le Nozze di Figaro—which is, after all, about a wedding—should result in a doubly gala event. So it’s twice as disappointing that Monday night’s performance of the Mozart masterpiece turned into a four-hour fizzle.” (Photo: Ken Howard, Metropolitan Opera)

Chorus of the exiled protesters

“A philosophical espousal of the principle of protest doesn’t entail an endorsement of the content of a particular demonstration. I applaud the Klinghoffer protesters for voicing their opinions, but that doesn’t stop me from saying that I find those opinions ill-informed, inept and downright dangerous.” [New York Observer]

Divina, deconstructed

“The sensation is that you are actually right there in the studio with Callas herself. In comparison to earlier masters of this material, she sounds less abstractly ‘divine’ and more approachably human.” Our Own JJ reviews the massive collection Maria Callas Remastered: The Complete Studio Recordings (1949-1969) for his regular column in the New York Observer.

acis

The secret of nymph

Mark Morris’ staging of Acis and Galatea at Lincoln Center is everything good about summer condensed into two hours.

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Paradine Case

Contrariwise

“The dark clouds hovering over Mr. Gelb should not obscure his very real achievements.”

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Euryanthe

Campus radical

“Mr. Burden did his best to wrestle with what looked like a disused Dale Chihuly chandelier, but…”

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Mariella Devia

La regina d’Inghilterra ho veduto cantar

“At Carnegie Hall last Thursday, a capacity crowd witnessed what might be the final official act of a monarch who has reigned for more than four decades.”

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PHOTO CREDIT – Richard Termine

Raven review

The NY Phil Biennial, a new music festival that is dedicated to new music, kicked off its first season at a drowsy time on the performing arts calendar, the week after Memorial Day.

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casino_royale

Faites vos jeux, Messieurs!

The Met may be missing an angle calculated to appeal to the more adventurous attendee: opera as game of chance.

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Madama Butterfly

The girl on the moon

“In Kristine Opolais, who gave her first Met performance in the title role on Friday night, the company has a Butterfly with the soaring voice and penetrating theatrical presence to meet Minghella’s elegant dramaturgy head on.”

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