So, cher public, have you heard about this fabulous new plan to revive the New York City Opera under the direction of Michael Capasso? A keystone of the “Renaissance” of the company (as the prospectus puts it) will be to perform “period-consistent productions of standard repertoire” (e.g., the Franco Zeffirelli production of Tosca) in the Rose Theater. A more detailed plan, including scary photos of naked old people in Johann Kresnik‘s Erfurt production of Un ballo in maschera, may be found here.
An auction of the meager remains of the bankrupt New York City Opera’s property musical instruments, some bits of scenery and costumes is scheduled for December 12. [New York Times]
“Opera America, a service organization for opera companies, has expressed interest in purchasing City Opera’s thrift shop…” [Wall Street Journal]
When Mr. Steel asked Mr. Koch if he could make further gifts to save the company, Mr. Koch demurred, telling Mr. Steel that the Marshall family might be less than pleased.
“New York City Opera, created 70 years ago as the ‘people’s opera,’ expects to file for bankruptcy protection on Oct. 2 and either liquidate in court or be sold to another institution, its lawyer said.”
“Today, an email from General Manager and Artistic Director notes… ‘We have just finished our successful run of Anna Nicole, and raised $2 million towards our target of $7 million, however there is only one day left to make a difference and help keep NYC Opera in business’.”
“Steel’s 2011 compensation, $340,000, while down 10 percent from the previous year, amounted to a third of ticket sales.”
“New York City Opera… says it likely will fail in its goal to raise $7 million by Monday, the deadline it set for suspending the bulk of its 2013-14 season.”