Cher Public

  • PCally: Cocky, I’ve always wondered how Larsson managed to sound as sensational as she does in the Parsifal video and your story is... 5:13 PM
  • PCally: Camille I have not heard the Forza either but the general criticisms are that Carreras is both exceptionally over parted and past... 5:12 PM
  • Cocky Kurwenal: I was thinking about this yesterday Camille – how I’ve been to quite a bit over this season at the ROH, and... 5:07 PM
  • Camille: Why does everyone hate the Sinopoli FORZA?????? I don’t know it at all but the cast seems pretty first rate — It made me go... 5:04 PM
  • Cocky Kurwenal: I did meet Plowright 4 or 5 years back – I had a 2 hour singing lesson with her, which was pretty interesting. She... 5:02 PM
  • Camille: Hope they found him a costume by now! In bocca al lupo. 4:52 PM
  • Camille: The lower voices–Samie l in particular–a re all really quite good. Very effective and lively tempi the wonderful and... 4:49 PM
  • PCally: Thanks Armer, I’ve always been meaning to track down the Trovatore but have never gotten around to it. I’ll probably... 4:45 PM

How monarchic was my sprezzatura!

“Yet the evening’s first words, heard in the set-piece Ombra ma fui—like all of Xerxes’ arias sung with monarchic sprezzatura and amoral relish by Stella Doufexis—came unexpectedly in Italian. It was flagrant violation of this house’s fundamental principle, here brushed aside by the cultural capital of the aria and deemed insufficient to sunder the inextricable bonds between the Italian text and Handel’s melody. It was as if the composer and his music, through his advocate Herheim, was holding ground at least at the outset against appropriation of his music by the moderns.”

Oh, what’s not to like in a review like this one?