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Cher Public

  • overstimmelated: “… it would be a reggie production” And a senseless one perhaps, but that... 12:49 PM
  • Feldmarschallin: Faites attention Manou. 12:28 PM
  • SF Guy: La Cieca–I interpreted La V’s post as deadpan satire, a long and honorable tradition... 12:13 PM
  • Milady DeWinter: Thank you much for posting this, Quanto – what a kind, wise lady she is. 12:09 PM
  • bluecabochon: Klinghoffer director Tom Morris will answer questions live today at 1 PM EST at the Guardian:... 11:40 AM
  • Buster: Thanks for that story, Zinka. He seems to have a lot of fun here: httpv://www.youtub e.com/watch?v... 11:06 AM
  • Cicciabella: Absolutely, MdM! The interpretation is sweet without being cloying. And such a beautiful,... 10:45 AM
  • La Cieca: Never mind that you think it would be cute assign to a mob of political opportunists the absolute... 10:32 AM
  • La marquise de Merteuil: Cicciabella is there ANYTHING more wonderful than La Battle in Scarlatti’s Il... 10:27 AM
  • Cicciabella: …that would be Baroque Duet. 10:27 AM

Von Kopf bis Fuss

fussbudgetLa Cieca is delighted to begin a new series on parterre.com dedicated to the fretting, brooding and dithering of the Wazier of the Worriers, Anthony Tommasini. Our first examples (of many) follow the jump. Read more »

The Player from Aquileia

Ildar Abdrazakov_attila“It is easy to understand why Mr. Muti admires Mr. Abdrazakov, his young, imposing Attila.” [NYT]

Le Mot du Jour, extramural edition

oh_snapOrdinarily La Cieca bestows the Wildean accolade upon a local cher pube. This time, though, she cannot resist praising one of the commentariat at Unpop!, Daniel Stephen Johnson‘s new project over at the New Haven Advocate. Read more »

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“L’etoile fait tout”

“Maybe this bold staging was a little overwrought. But when you have Ms. Garanca as Carmen, why not?” Anthony Tommasini offers an object lesson in the art of Criticism as Starfucking.

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Laughter to be short-lived

Enjoy your mockery while you can, cher public. The New York Times has decided they are going to start charging for content “in early 2011.” So, in a year or so, you won’t have Tony Tommasini to kick around any more.

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Man loves mullet

“And the news of this revival of Franco Zeffirelli’s opulent production continues to be the exciting work of the young Latvian conductor Andris Nelsons, who searches out the modernist touches in Puccini’s final work.” [NYT]

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Thus spake Tommasini

“I will have more to say on this question later.” So, three weeks ago, Anthony Tommasini left open the subject of how “[n]one of the versions of [Les Contes d'Hoffmann] that have appeared over the years, some of them corrupted, can be said to be authentic.” The Times scribe has at last broken his silence, though La Cieca will leave it up to the reader to decide whether he actually has “more to say.” [NYT]

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Oh, I hate it when that happens

“…Mr. Sher may have done too much analysis of the work’s psychological subtexts.” [NYT]

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The Man with the Golden Ear

The amazing acute hearing of Anthony Tommasini detects an improvement in the acoustic of that place they used to call the New York State Theater, in fact, he’s willing to commit that the sound is “considerably better than it used to be.” Which is pretty fucking impressive, considering that the last time TT heard an “unenhanced” opera performance in that space was more than 10 years ago. 

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Spoiler alert

Cher public, if you plan to see the Met’s production of From the House of the Dead (and you might as well know that she expects you move heaven and earth to do so!), La Cieca urges and entreats that you avoid reading Anthony Tommasini‘s review of the production in tomorrow’s New York Times. 

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