Cher Public

  • Krunoslav: This prompted me to look at my data base: I too saw Halfvarson early on, as Ochs in a Lott/von Stade/Schaefer ( US debut!),... 8:50 AM
  • Will: I prefer the rear orchestra, nicely raised above the crowd and relatively easy to get out of the theater at the end or during... 8:02 AM
  • gustave of montreal: Beautiful, thanks for posting this. 6:15 AM
  • Quanto Painy Fakor: Two singers and a twit httpv://www.youtub e.com/watch?v=fRQJ aKOkAus 2:35 AM
  • NPW-Paris: Surprisingly, in Paris, at the Châtelet, we had Nikolai Schukoff. Perhaps you’d have liked him. 1:56 AM
  • Greg.Freed: Glad to hear Halfvarson’s still doing good work. I must have heard him do Ochs (in Houston) over 20 years ago. And... 1:45 AM
  • Salomanda: Also, having just heard Goerke in the HGO Siegfried, I’m excited that we’ll have moved back to Houston in time for... 1:13 AM
  • Salomanda: It was lovely, the Immolation Scene was the best of the evening. The whole thing was quite thrilling, although the orchestra... 1:11 AM

Magrets de canard

Sound please!For our weekly meander through mendacity, we turn to no less than Gotham Chamber Opera’s own Neal Goren (not pictured), who writes, “People repeat as fact that women ruin their voices, or at least sacrifice their high notes, by singing in chest voice. So untrue!”

Rose to the occasion

Count on Gotham Chamber Opera to spice up the spring season with “the story of a man who even today remains infamous for his sexual appetites, his appointment of an all-female senate, and his well-deserved assassination.” Read more »