Cher Public

  • JohninSeattle: It’s nice to know that outside of graduate schools for english literature and gender studies Foucault is still a... 12:17 PM
  • DeepSouthSenior: In three hours we’ll be watching the final live telecast of the season on Digital Concert Hall. Berlin Phil. with... 11:29 AM
  • rapt: Ouch! 11:05 AM
  • PCally: She’s quite open about it as well. I believe she’s married with a child. 9:08 AM
  • Walther von Holzhaufen: A very perceptive observation, m. croche. 4:10 AM
  • gerbear: Thank you PCally: Ms. Pieczonka was the first person I thought of as well. 10:38 PM
  • Krunoslav: “what to make of Christopher Marlowe’s Edward II? ” That’s a Poker Scene to rival the one in FANCIULLA. 9:10 PM
  • m. croche: The lyrical, expressive score by Paula M. Kimper is the opera’s central attraction, and the closest comparison I can make to... 4:38 PM

It gives her purpose, gives her voice

FoscaHere the first video of Natalie Dessay in Sondheim’s Passion at the Théâtre du Châtelet. Read more »

Not pretty or safe or easy

La Cieca hears that the Théâtre du Châtelet will continue its series of Stephen Sondheim productions with Passion, set to star Natalie Dessay (as Fosca, bien sûr!) and Lambert Wilson, with Fanny Ardant directing. Said Sternstunde will reportedly transpire in March 2016.

Regni Dessay

Almost exactly twenty years after her auspicious Metropolitan Opera debut as the Fiakermilli in Arabella and a year following what she has claims was her final appearance on the operatic stage, Natalie Dessay returned Sunday afternoon to Lincoln Center—to sing opera. Read more »

parapluies

Chantons sous la pluie

Walking away from Theatre Châtelet this afternoon, I felt as though my relationship with France and its notoriously perplexing people and culture had at long last reached some degree of depth.

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Concert de Paris à l'occasion du 14 Juillet

La place des étoiles

Starting in less than half an hour, “Le Concert de Paris.”

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Song of the lark

Our Own Jungfer Marianne Leitmetzerin presents Natalie Dessay in recital.

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The butterfly effect

Midway through the first portion of this past Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.

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entre_amazon

Le jazz tiède

The crossover album: a hint that that an artist has either exhausted all the repertory at her command and owes her record label a new release or that her waning vocal resources really shouldn’t be taxed much further than an octave.

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La nuit d’une étoile

“American tenor Matthew Polenzani sings the title role opposite Natalie Dessay as Antonia, Christian Van Horn as the four villains, Angela Brower as Nicklausse, Hye Jung Lee as Olympia, Irene Roberts as Giulietta and Jacqueline Piccolino as Stella.”

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hipster

L’art du hipster

The reinvention of Verdi’s masterpiece, La Traviata, as sung by world-famous French coloratura soprano Natalie Dessay, is the subject of Philippe Béziat’s thrilling new movie.

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