Cher Public

  • parpignol: I thought it was a recycling plant, didn’t realize it was an alcohol distillery; is that for sure? I thought Elisabeth... 12:15 AM
  • Camille: Hopefully, La Manuelita will have time in retirement to contemplate this sound advice about red lips on older women:... 12:10 AM
  • DerLeiermann: Sonya sounds good. 12:05 AM
  • Camille: Remembering the tempests that tossed the last such trip across the pond, and as this is an occasion of the utmost importance,... 11:47 PM
  • Camille: This is how most of us know Alma: httpv://youtube.co m/watch?v=zWFEy1lV UMI Or as this: httpv://youtube.co m/watch?v=cQDil... 11:41 PM
  • Bill: Will – I was able to view and hear the tapes. Vocally, the Otello sounded vile but it was obviously more a rehearsal for... 11:36 PM
  • gustave of montreal: Abomination !! 10:33 PM
  • pasavant: What language is Otello singing? It certainly is not Italian! And singing flat too! 10:24 PM

Not pretty or safe or easy

La Cieca hears that the Théâtre du Châtelet will continue its series of Stephen Sondheim productions with Passion, set to star Natalie Dessay (as Fosca, bien sûr!) and Lambert Wilson, with Fanny Ardant directing. Said Sternstunde will reportedly transpire in March 2016.

Regni Dessay

Almost exactly twenty years after her auspicious Metropolitan Opera debut as the Fiakermilli in Arabella and a year following what she has claims was her final appearance on the operatic stage, Natalie Dessay returned Sunday afternoon to Lincoln Center—to sing opera. Read more »

Chantons sous la pluie

Walking away from Theatre Châtelet this afternoon, I felt as though my relationship with France and its notoriously perplexing people and culture had at long last reached some degree of depth. Three weeks into my four-month stint studying at L’Institut d’études politiques de Paris for my Masters in International Affairs, I seem to have found the heart beating within this city besieged by tourists and high prices. Read more »

Concert de Paris à l'occasion du 14 Juillet

La place des étoiles

Starting in less than half an hour, “Le Concert de Paris.”

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Song of the lark

Our Own Jungfer Marianne Leitmetzerin presents Natalie Dessay in recital.

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The butterfly effect

Midway through the first portion of this past Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.

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Le jazz tiède

The crossover album: a hint that that an artist has either exhausted all the repertory at her command and owes her record label a new release or that her waning vocal resources really shouldn’t be taxed much further than an octave.

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La nuit d’une étoile

“American tenor Matthew Polenzani sings the title role opposite Natalie Dessay as Antonia, Christian Van Horn as the four villains, Angela Brower as Nicklausse, Hye Jung Lee as Olympia, Irene Roberts as Giulietta and Jacqueline Piccolino as Stella.”

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L’art du hipster

The reinvention of Verdi’s masterpiece, La Traviata, as sung by world-famous French coloratura soprano Natalie Dessay, is the subject of Philippe Béziat’s thrilling new movie.

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Driving Miss Dessay

Always front and center with a vote of confidence, Peter Gelb told the New York Times, “Natalie is one of the great artists, but she also is somewhat fragile.”

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