Headshot of La Cieca

Cher Public

  • moritz: You’re welcome, Porgy. I probably should have included the next sentence of the review as well:... 4:20 PM
  • Gualtier M: BTW: there is another whole generation of young Italian singers working all over Italy. This... 4:14 PM
  • antikitschychick: This took place on Sept. 28th so very recently :-). I second your concern about the burnout... 4:11 PM
  • Guestoria Unpopularenka: I’ve heard that they don’t clap after this aria at ROH. It was even... 4:10 PM
  • damekenneth: I always seem to confuse Riccardo Massi with Massimo Giordani, another goodish looking Italian... 4:10 PM
  • 98rsd: Sheer hypocrisy of attending a baseball game–because of Ebola? (The sound of a head shaking) 4:08 PM
  • operainsider: I use to believe the “Aida is the boring role” or “the opera should be called... 4:07 PM
  • 98rsd: That said, I just listened to the Celeste Aida and he sounds rather unsteady. Listen to the... 3:46 PM
  • 98rsd: The audience there doesn’t burst into applause at every opportunity. I’m not sure Kaufmann... 3:36 PM
  • Milady DeWinter: That was a wonderful (and funny) image – does the muddy ascent make that note... 3:28 PM

Chantons sous la pluie

Walking away from Theatre Châtelet this afternoon, I felt as though my relationship with France and its notoriously perplexing people and culture had at long last reached some degree of depth. Three weeks into my four-month stint studying at L’Institut d’études politiques de Paris for my Masters in International Affairs, I seem to have found the heart beating within this city besieged by tourists and high prices. Read more »

La place des étoiles

“Le Concert de Paris” featuring Natalie Dessay, Anna Netrebko, Olga Peretyatko, Elina Garanca, Piotr Beczala, Lawrence Brownlee and Laurent Naouri, with the Orchestre National de France sous la direction de Daniele Gatti. Watch it!

Song of the lark

Our Own Jungfer Marianne Leitmetzerin presents Natalie Dessay in recital. Read more »

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The butterfly effect

Midway through the first portion of this past Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.

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Le jazz tiède

The crossover album: a hint that that an artist has either exhausted all the repertory at her command and owes her record label a new release or that her waning vocal resources really shouldn’t be taxed much further than an octave.

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La nuit d’une étoile

“American tenor Matthew Polenzani sings the title role opposite Natalie Dessay as Antonia, Christian Van Horn as the four villains, Angela Brower as Nicklausse, Hye Jung Lee as Olympia, Irene Roberts as Giulietta and Jacqueline Piccolino as Stella.”

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L’art du hipster

The reinvention of Verdi’s masterpiece, La Traviata, as sung by world-famous French coloratura soprano Natalie Dessay, is the subject of Philippe Béziat’s thrilling new movie.

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Driving Miss Dessay

Always front and center with a vote of confidence, Peter Gelb told the New York Times, “Natalie is one of the great artists, but she also is somewhat fragile.”

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Nile, be seeing you

Danielle de Niese will sing the role of Cleopatra in this evening’s performance of Handel’s Giulio Cesare, replacing Natalie Dessay, who is ill.”

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Carry on Cleo

Natalie Dessay coyly bares a breast on the cover of Virgin Classics’ new Giulio Cesare.

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