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Cher Public

  • Quanto Painy Fakor: Here is the version of the Kinghoffer sisters’ statement as published in the JTA.... 11:07 PM
  • Quanto Painy Fakor: Actually, when one understands how difficult it can be for people who are not used to... 10:59 PM
  • Satisfied: Apparently the protesters got bored and left halfway through, I hardly heard a peep in the second... 10:37 PM
  • mirywi: . I don’t see how protest that led to censorship has anything to do with making opera relevant. 10:24 PM
  • Bill: Zinka – well Gertrude Grob-Prandl did not make alot of commercial recordings and was a fine... 9:43 PM
  • uwsinnyc: Just read the insert from the daughters in the Playbill. Very thoughtfully and well written. Also... 9:28 PM
  • brahseph: The booing was louder for Wilson’s Lohengrin :) Btw it sounded like the disruptor tonight was... 9:08 PM
  • Satisfied: Surpassingly, very little ruckus so far. Some shouts during musical pauses, but nothing... 9:01 PM
  • Jungfer Marianne Leitmetzerin: Just to put that in context, this was just published by the Wall Street... 8:59 PM
  • philomel: And there it is. A man is yelling “The murderer of Klinghoffer will never be forgiven!R... 8:45 PM

Chantons sous la pluie

Walking away from Theatre Châtelet this afternoon, I felt as though my relationship with France and its notoriously perplexing people and culture had at long last reached some degree of depth. Three weeks into my four-month stint studying at L’Institut d’études politiques de Paris for my Masters in International Affairs, I seem to have found the heart beating within this city besieged by tourists and high prices. Read more »

La place des étoiles

“Le Concert de Paris” featuring Natalie Dessay, Anna Netrebko, Olga Peretyatko, Elina Garanca, Piotr Beczala, Lawrence Brownlee and Laurent Naouri, with the Orchestre National de France sous la direction de Daniele Gatti. Watch it!

Song of the lark

Our Own Jungfer Marianne Leitmetzerin presents Natalie Dessay in recital. Read more »

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The butterfly effect

Midway through the first portion of this past Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.

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Le jazz tiède

The crossover album: a hint that that an artist has either exhausted all the repertory at her command and owes her record label a new release or that her waning vocal resources really shouldn’t be taxed much further than an octave.

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La nuit d’une étoile

“American tenor Matthew Polenzani sings the title role opposite Natalie Dessay as Antonia, Christian Van Horn as the four villains, Angela Brower as Nicklausse, Hye Jung Lee as Olympia, Irene Roberts as Giulietta and Jacqueline Piccolino as Stella.”

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hipster

L’art du hipster

The reinvention of Verdi’s masterpiece, La Traviata, as sung by world-famous French coloratura soprano Natalie Dessay, is the subject of Philippe Béziat’s thrilling new movie.

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Driving Miss Dessay

Always front and center with a vote of confidence, Peter Gelb told the New York Times, “Natalie is one of the great artists, but she also is somewhat fragile.”

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Nile, be seeing you

Danielle de Niese will sing the role of Cleopatra in this evening’s performance of Handel’s Giulio Cesare, replacing Natalie Dessay, who is ill.”

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Carry on Cleo

Natalie Dessay coyly bares a breast on the cover of Virgin Classics’ new Giulio Cesare.

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