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Cher Public

  • alejandro: Oh I was making a joke at my expense! If I had said what I wrote in person to you you would have... 1:19 PM
  • CerquettiFarrell: Sad news OT – the Israeli-born conductor Israel Ynon died yesterday on the podium... 1:18 PM
  • la vociaccia: “Maybe in a more lyrical role the flaws would emerge more clearly?” Judith IS a... 1:10 PM
  • Will: I’m not the greatest fan of the Merry Widow, particularly not in the bad translations/&#... 12:59 PM
  • scifisci: thanks for sharing this, all very beautiful 12:56 PM
  • uwsinnyc: “I just think she’s singing in the wrong fach — this is not a Tosca or Salome voice. ”... 12:51 PM
  • Milady DeWinter: Oh, the haunted house sound effects! Forgot about those: they were sort of fun with... 12:51 PM
  • gal: I heard Markov live in this role in 2009. He was great, was rightfully cheered and I thought he would... 12:49 PM
  • la vociaccia: Hey! I don’t disagree with you, it’s a real, virile sound. It just didn’t.... 12:42 PM
  • MontyNostry: I’ve only heard Markov live once – in a recital about 10 years ago with other... 12:38 PM

Regni Dessay

Almost exactly twenty years after her auspicious Metropolitan Opera debut as the Fiakermilli in Arabella and a year following what she has claims was her final appearance on the operatic stage, Natalie Dessay returned Sunday afternoon to Lincoln Center—to sing opera. Read more »

Chantons sous la pluie

Walking away from Theatre Châtelet this afternoon, I felt as though my relationship with France and its notoriously perplexing people and culture had at long last reached some degree of depth. Three weeks into my four-month stint studying at L’Institut d’études politiques de Paris for my Masters in International Affairs, I seem to have found the heart beating within this city besieged by tourists and high prices. Read more »

La place des étoiles

“Le Concert de Paris” featuring Natalie Dessay, Anna Netrebko, Olga Peretyatko, Elina Garanca, Piotr Beczala, Lawrence Brownlee and Laurent Naouri, with the Orchestre National de France sous la direction de Daniele Gatti. Watch it!

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Song of the lark

Our Own Jungfer Marianne Leitmetzerin presents Natalie Dessay in recital.

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The butterfly effect

Midway through the first portion of this past Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.

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Le jazz tiède

The crossover album: a hint that that an artist has either exhausted all the repertory at her command and owes her record label a new release or that her waning vocal resources really shouldn’t be taxed much further than an octave.

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La nuit d’une étoile

“American tenor Matthew Polenzani sings the title role opposite Natalie Dessay as Antonia, Christian Van Horn as the four villains, Angela Brower as Nicklausse, Hye Jung Lee as Olympia, Irene Roberts as Giulietta and Jacqueline Piccolino as Stella.”

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L’art du hipster

The reinvention of Verdi’s masterpiece, La Traviata, as sung by world-famous French coloratura soprano Natalie Dessay, is the subject of Philippe Béziat’s thrilling new movie.

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Driving Miss Dessay

Always front and center with a vote of confidence, Peter Gelb told the New York Times, “Natalie is one of the great artists, but she also is somewhat fragile.”

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Nile, be seeing you

Danielle de Niese will sing the role of Cleopatra in this evening’s performance of Handel’s Giulio Cesare, replacing Natalie Dessay, who is ill.”

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