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Cher Public

  • Sanford: Viola Dsvis’s show is riveting and she plays the most complex character on TV. And in the two... 1:41 AM
  • Flora del Rio Grande: Don’t you know he will — and sharp too! 12:16 AM
  • Krunoslav: I mean listen to the damn clip and see if you can’t hear what I mention. I enjoyed the... 11:57 PM
  • Guestoria Unpopularenka: Kabaivanska sang Tosca tonight at Teatro Reggio di Parma as part of her own 80th... 10:11 PM
  • YigeLi: Not the one discussed with you sometime ago, I think all the recordings of that performance came from... 8:51 PM
  • YigeLi: Regarding the Schwarzkopf-VLL issue: I remember reading it somewhere that ES said her voice was a bit... 8:42 PM
  • armerjacquino: La V: Horne most certainly did do the VLL- the evidence is right there on YouTube. I... 8:34 PM
  • Quanto Painy Fakor: When Gobbi made the sign of the cross at the end of the Te Deum, he did it with a closed... 8:33 PM
  • Quanto Painy Fakor: If that’s the way Frizza conducts Puccini, you can keep him. 8:28 PM
  • zinka: httpv://www.youtub e.com/watch?v=6xzn 5xpLazA Courtesy of the GREAT Coloratura fan..My idol…&#... 7:59 PM

Chantons sous la pluie

Walking away from Theatre Châtelet this afternoon, I felt as though my relationship with France and its notoriously perplexing people and culture had at long last reached some degree of depth. Three weeks into my four-month stint studying at L’Institut d’études politiques de Paris for my Masters in International Affairs, I seem to have found the heart beating within this city besieged by tourists and high prices. Read more »

La place des étoiles

“Le Concert de Paris” featuring Natalie Dessay, Anna Netrebko, Olga Peretyatko, Elina Garanca, Piotr Beczala, Lawrence Brownlee and Laurent Naouri, with the Orchestre National de France sous la direction de Daniele Gatti. Watch it!

Song of the lark

Our Own Jungfer Marianne Leitmetzerin presents Natalie Dessay in recital. Read more »

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The butterfly effect

Midway through the first portion of this past Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.

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Le jazz tiède

The crossover album: a hint that that an artist has either exhausted all the repertory at her command and owes her record label a new release or that her waning vocal resources really shouldn’t be taxed much further than an octave.

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La nuit d’une étoile

“American tenor Matthew Polenzani sings the title role opposite Natalie Dessay as Antonia, Christian Van Horn as the four villains, Angela Brower as Nicklausse, Hye Jung Lee as Olympia, Irene Roberts as Giulietta and Jacqueline Piccolino as Stella.”

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L’art du hipster

The reinvention of Verdi’s masterpiece, La Traviata, as sung by world-famous French coloratura soprano Natalie Dessay, is the subject of Philippe Béziat’s thrilling new movie.

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Driving Miss Dessay

Always front and center with a vote of confidence, Peter Gelb told the New York Times, “Natalie is one of the great artists, but she also is somewhat fragile.”

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Nile, be seeing you

Danielle de Niese will sing the role of Cleopatra in this evening’s performance of Handel’s Giulio Cesare, replacing Natalie Dessay, who is ill.”

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Carry on Cleo

Natalie Dessay coyly bares a breast on the cover of Virgin Classics’ new Giulio Cesare.

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