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Cher Public

  • MontyNostry: Bill, what must make Trieste really nice, though, is that it’s in Italy, so hopefully a... 7:12 PM
  • Bill: Obviously the setting of this production is Trieste – part of the Austro-Hungarian Empire, where... 7:06 PM
  • manou: I am off to beat myself over the head with an atlas. 7:05 PM
  • Batty Masetto: Not to mention the seacoast of Bohemia, attested by no less than Shakespeare. Manou adorée,... 6:58 PM
  • Krunoslav: Slovenia also had (in 1914) and has a coastline. 6:47 PM
  • manou: My apologies to Austro-Hungarians everywhere. 6:37 PM
  • Bill: The Austro-Hungarian Empire had a naval fleet (and not only on the Balaton) in its day. 6:33 PM
  • Krunoslav: Um, thanks for the ‘correction& #8217;, but Nina Koshetz was in plenty of films: 1956 Hot... 6:32 PM
  • moritz: Yes, sorry for that. Blame the limited language skills of the non-native speaker and the shyness of... 6:32 PM
  • manou: Here is Rupert C: http://www.telegra ph.co.uk/culture/m usic/opera/1130377 4/Un-Ballo-in-M... 6:30 PM

Regni Dessay

Almost exactly twenty years after her auspicious Metropolitan Opera debut as the Fiakermilli in Arabella and a year following what she has claims was her final appearance on the operatic stage, Natalie Dessay returned Sunday afternoon to Lincoln Center—to sing opera. Read more »

Chantons sous la pluie

Walking away from Theatre Châtelet this afternoon, I felt as though my relationship with France and its notoriously perplexing people and culture had at long last reached some degree of depth. Three weeks into my four-month stint studying at L’Institut d’études politiques de Paris for my Masters in International Affairs, I seem to have found the heart beating within this city besieged by tourists and high prices. Read more »

La place des étoiles

“Le Concert de Paris” featuring Natalie Dessay, Anna Netrebko, Olga Peretyatko, Elina Garanca, Piotr Beczala, Lawrence Brownlee and Laurent Naouri, with the Orchestre National de France sous la direction de Daniele Gatti. Watch it!

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Song of the lark

Our Own Jungfer Marianne Leitmetzerin presents Natalie Dessay in recital.

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The butterfly effect

Midway through the first portion of this past Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.

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Le jazz tiède

The crossover album: a hint that that an artist has either exhausted all the repertory at her command and owes her record label a new release or that her waning vocal resources really shouldn’t be taxed much further than an octave.

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La nuit d’une étoile

“American tenor Matthew Polenzani sings the title role opposite Natalie Dessay as Antonia, Christian Van Horn as the four villains, Angela Brower as Nicklausse, Hye Jung Lee as Olympia, Irene Roberts as Giulietta and Jacqueline Piccolino as Stella.”

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L’art du hipster

The reinvention of Verdi’s masterpiece, La Traviata, as sung by world-famous French coloratura soprano Natalie Dessay, is the subject of Philippe Béziat’s thrilling new movie.

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Driving Miss Dessay

Always front and center with a vote of confidence, Peter Gelb told the New York Times, “Natalie is one of the great artists, but she also is somewhat fragile.”

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Nile, be seeing you

Danielle de Niese will sing the role of Cleopatra in this evening’s performance of Handel’s Giulio Cesare, replacing Natalie Dessay, who is ill.”

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