Headshot of La Cieca

Cher Public

  • m. croche: Happy Birthday, Caro Batty! httpv://www.youtub e.com/watch?v=Jn9_ 6yINCy4 11:35 PM
  • ilpenedelmiocor: But that is precisely the point: those of us who live far from New York are NOT able to see... 11:31 PM
  • m. croche: Those primitive foreigners, amirite? 11:26 PM
  • danpatter: THANKS SO MUCH for posting this! What a terrific discovery, this should have been released on... 11:12 PM
  • DeepSouthSenior: I find myself agreeing with about one-third of what redbear says. This is really scary. Who... 11:00 PM
  • DeepSouthSenior: Interesting conclusion. Attack of the light bulbs and revenge of the killer drapery. 10:53 PM
  • Quanto Painy Fakor: Intermission - httpv://www.youtub e.com/watch?v=dVSd a6DN0c8 10:37 PM
  • Ruxxy: m. croche I wasn’t aware that we were talking about a race – I thought we were talking... 10:31 PM
  • Quanto Painy Fakor: In other words, she had very little experience when she was elevated to powerful... 10:30 PM
  • Quanto Painy Fakor: No terrorists in this! httpv://www.youtub e.com/watch?v=pl3g OrSIMKM 10:25 PM

Equal rites

As with all good myths, certainly all the myths at the heart of Wagner’s operas, the juggling of symbols and archetypes and themes in Parsifal opens the piece to a great variety of interpretations. Many recent productions have twisted things in a way that seemed to strain or defy Wagner’s intricate libretto and lush, meticulous score: gray springtimes in a world beyond nuclear or environmental holocaust, that sort of thing. But the world of Wagner’s tale is, like our own, a world in crisis, on a razor’s edge. That’s bound to resonate with contemporary directors. They then have many options in setting out the workings of the crisis in this fable of a solution to whatever may be broken.   Read more »