Headshot of La Cieca

Cher Public

  • DellaCasaFan: Jungfer Marianne, I had no idea that there was another recording with Bruna Rasa/Mascagni.... 12:11 AM
  • phoenix: Here is Barkmin’s Salome (with Yevgeny Nikitin as Jochanaan) complete. Audio only –... 11:52 PM
  • damekenneth: Ciao, Marshie! I have so missed your presence here. I thought you’d missed to Luxembourg!... 10:57 PM
  • Jungfer Marianne Leitmetzerin: Della Casa Fan – I will put the Arangi-Lombardi “Cavaller... 10:33 PM
  • La Valkyrietta: Hello! I congratulate you also in all your activity, work, and positive endeavors. You are... 10:28 PM
  • Camille: One hopes that Lurquito’s chastity has managed to remain intact!! Please do not apologise for... 9:43 PM
  • marshiemarkII: Lurquito but you left out the bed with the silks….. :D 9:29 PM
  • marshiemarkII: Mi chiamasti?!?!?!?!? Oh I have sinned I have sinned I have sinned my adored gurls, but this... 9:27 PM
  • Operngasse: Krunoslav – thank you for the correct information – the question mark meant I really... 9:20 PM
  • La Valkyrietta: Camille, No, me no guaso chileno, but I was easily assimilated, and did spend some years of... 9:09 PM

Equal rites

As with all good myths, certainly all the myths at the heart of Wagner’s operas, the juggling of symbols and archetypes and themes in Parsifal opens the piece to a great variety of interpretations. Many recent productions have twisted things in a way that seemed to strain or defy Wagner’s intricate libretto and lush, meticulous score: gray springtimes in a world beyond nuclear or environmental holocaust, that sort of thing. But the world of Wagner’s tale is, like our own, a world in crisis, on a razor’s edge. That’s bound to resonate with contemporary directors. They then have many options in setting out the workings of the crisis in this fable of a solution to whatever may be broken.   Read more »