Headshot of La Cieca

Cher Public

  • Satisfied: A quite lovely “una furtive” from the wonderful Mr. Camarena. Very excited to see him... 7:18 PM
  • Poison Ivy: A nice article about Javier Camarena: http://www.nytimes .com/2014/04/21/ar ts/music/javier... 6:54 PM
  • antikitschychick: congrats to Brownlee for putting out a Rossini album :-D he is as the title says, a... 6:46 PM
  • phoenix: httpv://www.youtub e.com/watch?v=aq0K O8uj2dg 6:42 PM
  • papopera: I saw it too. A riot. All shot in a studio with painted back drops. Even the text imitates pseudo... 6:28 PM
  • papopera: Disgusting that fat boy, must be from Plattsburg. 6:20 PM
  • Poison Ivy: My favorite is John Derek’s Joshua. He just will not play along with everyone else’s... 6:11 PM
  • damekenneth: Yes, but Vickers did sing some roles one would not have expected: Nero in “L’... 6:11 PM
  • Grane: Moses, Moses…. 5:58 PM
  • DeepSouthSenior: Bewitching photo. Nice asp. 5:55 PM

Equal rites

As with all good myths, certainly all the myths at the heart of Wagner’s operas, the juggling of symbols and archetypes and themes in Parsifal opens the piece to a great variety of interpretations. Many recent productions have twisted things in a way that seemed to strain or defy Wagner’s intricate libretto and lush, meticulous score: gray springtimes in a world beyond nuclear or environmental holocaust, that sort of thing. But the world of Wagner’s tale is, like our own, a world in crisis, on a razor’s edge. That’s bound to resonate with contemporary directors. They then have many options in setting out the workings of the crisis in this fable of a solution to whatever may be broken.   Read more »