Headshot of La Cieca

Cher Public

  • steveac10: That’s been the casting rule at the Met for decades – even pre-Ingpen. B-list... 11:08 PM
  • Guestoria Unpopularenka: GiordanI. 10:43 PM
  • Guestoria Unpopularenka: Giordano would be marvelous. 10:40 PM
  • messa di voce: Other singers available to jump in for Vargas, please. 10:08 PM
  • Grane: Well, no one can say she lacks joie de vivre like all the boring Americans. 9:44 PM
  • Krunoslav: You mean audiences have been enduring Papatanasiu’ s screeching while Mary Dunleavy sits... 9:27 PM
  • pirelli: Yes. And they’re going to bring Bocelli in to do Rodolfo instead. 8:54 PM
  • Baritenor: Fabiano just got pretty much rave reviews from his current run in San Francisco. Good news for you... 8:50 PM
  • zinka: httpv://www.youtub e.com/watch?v=oh34 YaZKOG0 Three little kids!!!! We loved Harry. Little Sammy... 8:40 PM
  • zinka: Angela to be replaced by Stratas 8:34 PM

Equal rites

As with all good myths, certainly all the myths at the heart of Wagner’s operas, the juggling of symbols and archetypes and themes in Parsifal opens the piece to a great variety of interpretations. Many recent productions have twisted things in a way that seemed to strain or defy Wagner’s intricate libretto and lush, meticulous score: gray springtimes in a world beyond nuclear or environmental holocaust, that sort of thing. But the world of Wagner’s tale is, like our own, a world in crisis, on a razor’s edge. That’s bound to resonate with contemporary directors. They then have many options in setting out the workings of the crisis in this fable of a solution to whatever may be broken.   Read more »