Headshot of La Cieca

Cher Public

  • PushedUpMezzo: Rupert C ventures backstage at ENO discovering Angel Blue, mice and a sweaty locker room.... 5:09 AM
  • MontyNostry: The film that taught me that Anne Boleyn had a French-Canadian accent. 4:46 AM
  • Krunoslav: Ja, ja, but also Ronald Reagan– the most destructive President since Hoover–&#... 4:19 AM
  • NPW-Paris: “A chapel” is by the way the royal chapel at the Palace of Versailles! 3:02 AM
  • Quanto Painy Fakor: Yes, the Copper Hatch, Coral and Jade at Joyce Chen’s, fig bars at Ann’s and... 2:15 AM
  • marshiemarkII: Storrow Drive?!?!?!?!?!?!? !? Yessssssss indeedy, the Birds Sanctuary on Sunday... 1:33 AM
  • marshiemarkII: My God Quanto, you are Da Man for YT, that Art Trailer on Henry Geldzhaler is priceless, again... 1:25 AM
  • antikitschychick: How very sweet and thoughtful of you to take note of that, thank you so much! :-D And... 1:23 AM
  • Quanto Painy Fakor: Sounds like you were the king of Storrow Drive! The 1270 was a really great tame place... 1:18 AM
  • marshiemarkII: No I didn’t know that one either, in Boston it was the 1270 of course primus inter... 1:05 AM

Equal rites

As with all good myths, certainly all the myths at the heart of Wagner’s operas, the juggling of symbols and archetypes and themes in Parsifal opens the piece to a great variety of interpretations. Many recent productions have twisted things in a way that seemed to strain or defy Wagner’s intricate libretto and lush, meticulous score: gray springtimes in a world beyond nuclear or environmental holocaust, that sort of thing. But the world of Wagner’s tale is, like our own, a world in crisis, on a razor’s edge. That’s bound to resonate with contemporary directors. They then have many options in setting out the workings of the crisis in this fable of a solution to whatever may be broken.   Read more »