Headshot of La Cieca

Cher Public

  • tannengrin: httpv://youtu.be/l FkyAD9gS6g 9:40 AM
  • Gualtier M: The first Adalgisa was Giulia Grisi who was a famous Donna Anna and later Norma. She created... 9:23 AM
  • arepo: Oropesa! Now THAT makes more sense. There was a thread here several months ago hinting at who the... 7:49 AM
  • fidelio101: Tell the wig master that Norma needs her roots done! 7:35 AM
  • Krunoslav: Soem favorite Rethberg cuts: httpv://www.youtub e.com/watch?v=qVv7 0q6gGZo This one’s going... 2:31 AM
  • Buster: I never listened much to Rethberg’s live Met recordings. Past her prime, not at her best, is... 2:12 AM
  • ML: Let’s hear it for low E-flat! mmmmmmmmm mmmmmmmmm mmmmmmmmm 12:45 AM
  • dr.malatempra: I believe the initial rumor was regarding Lisette Oropesa. Have no opinion about the validity... 12:41 AM
  • antikitschychick: Yay thank you for confirming that PokeyGascon! :-). Also, just a humble suggestion from... 12:33 AM
  • ML: Chicago Tribune (John von Rhein) has it all wrong: * CSO is one of three (3) jobs Muti holds, so it does... 12:24 AM

Equal rites

As with all good myths, certainly all the myths at the heart of Wagner’s operas, the juggling of symbols and archetypes and themes in Parsifal opens the piece to a great variety of interpretations. Many recent productions have twisted things in a way that seemed to strain or defy Wagner’s intricate libretto and lush, meticulous score: gray springtimes in a world beyond nuclear or environmental holocaust, that sort of thing. But the world of Wagner’s tale is, like our own, a world in crisis, on a razor’s edge. That’s bound to resonate with contemporary directors. They then have many options in setting out the workings of the crisis in this fable of a solution to whatever may be broken.   Read more »