Cher Public

  • Poison Ivy: I saw the livestream. Opolais is a great actress, and a decent musician, but her voice really lacks any bloom. It kind of... 11:19 PM
  • WindyCityOperaman: RIP singer Lynn Anderson httpvh://www.youtu be.com/watch?v=2g0 f3_Gke84 8:59 PM
  • aulus agerius: Why do the WRITTEN ON SKIN ads feature tats? It’s not about that is it? I decided not to go, BTW, affer viewing the... 7:46 PM
  • Bill: I liked Ludmila Dvorakova a great deal – she had a Flagstad like warmth to her voice – very rich in the middle. She sang... 6:37 PM
  • luvtennis: I would have a hard time suspending my disbelief too. How can you kill nuns to music that’s this much FUN!... 5:49 PM
  • zinka: https://www.youtub e.com/results?sear ch_query=+ludmila+ dvorakova Sad..Died at 92 in a fire..VERY exciting singer!!!!! 5:26 PM
  • Batty Masetto: Doch, das gibt’s: http://www.duden.d e/rechtschreibung/ fisteln 5:24 PM
  • Greg.Freed: Fully off topic in any thread: years ago I had I guess a radio broadcast of the Elektra cast I heard in Houston in 1993:... 4:47 PM

Equal rites

As with all good myths, certainly all the myths at the heart of Wagner’s operas, the juggling of symbols and archetypes and themes in Parsifal opens the piece to a great variety of interpretations. Many recent productions have twisted things in a way that seemed to strain or defy Wagner’s intricate libretto and lush, meticulous score: gray springtimes in a world beyond nuclear or environmental holocaust, that sort of thing. But the world of Wagner’s tale is, like our own, a world in crisis, on a razor’s edge. That’s bound to resonate with contemporary directors. They then have many options in setting out the workings of the crisis in this fable of a solution to whatever may be broken.   Read more »