Headshot of La Cieca

Cher Public

  • willym: I have not great love or hate of the lady as a musician – only really heard her once in... 10:06 PM
  • Poison Ivy: This reminds me of a story my friend likes to tell. He was traveling through Paris and Italy and... 10:03 PM
  • Camille: No SQUILLO! It is what it is with what he has got, but am afraid Italian operas such as these demand... 9:48 PM
  • Resistopiu: well to be fair Gwyneth was a little more measured back then, and a lovely lady, always had time... 9:45 PM
  • Camille: Ha! I am surprised they discovered–f inalmente–th at score of Arizona Lady which I... 9:43 PM
  • LT: Is it really new? I read somewhere it was sort of a recycled version of the old one. 9:37 PM
  • Camille: This is a note of appreciation to Mr STEPAN ATAMIAN, announcer and programmer for the Saturday Night... 9:17 PM
  • la vociaccia: Really not liking Jonas in this. There isn’t really any charisma in the timbre- the... 8:49 PM
  • Camille: MAH! This “Down to earth Diva” shit has GOT to STOP!! An oxymoron that must die! That... 8:42 PM
  • Camille: La Cieca—please! Dissing Renée is so 1997! “Ain’t it a pretty voice” was a... 8:32 PM

Practical magic

Notable purveyor of mayhem and infanticide Medea has lately been missing from the local operatic scene, but Sunday afternoon sections of the recently renovated Alice Tully Hall were singed by Canadian soprano Dominique Labelle’s blazing incarnation of the Greek sorceress during a concert performance of Handel’s neglected early opera Teseo by the Philharmonia Baroque given during its second visit this summer to the Mostly Mozart Festival.  Read more »

A boozy short leave

After 23 years, the Queen of Carthage has finally made it to Manhattan. On Wednesday night, Lincoln Center’s Mostly Mozart Festival hosted the Mark Morris Dance Group’s acclaimed 1989 production of Purcell’s Dido and Aeneas at the Rose Theater, and Morris who created the double role of Dido and the Sorceress for himself and danced it exclusively for over a decade was there–this time as conductor–with Stephanie Blythe singing the two roles from the pit as she had done last fall in Berkeley.   Read more »