Headshot of La Cieca

Cher Public

  • Ilka Saro: I remember watching Westbroek a few years ago as Sieglinde. During the whole long duet at the end... 6:53 AM
  • Buster: Frankfurt 15-6 looks great: http://www.oper-fr ankfurt.de/de/page 1019.cfm 5:13 AM
  • Krunoslav: For that matter, Richard Tucker himself was hardly an artist of the consequence of Edgar Evans or... 12:32 AM
  • Krunoslav: “the excellent Marjorie Owens, soon to be Norma at ENO” Owens did well at the Met as... 12:24 AM
  • Bill: PCally – Benackova was truly radiant as Elisabeth and I saw Jones do it several times in Vienna... 12:20 AM
  • Satisfied: My favorite line: Knowing that Ms. Damrau was sick, Dr. Cho expected she would not kiss her... 10:45 PM
  • PCally: Unfortunately I’ve never seen any of those ladies live but Jones and Studer (I can’t... 9:25 PM
  • Poison Ivy: One thing EMW does have that will work in her favor is a naturally sympathetic, warm stage... 9:07 PM
  • Bill: Westbroek may have the prerequisite volume for Elisabeth, but the persistent wobble absolutely turns me... 8:52 PM
  • PCally: I think Elisabeth is actually the right way for her to go. It’s not a very loud role and sits... 8:04 PM

Practical magic

Notable purveyor of mayhem and infanticide Medea has lately been missing from the local operatic scene, but Sunday afternoon sections of the recently renovated Alice Tully Hall were singed by Canadian soprano Dominique Labelle’s blazing incarnation of the Greek sorceress during a concert performance of Handel’s neglected early opera Teseo by the Philharmonia Baroque given during its second visit this summer to the Mostly Mozart Festival.  Read more »

A boozy short leave

After 23 years, the Queen of Carthage has finally made it to Manhattan. On Wednesday night, Lincoln Center’s Mostly Mozart Festival hosted the Mark Morris Dance Group’s acclaimed 1989 production of Purcell’s Dido and Aeneas at the Rose Theater, and Morris who created the double role of Dido and the Sorceress for himself and danced it exclusively for over a decade was there–this time as conductor–with Stephanie Blythe singing the two roles from the pit as she had done last fall in Berkeley.   Read more »