Headshot of La Cieca

Cher Public

  • cgambol: The first thing I listen/look for in a Puritani performance is the man playing Riccardo. If a... 2:58 AM
  • Guestoria Unpopularenka: I’m not well-versed for writing reviews. The thumbs systems works best for me... 2:42 AM
  • La Cieca: Why don’t you go ahead and post your reviews of these future roles now? 2:36 AM
  • Guestoria Unpopularenka: Ugh. DiDonato and her dreams of big diva roles. She already underwhelmed as Stuarda.... 2:07 AM
  • Feldmarschallin: Alex Exposito told me that he, Brownlee and Di Donato will be singing Semiramide at the BSO.... 1:36 AM
  • Buster: One of the things I remember from Maria Stader’s autobiography is that she sang the second... 1:29 AM
  • irontongue: Camerena seems charming and has a good voice, but whoa, a lot of aspirating in there! 1:28 AM
  • Poison Ivy: I saw this again on TCM and it was so beautiful to watch, as always. The scene with Judy making... 1:16 AM
  • williams: “…But in a lucky break for both singer and audience, on April 3 the company announced... 12:58 AM
  • m. croche: “as close to a rock star as the Met has produced from its male roster this season,” Oy. 12:50 AM

A boozy short leave

After 23 years, the Queen of Carthage has finally made it to Manhattan. On Wednesday night, Lincoln Center’s Mostly Mozart Festival hosted the Mark Morris Dance Group’s acclaimed 1989 production of Purcell’s Dido and Aeneas at the Rose Theater, and Morris who created the double role of Dido and the Sorceress for himself and danced it exclusively for over a decade was there–this time as conductor–with Stephanie Blythe singing the two roles from the pit as she had done last fall in Berkeley.   Read more »