Cher Public

  • antikitschychick: Thanks for the info Lohenfal. I think I will try and get student rush tix as Marshie suggested but I’ll call the... 12:29 AM
  • Lohenfal: Anti, there are a few seats left in the Family Circle for Mar. 5. Actually, there are quite a lot of more expensive seats... 12:17 AM
  • Constantine A. Papas: Why Netrebko cancel? Did she get sic? 11:59 PM
  • steveac10: Would I like to see Charles Castronovo or Alek Shrader sing Tamino in their boxers (or let’s go for broke, tighty... 11:25 PM
  • antikitschychick: Yesss I’m going to try and catch it on March 5th since I will be in NY for a moot court competition :-).... 10:53 PM
  • DerLeiermann: I admit I wouldn’t mind stripping some Taminos down to their boxers… regularly or otherwise. 10:44 PM
  • marshiemarkII: Ciao manoucee, mille grazie, unfortunately they did not include the divine Sei tu che piangi, I am obsessed, I must have... 8:55 PM
  • marshiemarkII: Nice to hear from you chikita querida! Oh you must see it in the house, forget about HD, she must be heard live!, one of... 8:43 PM

Everything is illuminated

Few new operas have received the near-unanimous acclaim that has greeted Written on Skin since its first performance at the 2012 Aix-en-Provence Festival. The subject line of the email I received from Lincoln Center promoting its US stage premiere went so far as to proclaim it “the opera you’ve been waiting for!” The excitedly expectant audience that filled the former New York State Theater Tuesday evening hailed it with a loud and prolonged ovation, but the intensely complex 90-minute work proved easier to admire than to love.   Read more »

Practical magic

Notable purveyor of mayhem and infanticide Medea has lately been missing from the local operatic scene, but Sunday afternoon sections of the recently renovated Alice Tully Hall were singed by Canadian soprano Dominique Labelle’s blazing incarnation of the Greek sorceress during a concert performance of Handel’s neglected early opera Teseo by the Philharmonia Baroque given during its second visit this summer to the Mostly Mozart Festival.  Read more »

A boozy short leave

After 23 years, the Queen of Carthage has finally made it to Manhattan. On Wednesday night, Lincoln Center’s Mostly Mozart Festival hosted the Mark Morris Dance Group’s acclaimed 1989 production of Purcell’s Dido and Aeneas at the Rose Theater, and Morris who created the double role of Dido and the Sorceress for himself and danced it exclusively for over a decade was there–this time as conductor–with Stephanie Blythe singing the two roles from the pit as she had done last fall in Berkeley.   Read more »