Cher Public

  • La Cieca: The BSO ad on this site says 3:30, but 20:30 in Munich is certainly 2:30 here in New York. I’ll check with the BSO press... 2:18 AM
  • phillyoperalover: Thanks steveac10 :) 2:13 AM
  • DeepSouthSenior: I am disappointed, disturbed, and downcast by this entire discussion of Kaufmann and his “Don’t you dare buy... 1:19 AM
  • Lohenfal: This is decidedly OT, but the time for the BSO Manon Lescaut livestream on Friday is 2:30 New York time (20.30 Munich time,... 12:56 AM
  • steveac10: Butterfly has been done successfully by lighter voices since it premiered. Hong knows her way around a Puccini heroine, having... 12:26 AM
  • Buster: i just read Barbara Frittoli will sing those Mimis. 12:23 AM
  • phillyoperalover: Well here’s my thing, can Hong handle Butterfly? She has chosen her roles so carefully. I know she has done... 11:24 PM
  • Donna Anna: Stephen Powell was a superb di Luna in Cincinnati (the cast included Jamie Barton making her debut as Azucena, Russell Thomas... 9:30 PM

Practical magic

Notable purveyor of mayhem and infanticide Medea has lately been missing from the local operatic scene, but Sunday afternoon sections of the recently renovated Alice Tully Hall were singed by Canadian soprano Dominique Labelle’s blazing incarnation of the Greek sorceress during a concert performance of Handel’s neglected early opera Teseo by the Philharmonia Baroque given during its second visit this summer to the Mostly Mozart Festival.  Read more »

A boozy short leave

After 23 years, the Queen of Carthage has finally made it to Manhattan. On Wednesday night, Lincoln Center’s Mostly Mozart Festival hosted the Mark Morris Dance Group’s acclaimed 1989 production of Purcell’s Dido and Aeneas at the Rose Theater, and Morris who created the double role of Dido and the Sorceress for himself and danced it exclusively for over a decade was there–this time as conductor–with Stephanie Blythe singing the two roles from the pit as she had done last fall in Berkeley.   Read more »