Cher Public

  • Batty Masetto: OK, here’s a post mortem on the SF Don Carlo from Friday. Pape owned the show. In spite of some occasional flatting he... 1:09 AM
  • Jack Jikes: I saw every performance of the Gunter Kramer production at the Met. Bieto made me feel I had never seen the opera before.... 11:40 PM
  • PCally: So many of my favorite artists were born in this day! I love it 9:39 PM
  • Camille: httpv://youtube.co m/watch?v=EKiqthx0 GKw Hoping everyone had a safe and happy celebration. 8:42 PM
  • Stefan: I wouldn’t call it boring but lets just say, not very exciting (to be tactful). On a separate note, I found out two days ago... 8:36 PM
  • PCally: Hmmm well personally I do tend to find La Juive a pretty boring opera and I’ve loved a couple of productions that I’ve... 6:56 PM
  • jackoh: Let me venture an opinion that I am not sure how far that I would go to defend. I don’t think that there is any such thing as a... 6:32 PM
  • aulus agerius: Such a boring opera…..I couldn’t stick with it. Those 2 sopranos going on and on. I’m having a hard time... 5:45 PM

Everything is illuminated

Few new operas have received the near-unanimous acclaim that has greeted Written on Skin since its first performance at the 2012 Aix-en-Provence Festival. The subject line of the email I received from Lincoln Center promoting its US stage premiere went so far as to proclaim it “the opera you’ve been waiting for!” The excitedly expectant audience that filled the former New York State Theater Tuesday evening hailed it with a loud and prolonged ovation, but the intensely complex 90-minute work proved easier to admire than to love.   Read more »

Practical magic

Notable purveyor of mayhem and infanticide Medea has lately been missing from the local operatic scene, but Sunday afternoon sections of the recently renovated Alice Tully Hall were singed by Canadian soprano Dominique Labelle’s blazing incarnation of the Greek sorceress during a concert performance of Handel’s neglected early opera Teseo by the Philharmonia Baroque given during its second visit this summer to the Mostly Mozart Festival.  Read more »

A boozy short leave

After 23 years, the Queen of Carthage has finally made it to Manhattan. On Wednesday night, Lincoln Center’s Mostly Mozart Festival hosted the Mark Morris Dance Group’s acclaimed 1989 production of Purcell’s Dido and Aeneas at the Rose Theater, and Morris who created the double role of Dido and the Sorceress for himself and danced it exclusively for over a decade was there–this time as conductor–with Stephanie Blythe singing the two roles from the pit as she had done last fall in Berkeley.   Read more »