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  • Feldmarschallin: The new Siegfried which opens on Pfinstsonntag at BSO. Funny that Lance Ryan sounds Eastern... 2:56 AM
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pop goes the culture!

La Cieca is still goggling at a press release she just received. Cher public, you can talk about this for a while.

FOR IMMEDIATE RELEASE

New York City Opera Commissions Philip Glass to Compose an Opera Based on the Life of Walt Disney

(New York, NY, September 29, 2008) Following a meeting of New York City Opera’s Board of Directors, Gerard Mortier, General Manager Designate today announced that City Opera is commissioning Philip Glass to compose a new opera, The Perfect American which imaginatively explores the life and career of Walt Disney. Based on the recent novel Der König von Amerika (translated into English as The Perfect American) by Peter Stephan Jungk, the opera, presented in collaboration with Improbable, is scheduled to open City Opera’s 2012-2013 season.

undone deal?

Cher public, you may recall that it was La Cieca who was the first to break the story that Gérard Mortier was under consideration to be the next General Manager of the New York City Opera, not quite a week before confirmation appeared in the moribund print media.  Since then the irreverent intendant has made a lot of headlines here and elsewhere.

Well, now you should be prepared for a shock, cher public, or at least for what may be the biggest story of the year. La Cieca hears a whisper that the Mortier/NYCO deal has gone sour, leaving the company rudderless beginning in 2009. Of course, your doyenne is probably wrong (she so often is!) but, on the chance that she’s not, well, remember you heard it here first!

UPDATE:  A member of the cher public has forwarded La Cieca a thought-provoking clip from Daily Yomiuri Online.  Sylvain Cambreling (Mortier’s “longtime collaborator,” per the New York TImes) has been named principal conductor of The Yomiuri Nippon Symphony Orchestra, effective April 1, 2010. The tipster notes “…Tokyo Opera City would be thrilled to get their hands on a star like Mortier if he were so inclined. And I bet they’re fully funded there…”

wagner family reacts to wagner news at wagner festival

According to a statement on the Bayreuth website, stepsisters Katharina Wagner and Eva Wagner-Pasquier will take over the Festspiele from their father Wolfgang Wagner, who is retiring after more than half a century at the helm of the festival.

Members of the “Wieland” branch of the Wagner family tree are, of course, furious at this selection of Wolfgang’s daughers as “Festspielleiterinnen” by the foundation that administers the Festival. Wolf Siegfried Wagner (son of Wieland) slammed the selection process as “unworthy.” Wolf Siegfried’s sister Nike Wagner lost their a joint bid with Gerard Mortier (not a member of the Wagner family at the moment) to head the festival.

“Of course I am sad about the outcome of the process,” Nike sighed in a statement released to Bloomberg News. “I hope that my cousins will seize the initiatives that Gerard Mortier and I presented. I wish them much success in that.’”

Katharina’s next artistic project at the Festival will be a new production of Tristan und Isolde in 2015, with Christian Thielemann as music director.

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mortier on the green hill?

Opera Chic reports this morning that Gerard Mortier is throwing his hat in the, uh, Ring for the co-directorship of the Bayreuth Festival.  The Belgian intendant is reportedly teaming up with Nike Wagner to apply for the top Bayreuth spot to be vacated as soon as it can be pried from Wolfgang Wagner‘s cold dead fingers. (And he’s not even dead yet, so don’t hold your breath.) The Mortier/Nike partnership is considered a dark horse for the job, with the odds-on favorite the team comprised of Wolfgang’s daughters Katharina Wagner and Eva Wagner-Pasquier.

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something sort of grandish

La Cieca hears that the “all 20th century” concept of the first Gerard Mortier season at NYCO may be subject to modification. According to an impeccably reliable source, the first season will include a rarely-seen French Grand Opera and an evening centered around pieces of Verdi done with a double chorus – one all African-American, one all Caucasian that will tell stories of today’s New York. During the first season we can also expect a new Pelleas et Melisande, but the plan for Nixon in China has been abandoned due to Gelb’s producing it in 2010-11. NYCO and The Met [...]

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let george do it

According to a press release from the New York City Opera, George Manahan will continue there as Music Director through 2012. In the inaugural Gérard Mortier season beginning in the fall of 2009, Maestro Manahan will conduct performances of Stravinsky’s The Rake’s Progress and Britten’s Death in Venice. Manahan is booked as well for Szymanowski’s King Roger during NYCO’s 2010-11 season.

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previously

La Cieca thanks a particularly loyal member of the cher public for pointing out the most recent bit of hard-hitting arts coverage in the Wall Street Journal, as copied and pasted by that hardest of all arts hitters, Terry Teachout. La Cieca says “copied and pasted” because in this piece Teachout manages to blather on for over 800 words without introducing a shred of new reporting or even a sliver of fresh observation. For those of you who have not been paying any attention at all to what’s been happening at the New York City Opera since, oh, around the [...]

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with apologies to Nerva Nelli

New York City Opera has commissioned American composer Charles Wuorinen to write an opera based on “Brokeback Mountain,” a love story about two U.S. ranch-hands that won three Oscars when it was turned into a movie. The opera house’s spokesman Gerard Mortier said in a statement on Sunday that Wuorinen had accepted an invitation to compose an opera entitled Haroun and the Sierra of Sissies, based on Annie Proulx‘s short story. It is slated to premiere during City Opera’s 2013 spring season in a production by Jonathan Miller.  Casting for the work will include Ian Bostridge as Ennis del Mar [...]

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