Cher Public

And one for Goethe!

Due to a small hiccup in scheduling at Casa della Cieca, this week you get two – two! – uploads: the rather odd couple of Jules Massenet’s Werther and Gustav Mahler’s Symphonie Nr. 8.  Their only common denominator seems to be inspiration from the writings of Johann Wolfgang von Goethe.  Read more »

T’would be a sacrilege to sing at another door

“Did you ever have the feeling that you wanted to go, and then you had the feeling that you wanted to stay?”  This soul-searching question is likely running through the mind of Renée Fleming as she fills up Internet bandwidth, radio airwaves, and cinemas with more Marschallins this week.   Read more »

How to train your dragoon

Forty-five years after Herbert von Karajan founded Osterfestspiele Salzburg in 1967 as an opportunity for his Berliner Philharmoniker to act as a pit band, the orchestra and its latest maestro, Simon Rattle, decamped for Baden-Baden. Rattle’s farewell production in March 2012 was Carmen starring Magdalena Kozená (Mrs. Rattle), Jonas Kaufmann, Genia Kühmeier, and Kostas Smoriginas.  Read more »

Bells are ringing

Lakmé, stars Ruth Welting, Alfredo Kraus, and Paul Plishka, conducted by Nicola Rescigno. 

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Lady With a Repertoire

“If you’ve overdosed on Der Rosenkavalier in the past week, let’s go back a few years to Richard Strauss’ first operatic hit: Salome.

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Hold your peace

Benjamin Britten’s War Requiem with Anna Netrebko, Ian Bostrdge, and Thomas Hampson in an incredibly moving performance from the 2013 Salzburger Festspiele.

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War, what is it good for?

Verdi’s ninth opera, Attila, offers all the noisy music from Nabucco without a “Va pensiero” to cherish.

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Fire Walk with Me

This week brings another opera about which we’ve heard a lot but have had few opportunities to see onstage: The Fiery Angel by Sergei Prokofiev.

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Seconda la commedia, sta cheto e lascia far

It’s been said that the final installment of the great trio of bel canto comedies is Don Pasquale, following Il barbiere di Siviglia and L’elisir d’amore.

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Midcentury modern

This week’s feature is a classic Salzburger Festspiele performance from 1959 with the all-star cast of Leopold Simoneau, Lisa Della Casa, Kurt Böhme, Erika Köth, Walter Berry, Hans Hotter, Graziella Sciutti and Karl Dönch conducted by George Szell.

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