Headshot of La Cieca

Cher Public

  • Flora del Rio Grande: stevey – I’d say you know plenty as regards Anna Tomawa Sentow. I heard... 12:33 AM
  • Porgy Amor: A deep bow of gratitude to Nestor Almendros, one of those DPs who is among the gods. And another... 11:20 PM
  • Krunoslav: In the cast of ANKLES AWEIGH was Janet Pavek, whose Met career 8 years later looked like this:... 11:19 PM
  • stevey: Zinka! I have long wanted to ask you about someone, as I value and respect your thoughts and... 11:01 PM
  • ducadiposa: Nothing truer was ever said! Odd, as I just commented on another blog about much the same thing... 10:35 PM
  • Krunoslav: To ne Manz’s narration is as hard to endure as the long-running NYC radio commercial... 10:31 PM
  • DonCarloFanatic: On the other hand, experiencing opera the way prior generations might have, the more... 10:21 PM
  • Quanto Painy Fakor: with sound httpvh://www.youtu be.com/watch?v=5Z9 kAJUTWUA 10:19 PM
  • Quanto Painy Fakor: Regular: httpv://www.youtub e.com/watch?v=MW78 ihWwwYg 10:16 PM
  • Quanto Painy Fakor: Wide screen test httpvh://www.youtu be.com/watch?v=PPu J3W-qUuc 10:15 PM

There ought to be a new word for camp

glum_janetTyler Perry‘s… For Colored Girls does feel like a ghoulish joke, a dated horror show bordering on parody. It’s both operatic and tone deaf, with explosions of hysteria that include a drunken Macy Gray performing a back-alley abortion and the conversion of a poem spoken by [Ntozake] Shange‘s Lady in Purple into an actual opera by Perry’s regular composer Aaron Zigman (called La Donna In Viola). During the opera, the film cuts back and forth between a doomed couple silently watching the performance (the husband is on the down low, unbeknownst to the wife) and another character being savagely date-raped.” [Time]