Cher Public

  • NPW-Paris: I remember some people here said they’d seen good productions of Il Trovatore, but I don’t think I have, except... 8:08 AM
  • NPW-Paris: I’ll be there on Monday night. I’ll write it up, of course, as usual. I’ve been told the production is boring. 8:06 AM
  • Rowna: Was new to me. Thanks for the link to Nebs aria. Dark on the bottom, thinned out beautifully on top, plus astounding physicality in... 6:31 AM
  • armerjacquino: Sigh. And once again, the daily OT thread, RIGHT UNDER THIS ONE, wonders what it did wrong. 6:01 AM
  • NPW-Paris: My apologies if this is a “repeat̶ 1; : http://www.concert classic.com/video/ le-trouvere-de-ver di-la-bastille-... 4:45 AM
  • la vociaccia: It’s a great voice no doubt but a bit too cloudy in the vowels (especially the the French) for me to invite... 3:24 AM
  • la vociaccia: It’s not a massively complex or uncommon phenomenon; she produces her current sound by driving her voice at full force... 3:16 AM
  • Tamerlano: Angie was a fucking pig. My god, she just tore those arias to shreds…jerky tempo changes and overly precious... 2:39 AM

There ought to be a new word for camp

glum_janetTyler Perry‘s… For Colored Girls does feel like a ghoulish joke, a dated horror show bordering on parody. It’s both operatic and tone deaf, with explosions of hysteria that include a drunken Macy Gray performing a back-alley abortion and the conversion of a poem spoken by [Ntozake] Shange‘s Lady in Purple into an actual opera by Perry’s regular composer Aaron Zigman (called La Donna In Viola). During the opera, the film cuts back and forth between a doomed couple silently watching the performance (the husband is on the down low, unbeknownst to the wife) and another character being savagely date-raped.” [Time]