Headshot of La Cieca

Cher Public

  • pavel: Quite a tempting selection of treats, save for the Rameau. Even people dancing in their knickers... 8:10 PM
  • Archaeopteryx: I must say that I find Eaglen’s reading of Norma’s scene on her recital disc with... 6:29 PM
  • manou: Toscanini e passato naturalmente. 6:17 PM
  • manou: Toscanini ed “passatoR 21; non hanno bisogno di lettere in più. 5:52 PM
  • kashania: Well, that feistiness carries through the third act. My throat hurts! She’s very exciting but... 5:28 PM
  • ML: Yes, and that’s the best line in the whole damn libretto! 5:20 PM
  • ML: Just out of curiosity, does anyone know how Jane Eaglen in her EMI recording handles the role, and... 5:12 PM
  • mercadante: I heard that Liu in Philadelphia and thought it quite excellent also. 5:09 PM
  • Archaeopteryx: And La Grubsi’s leg injuries seem to be forgotten. She excelled in July in Zurich as... 5:06 PM
  • Archaeopteryx: Gruberova does Casta Diva in G normally, since she started to sing the role she didn’t... 5:04 PM

There ought to be a new word for camp

glum_janetTyler Perry‘s… For Colored Girls does feel like a ghoulish joke, a dated horror show bordering on parody. It’s both operatic and tone deaf, with explosions of hysteria that include a drunken Macy Gray performing a back-alley abortion and the conversion of a poem spoken by [Ntozake] Shange‘s Lady in Purple into an actual opera by Perry’s regular composer Aaron Zigman (called La Donna In Viola). During the opera, the film cuts back and forth between a doomed couple silently watching the performance (the husband is on the down low, unbeknownst to the wife) and another character being savagely date-raped.” [Time]