Cher Public

  • NPW-Paris: Their latest issue is Gounod’s Cinq-Mars, with Mathias Vidal, Tassis Christoyannis, Véronique Gens, etc., and the Münchner... 6:44 AM
  • NPW-Paris: And later the Opéra Comique joined in, and the Palazzetto Bru Zane with some very interesting recordings. 5:39 AM
  • redbear: It was a continuing chapter in the French rediscovering their own musical history and it is one of the great stories of my... 4:39 AM
  • manou: Kurzak has this pronounced widow’s peak (think evil Queen in Snow White) and they did replicate it quite well with the wig,... 4:22 AM
  • NPW-Paris: It was in February 2007 at the Bastille, with Anick Massis, Anna-Caterina Antonacci and Chris Merritt, and yes, the blog has a... 1:33 AM
  • zinka: 26:52 is the duet….. 12:38 AM
  • zinka: httpv://www.youtub e.com/watch?v=a7kN -KxKL7w LEYLA!!!!!!!!!!!!! !!!!!! Papian was chest-less when I saw her..She is... 12:37 AM
  • Batty Masetto: Definitely a wig, though unusually for BSO, a pretty good one. I noticed a major change in her hair before her scene in... 11:31 PM

There ought to be a new word for camp

glum_janetTyler Perry‘s… For Colored Girls does feel like a ghoulish joke, a dated horror show bordering on parody. It’s both operatic and tone deaf, with explosions of hysteria that include a drunken Macy Gray performing a back-alley abortion and the conversion of a poem spoken by [Ntozake] Shange‘s Lady in Purple into an actual opera by Perry’s regular composer Aaron Zigman (called La Donna In Viola). During the opera, the film cuts back and forth between a doomed couple silently watching the performance (the husband is on the down low, unbeknownst to the wife) and another character being savagely date-raped.” [Time]