Headshot of La Cieca

Cher Public

  • orlando: Pretty sure she was in that Philips Giorno di Regno as well. 11:04 AM
  • Cicciabella: Sketches for the Meese Parsifall that almost was: http://tinyurl.com /meeseparsifal. 10:48 AM
  • Chanterelle: @NPW-Paris That’s pretty remarkable! Then you notice the way the patrons are dressed, and... 10:28 AM
  • perfidia: I have been thinking, after hearing Peters’ recording of Zerbinetta, that she was probably... 9:46 AM
  • Krunoslav: I had indeed forgotten- quite awful, with Hvorostovsky– ; was it his first studio set?–... 9:43 AM
  • Buster: The piano version, in this case, works well – more intimate, more exposed: httpv://www.you... 9:35 AM
  • Gualtier M: Just a note here: Metropolitan Opera accumulated a $22 million dollar deficit last year,... 9:35 AM
  • kennedet: I hope not, Salome. Is she trying to reinvent herself or just having fun? If it’s the... 9:20 AM
  • Buster: There is a also a Jessye Cavalleria Rusticana – best forgotten. 9:08 AM
  • Often admonished: She sang both soprano and mezzo parts for Abbado. At two separate performances, fortunately. 8:41 AM

There ought to be a new word for camp

glum_janetTyler Perry‘s… For Colored Girls does feel like a ghoulish joke, a dated horror show bordering on parody. It’s both operatic and tone deaf, with explosions of hysteria that include a drunken Macy Gray performing a back-alley abortion and the conversion of a poem spoken by [Ntozake] Shange‘s Lady in Purple into an actual opera by Perry’s regular composer Aaron Zigman (called La Donna In Viola). During the opera, the film cuts back and forth between a doomed couple silently watching the performance (the husband is on the down low, unbeknownst to the wife) and another character being savagely date-raped.” [Time]