Last night Michael Fabiano closed out his first recital tour of the United States in my hometown of Santa Monica here at the Broad Stage. Read more »
For me, the third act of La Bohème is the most important. Mimì, desperate to understand why her relationship is disintegrating, ventures to the outskirts of Paris to speak with Marcello. She wants to understand why her lover Rodolfo abandons her, turns from her, and accuses her of infidelity. When Rodolfo appears to speak with Marcello, she hides herself, and listens from a short distance. Rodolfo tells his friend that the real reason he wants to leave Mimì is because she’s sick, and he is poor; he doesn’t have the resources he needs to take care of her. He cannot bear to see her suffering, and not help.
Mezzo-soprano Joyce DiDonato is first among equals in a spectacular cast when she sings the title role of Ariodante in this season’s installment of Carnegie Hall’s critically acclaimed cycle of Handel’s operas in concert. A brilliantly melodic work, the opera features outstanding arias for each of the principal singers, including Ariodante’s melancholy “Scherza infida” and show-stopping “Doppo note.” Harry Bicket and The English Concert bring authentic Handelian brilliance to this marvelous opera. (Photo: Simon Pauly) Get tickets. Read more »
The UK’s first-ever production of Poliuto, now available from Opus Arte on DVD, set the lions of Rome among the lambs of Glyndebourne. Donizetti’s dramatic opera (or tragedica lirica) was completed in the summer of 1838, a year following Roberto Devereux and two years before La fille du regiment and La favorite, closer to the end of the composer’s career than to the beginning.
The opera dramatizes conflicts of romantic and religious natures. In the third century A.D., Armenia’s Roman conquerors, the worshippers of Jupiter, seek to eradicate Christianity. Paolina (soprano), daughter of Mitilene governor Felice (tenor), has heeded her father’s urging to marry the principal magistrate, Poliuto (tenor). Read more »
That little place just two hours from the city is on the list of things I shall never understand, like the plot of Parsifal.
Gala this; gala that; who knew rich people wore clothes so badly?
For those of you who are following these things, Michael Fabiano is currently in London.
One of the major complaints about the five year casting system (as well as the shared productions by different companies) is that operatic events are rarely surprises anymore.