In my very own private hell In my very own private hell

No, we don’t really need another “Orpheus” opera. Or, rather, we don’t need this one.

on November 24, 2021 at 11:24 PM
Pretty little lyres Pretty little lyres

While one sympathized with Matthew Aucoin’s urge to add his voice to the Orpheus canon it was difficult to figure out how his work complemented Gluck’s.

on May 07, 2018 at 12:42 PM
The love that dare not yawp its name The love that dare not yawp its name

Matthew Aucoin’s Crossing depicts Walt Whitman’s experience serving wounded soldiers in a DC infirmary and chronicles the period’s tragic effects.

on October 05, 2017 at 11:36 AM
All about the voice All about the voice

Tenor Paul Appleby’s onstage persona is as American as apple crisp, and he possesses the untroubled confidence of a politician.

on March 18, 2016 at 9:00 AM
When this cruel war is over When this cruel war is over

Jarrett Ott is a star. That is the only surprise takeaway from the well-intended snore, Cold Mountain.

on February 08, 2016 at 10:00 AM
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